Steamfunk * Steampunk * Sword & Soul

Science Fiction

DREAM-CASTING “NGOLO”: An Afrikan Martial Arts Sci-Fi Film Competes In The Urban Action Showcase!

Ngolo

Rite of PassageDream Casting – imagining which big name stars would fill roles in a movie based on your favorite book or comic book; or based on a story, book or screenplay that you wrote – has become popular nowadays. I did it a while ago with Rite of Passage, the Steamfunk feature film I wrote based on a Blacktastic story by Milton Davis.

Rite of Passage has been produced and will premiere in Los Angeles May 8.

 

Artwork by Moises Martins.

Artwork by Moises Martins.

Milton and I have teamed up, once again, for another story of Milton’s that I have developed into a screenplay. The story, Ngolo, is a gritty, Afrikan martial arts / science fiction feature film, set in the near future. Ngolo is now officially entered into the Urban Action Script contest at the Urban Action Showcase and Expo.

The Urban Action Showcase, in partnership with Cinemax, is a multi-day, independent Action film festival, showcase, Action script and comic book competition, and Urban Action Expo, premiering minority filmmakers specifically in the Action film genre.

By focusing on the thrill and excitement of the Action genre and recognizing the need for integration in it, the Urban Action Showcase has set itself apart from other film festivals as the only one of its kind!

The Urban Action Showcase advocates minority actors, filmmakers, producers, and industry professionals of the Action film genre through workshops, panel discussion, screenings and events and they endeavor to encourage major film studios to both include and pioneer more ethnically diverse casts and projects in the Action genre. 

The Urban Action Showcase is presented by Action Scene Combat (ASC) Productions, a full service production company – founded in 2000 by the creator of the Urban Action Showcase, Demetrius Angelo – which pioneers ethnically diverse works in the Action film genre.

Below, I dream cast Ngolo. My dream casting is different, however, as I do a big budget casting and a low-budget casting. It should be noted, however, that honestly, most of the actors cast in the low-budget version would be cast in the big budget version if I had any say in the matter – they are just that good.

Logline

In the near-future, assassinations are legal, as long as they are carried out by government-sanctioned guilds of assassins, who settle disputes in boardrooms and political offices around the world. One guild – the Bloodmen – is the most skilled; the most dangerous; the most feared…until the day the hunters become the hunted.

 

Ngolo Synopsis

            When a contract for the life of Senator PATRICK STANTON – a man hell-bent on eradicating the assassin guilds – is issued and taken on by the Bloodmen, it is suspected by the Bloodmen’s Guild Professor (2nd-In-Command), STEPHEN JONES, that the master of the guild, KAMARA KEITA, accepted the contract pro-bono (an illegal practice) in order to force Senator Stanton to vote in favor of the continued existence of legal assassination and assassin guilds at the upcoming vote on the Anti-Assassination Bill.

Desiring leadership of the Bloodmen, Stephen challenges Guildmaster Kamara to combat, with the prize being command of the guild. Kamara defeats Stephen. Ashamed and envious, Stephen leaves the Bloodmen and attempts to turn the other guilds against Kamara. Instead, the other Guildmasters and Guild Professors back Kamara and even encourage him to kill Stephen for his betrayal, which Kamara refuses to do.

Stephen goes to assassin wannabes, the TIGERS and offers them a chance to become a legitimate guild if they help him bring down the Bloodmen. The leader of the Tigers, CARLOS FAIRCHILD, is reluctant at first, but Stephen convinces him that, under Guildmaster Kamara’s leadership, the Bloodmen have become corrupt and they must be stopped before they cause the eradication of legal assassination and all the guilds. Carlos joins forces with Stephen and hands over leadership of the Tigers – and a few street gangs he has influence over – to the former Bloodman.

The Bloodmen throw their annual Founders’ Day celebration. All of the Guildmasters and Guild Professors from around the world attend. Kamara awaits the arrival of his son, MALCOLM and Malcolm’s fiancée, JAMELA RASHON, both top Bloodmen assassins.

