STEAMFUNK IS…

life 9Life lived in a fabricated Age of Steam.

To fabricate means to “invent or create.”

Thus, Steamfunk, at its root, is the invention or creation of a story set in the “Age of Steam”. For the authors of Steamfunk, this Age is not limited to the Victorian Era (1837 – 1901). A Steamfunk story can take place in the past, present or future, as long as steam technology is the dominant technology in that story’s world.

life 7My story, The Hand of Sa-Seti is set in 12th Century Kamit (A nation akin to ancient Egypt), while Black Caesar: The Stone Ship Rises is a Steamfunk tale set in the Caribbean of the 18th Century and Nandi is set in 1973 California.

All are Steamfunk; all are very different from one another.

As far as the “blackness” in the stories goes, co-editor and publisher, Milton Davis says “In some of the stories, the main character happened to be Black; but, in others, the main character had to be Black.”

One story in which the main character had to be Black is Benjamin’s Freedom Magic by Ronald Jones. Benjamin’s Freedom Magic is based on the amazing life of the very real Benjamin Montgomery, an enslaved genius who was also one of the greatest inventors in modern history.

life 1Born in Virginia in 1819, Benjamin was owned by Joseph E. Davis, older brother of future Confederate president, Jefferson Davis. Benjamin was a mechanic who used his skill to invent a propeller that allowed steamboats to maneuver through shallow water with greater ease and safety. In the late 1850s, he attempted to get a patent for his invention. According to author, Ronald Jones “Not surprisingly, the U.S. Attorney General’s office refused to grant a patent to a slave. When the Davis brothers tried to patent Benjamin’s invention, they were denied as well, due to neither being the true inventor; how ironic that, when Jefferson Davis became president of the Confederacy, he enacted a law making it possible for slaves to patent their inventions.”

life 10Upon the end of the Civil War, Joseph Davis sold his plantation and other properties to Benjamin and Benjamin’s son, Isaiah. The sale was made based on a long-term loan in the amount of $300,000.00. Benjamin and Isaiah decided to pursue a dream of using the property to establish a community of freed slaves.

Like Benjamin Montgomery, Ronald Jones – one of the greatest Military Science Fiction writers in modern history – used his skill and genius to fabricate a story from a man’s amazing life that is even more amazing; one filled with intrigue, action and wondrous gadgets.

life 6Steamfunk is… Life lived in a fabricated Age of Steam.

And the heroes and heroines in every story in the Steamfunk anthology live those lives with great pain, weariness, vigor, ambition or zest.

Steamfunk is a life, or, for some of our more zealous Steamfunkateers, Steamfunk is life; however, it is somehow larger than life; more wondrous; more…funky.

And, for the record, the life that is Steamfunk is not “Black Steampunk”; no more than Steampunk is, well, White Steampunk. Steamfunk offers a look at Steampunk through a different set of goggles. Goggles with colorful lenses.

But, alas, I wax poetic. If you really want a great definition of Steamfunk, pick up the Steamfunk anthology. It can provide a much clearer definition than I ever could…and you’ll have the time of your life reading it, too.

life 5

Please, check out some of the incredibly talented and skilled contributors to the Steamfunk anthology:

Milton Davis – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com and www.wagadu.ning.com .

Ray Dean – Growing up in Hawaii, Ray Dean had the opportunity to enjoy nearly every culture under the sun. The Steamfunk Anthology was an inspiration she couldn’t pass up. Ray can be reached at http://www.raydean.net/.

Malon Edwards – Born and raised on the South Side of Chicago, Malon Edwards now lives in the Greater Toronto Area. Much of his speculative fiction features people of color and is set in his hometown. Malon can be reached at eastofmars.blogspot.com.

Valjeanne Jeffers – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls, Immortal IV: Collision of Worlds and The Switch: Clockwork. Visit her at: http://valjeanne.wordpress.com  and http://qandvaffordableediting.blogspot.com/ .

Rebecca M. Kyle – With a birthday on Friday 13, it’s only natural that the author is fascinated with myths, legends, and oddities of all kinds. Ms. Kyle lives with her husband, four cats, and more rocks and books than she cares to count between the Smokies and Cumberland mountains. Visit her at http://bexboox13.blogspot.com/.

