DOROTHY, WE AINT IN KANSAS ANYMORE

The Building of a Non-Eurocentric Fantasy World

 

Ki Khanga AnthologyI grew up on science fiction and fantasy, loving both genres equally, however, when I discovered Dungeons and Dragons back in 1981, my greatest love became fantasy. Forced into game-mastering due to the racism of the white students who refused to teach Black students to play, or treated us like “orcs” when they did teach us, my storytelling grew from the simple stories about Shaft, Billie Jack, Luke Cage and the Falcon I would tell to entertain my friends and family, to the building of worlds inhabited by complex characters. Fantasy worlds filled with intrigue, adventure, horror and humor.

Wanting to tell better Fantasy stories and to create a richer world for the players in my Dungeons and Dragons campaign, I became a voracious reader of fantasy novels, reveling in the richly-textured worlds of J.R.R. Tolkien, C.S. Lewis and Robert E. Howard.

After two years of enthusiastic play, however, I – and my friends, it turned out – was tired of playing such a Eurocentric game. We had grown tired of lands that were obvious representations of England, Germany and Russia. These settings were not offering us anything new; anything we had not seen in slightly different forms over and over again.

Warrior 3To make the game interesting, many of my friends would create a character that was a ninja or samurai – because they were people of color, which made them unique and because they were ninjas and samurai, which made them cool. When I decided to introduce a Mandinka king who had come to the Land of Nod – we called all Eurocentric settings that because, for us, they had become boring and powerful sleep-inducers – to hunt the vampires who murdered his family, however, our interest in the game resurged. The players in my group begged to have their characters accompany the king back to Mali once they helped kill the vampire hordes infesting the Land of Nod. I agreed and everyone went into a frenzy – they, to find armor, clothing, weapons and spells appropriate to the terrain; I, to research ancient Mali and African folklore, creature lore and social, military and ecological systems and to create a world worthy of my players and of Africa.

kikhanga8From this experience, I learned that a writer has to do three things in order to create a fantasy world that is real enough for readers to escape to; to immerse themselves in; to feel:

a) Know it personally.

b) Research; research; research.

c) Make it up.

For my friends who do not write fiction, you probably think that writers of fantasy rely entirely on “making it up”, but you would be wrong. For the most part, fantasy worlds – just like worlds in hard-boiled crime, horror and romance – are based on something. Very often, fantasy worlds are an altered or hybridized version of a pre-modern, non-technological human society, which means, to create a world that readers will accept as real, you gotta research, research, research!

African Armor 2The best places to find new ideas for fantasy world-building are in reading about history, culture and “real-world” systems of belief.

If an author’s only research is other fantasy novels, he or she will wind up borrowing Eurocentric milieus from the rest of the genre – and give us even more cliché from the Land of Nod.

A world based on Europe or West Asia is no problem, as long as, when immersed in your world, we don’t expect Conan, Bilbo Baggins, or The Gray Mouser to hop out from behind a bush and shout “Surprise!”

We need more worlds like Charles Saunders’ Nyumbani – “home” in Swahili – a world based on the traditions, legends and lands of Africa. Saunders, the founder and father of the fantasy subgenre Sword and Soul, has created a world that is fantastic, yet very real. Nyumbani is home to Saunders’ Imaro, one of the greatest and most interesting heroes in the history of fantasy fiction.

Taking inspiration from Charles Saunders, authors Milton J. Davis and Balogun Ojetade (full disclosure: that’s me), no strangers to world-building themselves, joined forces to create Ki-Khanga, a unique world that draws readers in and keeps them there. What, exactly is Ki-Khanga? How does this world “work”? Well, Charles Saunders says it best:

Ki-Khanga is an Africa that could have been, located in a world that might have been. Sprung from the fertile minds of Milton J. Davis and Balogun Ojetade, Ki-Khanga is a place of magic and mystery, heroism and horror, spears and seduction. It is a place roiled by the long-reaching repercussions of an ancient feud between pre-human races and the subsequent wrath of an affronted deity. Not only does magic work in Ki-Khanga – magic defines Ki-Khanga, in more ways than one.

Cleave 1I invite you to join us on the sandy shores, perilous mountains and mysterious savannahs of our world. I invite you to ride beneath the dunes of Targa in the bowels of the oga’koi-koi or to do battle with the Ndoko in the Great Circle. I invite you to share in our tales of triumph; of tragedy; of terror and tenacity.

I invite you to free yourself from the Land of Nod…and flee to Ki-Khanga!

 

Help us change the game by supporting our game! All the profits from the anthology will go to the development of Ki-Khanga: The Role-Playing Game. 

We’re not asking you to Kickstart or Indiegogo, just purchase a copy of this exciting collection of stories by Balogun Ojetade and Milton J. Davis; with an amazing cover by world-renowned fantasy and science fiction artist, Eugene Randolph Young and a powerful introduction by the Father and Founder of Sword & Soul, Charles R. Saunders!

You get a great anthology now…and a great role-playing game later. It’s a win-win!

The anthology is now available for Kindle and Nook. Print copies are coming soon.

Sword and Soul forever!

About Balogun

Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single Link and Rite of Passage: Initiation. He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/. He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika and contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk. At present, Balogun is directing and fight choreographing the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis. He is one of the leading authorities on Steamfunk –a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/. He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the science fiction gangster saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika. He is also co-creator of the soon-to-be-released role-playing game, Ki-Khanga™: The Sword & Soul RPG. Balogun is Master Instructor of the Afrikan Martial Arts Institute and Technical Director of Martial Ministries of America, a non-profit organization that serves at-risk youth. He is also a traditional African priest, actor and conflict resolution specialist, who works and lives in Atlanta, Georgia with his wife, his seven daughters and his son.

22 responses »

  1. That is excellent!! I can’t wait to hear those stories!

  2. periklis says:

    Looking forward to reading Ki-Khanga. As I’ve recently finished the second book in Imaro’s saga, may I ask you to suggest a book (probably non-fiction) that introduces myths, legends and/or folk tales that inspire and inform, Nyumbani and Sword & Soul stories in general?
    Will there be an appendix or chapter dedicated to this in the upcoming Ki-Khanga RPG?
    Thank you for your time!

  3. Steve Broome says:

    Sounds good, I’ll check it out

  4. I’d happily buy the anthology on paper (haven’t found a good way to read e-books yet), and will try to get it reviewed at TFFReviews. But I’d also support (and help promote) a Kickstarter or similar if you decided to go for one after all… especially if it was a way to pre-order the game, say.

    Either way, good luck with it all. Excellent idea!

  5. fletchav says:

    Just downloaded my copy. Can’t wait to get started.

  6. [...] “Dorothy, We Ain’t In Kansas Anymore: The Building of a Non-Eurocentric Fantasy World!” Balogun Ojetade discusses the journey towards publishing his works and creating the Ki-Khanga RPG. [...]

  7. Fujimoto says:

    I downloaded my copy a few days ago. I’m busy with some writing projects right now, but I can’t wait to dive into Ki Khanga. I’m very happy to have contributed to the game in a small way! I look forward to it.

  8. Un Nefer says:

    Thank you for taking this bold step. This is something our youth need, art forms in which we can truly identify with and not something that is the default standard in the diaspora.

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  10. […] Here you will find discussions, photographs, fiction and articles on Steamfunk, Rococoa, great Black Authors, Black fandom, the craft of writing and Sword & Soul. […]

  11. […] Because Rite of Passage is Science Fantasy; it is Steamfunk, thus it is not “real enough” to the Black […]

  12. […] QUEENS IN AFRIKA: Women Rulers in Sword & Soul and other African-Inspired […]

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