Jamela is en route from an assignment in San Diego and Malcolm is en route from a job in Japan. While on his way to the Bloodmen’s guild house, Malcolm is ambushed by the Tigers. At the same time, the guild house is attacked by an army of Tigers and thugs, led by Stephen.

Jamela comes upon the house as it is being attacked.

And then…

To find out what happens next, you’ll just have to wait for the movie.

Yep…I’m leaving you hanging…but not for long.

Stay tuned.

Now, onto the dream casting!

Jamela Rashon: One of the best assassins in the Bloodmen guild. Witty, rebellious and confident. Loyal to the guild and her loved ones. She wants to do a lot of jobs, retire and marry her fiancé, Malcolm. A cold-blooded killer, but loving, out-going and charismatic.

Big Budget:Nicole Beharie

ngolo

 

Low Budget:Yakini Horn

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Malcolm Keita: Son of Guildmaster Kamara Keita. Skilled, efficient and upholds the traditions and culture of the Bloodmen. Honorable, loyal to his father and the guild. In love with Jamela, but puts the needs of the guild above his desire for love and happiness with her.

Big Budget: Mehcad Brooks

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Low Budget: Osceola Thaxton

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Stephen Jones: Guild Professor (2nd-In-Command) of the Bloodmen. Third-generation Bloodman. Secretly feels that he is better fit to lead the Bloodmen because of he is a legacy. Arrogant and self-serving. Highly skilled assassin, but relies more on his intelligence, cunning and charisma than his martial skills.

Big Budget: Anthony Mackie

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Low Budget: Aaron Israel

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Kamara Keita: Guildmaster of the Bloodmen. Comes from a line of African warriors and martial arts masters that stretches back to a time when the pyramids were still young. Loves the guild and views all Bloodmen as family. Honorable, intelligent, wise and level-headed. Most respected of all the Guildmasters.

Big Budget: Michael Jai White

ngolo

Low Budget: Khalil Maasi

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Carlos Fairchild: Bloodman wannabe. Leader of the Tigers, unofficial guild. Skilled martial artist and executive protection specialist. Charismatic and a good diplomat. Loyal to Stephen. Wants to be an assassin – particularly a Bloodman – above all else.

Big Budget: John Boyega

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Low Budget: Sangomurewa Adeyeye

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Patrick Stanton: Senator; becomes President of the U.S. Tough as nails, fearless, enjoys a good fight. Seeks to eradicate all Assassin Guilds.

Big Budget: Joseph Gordon-Levitt

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Low Budget: Cory Jaccino

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David Colby: Secret Service Agent and head of Stanton’s security; Experienced and intelligent, but out of his league when dealing with the Assassin Guilds.

Big Budget: Bradley Cooper

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Low Budget: Matteo Miller-Nicolato

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Sarah: Field Director of The Inside, a shadowy, secret society. Cunning, intelligent and cold-blooded. Will do anything to further the goals of The Inside and is willing to destroy anyone, or anything that stands in her way.

Big Budget: Annette Bening

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Low Budget: Mellie Miller

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Jenny Running-Fox: Shaman. Secretly an interrogator for The Inside. Outwardly, a kind, loving, witty woman married to a cruel and verbally abusive man. Really a sadist, who enjoys using torture to extract information.

Big Budget: Ashley Callingbull

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Low Budget: Ashley Callingbull (yep…the same person as the “Big Budget” actress)

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Diana Stanton: Senator / President Stanton’s wife. She is a brass knuckle-wearing, cigar smoking, beer chugging, and card-carrying militia member. The only girl of six siblings, Diana grew up fighting and rough-housing. Her daddy owned a hunting supply shop and was the local president of the NRA, so she grew up hunting with guns and bows and fishing.