Carole McDonnell – is a writer of Christian, supernatural, and ethnic stories. Her writings appear in various anthologies, including So Long Been Dreaming: Postcolonialism in Science Fiction, edited by Nalo Hopkinson; Jigsaw Nation; and Life Spices from Seasoned Sistahs: Writings by Mature Women of Color among others. Her reviews appear in print and at various online sites. Her novels are the Christian speculative fiction, Wind Follower, and The Constant Tower. Her Bible study is called: Seeds of Bible Study.   Her website is http://carolemcdonnell.blogspot.com/.

Balogun Ojetade – Author of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: The Chronicles of Harriet Tubman” (Steamfunk); “Once Upon A Time in Afrika” (Sword and Soul); “Redeemer” (Urban Fantasy) and the film, “A Single Link” and “Rite of Passage”. Finally, he is Co-Author of “Ki-Khanga: The Anthology” and Co-Editor of “Steamfunk!” Visit him: http://chroniclesofharriet.com/.

Hannibal Tabu – is a writer, a storyteller, and by god, a fan. He has written the novels, “The Crown: Ascenscion” and “Faraway” and the upcoming scifi political thriller “Rogue Nation.” He is currently the co-owner and editor-in-chief of Black geek website Komplicated at the Good Men Project, and uses his Operative Network website (www.operative.net) to publish his poetry, market what he’s doing, rant at the world and emit strangled cries for help.

Geoffrey Thorne – Geoffrey Thorne has written a lot of stuff in a lot of venues and will be writing more in more. It’s his distinct pleasure to take part in another of these groundbreaking anthologies. Thanks for letting me roll with you folks. For more (and God knows why you’d want more) check out http://www.geoffreythorne.com/.

About Balogun

Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single Link and Rite of Passage: Initiation. He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/. He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika and contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk. At present, Balogun is directing and fight choreographing the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis. He is one of the leading authorities on Steamfunk –a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/. He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the science fiction gangster saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika. He is also co-creator of the soon-to-be-released role-playing game, Ki-Khanga™: The Sword & Soul RPG. Balogun is Master Instructor of the Afrikan Martial Arts Institute and Technical Director of Martial Ministries of America, a non-profit organization that serves at-risk youth. He is also a traditional African priest, actor and conflict resolution specialist, who works and lives in Atlanta, Georgia with his wife, his seven daughters and his son.

16 responses »

  1. Milton says:

    Excellent explanation and excellent images! Keep raising the bar, Steamfunkateer!

    • Balogun says:

      Thank you! And thank you for publishing a Blacknificent anthology! The bar is heavy…thanks, for helping me hoist it high, Steamfunkateer!

  2. Squiddy says:

    Woah, Whitney is so Steamfunk you featured her twice!

  3. […] FACING THE FUNK: Renowned Mask-Maker to Create Steamfunk Line! […]

  4. […] am a Steampunk. I am a Steampunk author. I am a Steamfunkateer. My expression is rooted in Africa and in an America that was not too kind to Blacks, other People […]

  5. […] are asking for more Steamfunk, which is really quite shocking; not because Steamfunk fiction isn’t absolutely funktastic – it […]

  6. […] was recently contacted by an agent who asked if Rite of Passage – the Steamfunk movie that goes into pre-production in May and production in August – was a student film. I […]

  7. […] that author Milton Davis and I have developed – the world you will experience in the upcoming Steamfunk feature film, Rite of Passage – the secret to Nicodemus’ survival lies in its four very powerful […]

  8. […] GA-Tech Professor and an Associate Director of the film, Lisa Yaszek, asked who was familiar with Steamfunk. Three hands – not including those of our crew – went up in the packed room. She then asked who […]

  9. […] the Steamfunk feature film, Rite of Passage, we further examine prison songs and the effect those songs have on […]

  10. […] FANTASTICAL THAN SWORD & SOUL AND STEAMFUNK: Dispelling the ‘Crabs in a Barrel’ […]

  11. […] it, though. Unlike the striking visual difference between Sword-and-soul and Sword-and-sorcery, the art used in current works of Steamfunk largely harkens to Steampunk’s Victorian-era European aesthetics. […]

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