DO BLACK PEOPLE REALLY DO THIS STUFF? Cosplay and the building of a Black World
Last semester at the school I teach – and where my son, Ade, attends – the younger male students – ranging in age from six to ten and all of African descent (i.e. Black) – decided to fashion their own costumes based on characters they created. The boys created elaborate back-stories for their personas, developed comic books and transformed from being “themselves” into their personas at every break, during lunch and – for Ade, at least – on the ride home from school.
My son and his schoolmates had discovered the joys of cosplay.
Cosplay, thought by most to be short for “Costume Play” is, more accurately, short for “Paracosmic Play”. Paracosms are the fantasy worlds that many imaginative children invent.
Young people who engage in cosplay are developing creative skills that pay off later in “real life.” The famed trio of Brontë Sisters – best known for the novels, Wuthering Heights and Jane Eyre – and their Brother, Branwell, are a prime example of those who began writing early through creating and building upon imaginary worlds. As children, they concocted paracosms so elaborate that they documented them with meticulous maps, drawings, and hundreds of pages of encyclopedic writing.
Yes, cosplay involves wearing costumes and acting in the role of a favorite character from a novel, television program, comic book, movie or one’s own imagination; however, any good cosplayer knows that to cosplay well requires a knowledge of the world that character comes from. Those who cosplay characters from their own imaginations – such as my son and his schoolmates – usually create their character’s back-story, which includes the supporting characters and the setting from which that character comes.
It now appears that, like the Brontës, children who engage in cosplay are more likely to be creative as adults. A 2002 study shows that geniuses are twice as likely as “normal” non-geniuses to cosplay. Some fields were proven to be particularly rife with cosplayers: Fully 46 percent of the recipients polled in the social sciences were cosplayers in their youth.
Fandom and cosplay is not for every child – some are just genuinely more interested in football than they are in Rick Riordan’s Kane Chronicles (note that on the covers of the Kane Chronicles, the protagonist’s face is never shown; the protagonist is Black, however, on the cover of Riordan’s Percy Jackson series of novels, the white protagonist’s face is always shown) – but we need to see a change in the media; more Black writers need to tell our stories so that more young, Black fans are encouraged to reap the benefits of participatory fandom and cosplay.
These young, Black cosplayers will go on to make a better world for us.
Because cosplay requires practical creativity. Fleshing out a universe demands, not just imagination, but an attention to detail, consistency, rule sets, and logic. You have to grapple with constraints – just as when you are problem-solving at work.
The future belongs to those who can imagine it.
On October 26, 2012, join us for a night of adult cosplay and exciting short films at The Mahogany Masquerade: An Evening of Steamfunk and Film.
Come out in your (Steam)funkiest gear and enjoy the four short films that will be screened; engage authors, filmmakers and artists in a panel discussion on the Steamfunk Movement; shop for books and movies in our bazaar and meet and greet your fellow Steamfunks, Steampunks, and lovers of Science Fiction and Fantasy!
Presented by the Auburn Avenue Research Library on African-American Culture & History and the State of Black Science Fiction as part of Alien Encounters III, the four-day convention on Black Science Fiction, Horror and Fantasy!
Friday, October 26, 2012
6:30pm – 9:00pm.
This event is FREE and open to the public!
Wear your Steampunk / Steamfunk Clothing, Costumes, Gadgets and Gear and receive a Blacknificent Science Fiction, Fantasy or Horror novel free!