Big Budget: Suzy Nakamura (this is a close upper elementary school friend of mine, turned Hollywood actress)

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Low Budget: Narisa Suzuki

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The Mail Man (Cameo): The Mail Man is the dreaded Contract Server for the Bloodmen. Even to the Bloodmen he is a mystery. It is said he has been a Bloodman since the guild’s inception, but does not seem to age beyond 40 years. Only the Bloodmen Guildmasters know his true identity. It is not even known if he died during the attack on the guilds by Stephen and the Tigers.

Big Budget: Don Cheadle

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Low Budget: Baba Taji Nanji

 

 

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THE BUTLER / BANKS BOOK TOUR, AKA THE FRESH FEST OF AFROFUTURISM PRESENTS CAROLE MCDONNELL!

Wind Follower

The Butler / Banks Book Tour, aka the Fresh Fest of Afrofuturism, is now in its second week and still going strong!

Carole McDonnellToday’s featured author on the tour is none other than the renowned Carole McDonnell.

Carole is a book and film reviewer, whose reviews have appeared in some of the following: The Peekskill Herald, The Quarterly Black Review of Books, Christian Spotlight on the Movies, Christian Spotlight on Video Games, http://www.blogcritics.com, curledup.com, compulsivereader.com, and the fantastic stories website.

Her short stories have appeared in various anthologies, such as So Long Been Dreaming; Fantastical Visions III; Jigsaw Nation; Fantastic Stories of the Imagination; Griots: A Sword and Soul Anthology; Griots: Sisters of the Spear and the Steamfunk! anthology. Her stories have placed in contests such as New Mass Media, Westchester Weekly and the Annual Contemporary Western Fiction Contest.

Wind Follower Her novels include The Constant Tower and Wind Follower. She is also author of the bestselling collection of short stories, Spirit Fruit.

Carole moved from Jamaica to the United States when she was eleven and lived in Brooklyn until she was seventeen, she then attended SUNY Purchase, graduating in 1981. She is married with two children.

 

Below is one of her short stories. Enjoy!

This is How You Make a World

To the left was a small planet, gray, apparently lifeless, about one eighth the size of the destroyed, forsaken earth. To the right, about three million kilometers from Searcher 871, was a large planet, green, blue and gold, reminiscent of the old earth — but eight time its size— populated by humans with various stages of civilization development.  The Searcher had stopped in between both planets, equidistant from both. Inside, its aging inhabitant debated the pros and cons of the terraforming the smaller planet or sending their children into the populated world.

Terraforming would take six months. Not long, considering the ship’s inhabitants had been in space for eight years, since the blighted earth had died.

But the artificially created air, food, light, was already taking its toll on the children. The damaged children, children born with limited mental and emotional and physical abilities because of the tainted foods, pharmas, and air of the old earth. Their parents too were fading, on their last legs — as the old earth maxim went.

But the other planet, the one that shone like a big aqua marble in the dark sky presented other problems. True, its inhabitants had their share of petty wars. But, as far as the aged navigators could tell, chances of atomic bombs and other damages wrought by science were not little. The planet was large, resources varied and many, and tribes — who were as varied as those in the craft— were scattered across the planet. The travelers of Searcher 871 could place their damaged children in a small wood — a natural Eden, if possible— and the children and their future descendants would not be found for hundreds of years to come.  But there were fears and questions, especially among the darker-skinned inhabitants of the craft, about conquest and racial discrimination. The humanoid inhabitants of the planet had features the earthers did not have, and vice versa.

Both planets were the first they had encountered that could take on human life, their shared sun life-giving and rare for human life.

“I choose to terraform the asteroid,” Lily, the African-American woman navigator said.

“Why put our children in a world that will challenge them? We have the skill to make the asteroid suitable for them and their needs.”

“A whole year?” Denny, the Irish Captain replied. “Can they survive? Can any of us survive that long? And if we terra-form, won’t we be using up our resources even more? Our ability to recycle the air, the food, will be taxed.”

There were eighteen adults of all races, of pleasant enough dispositions. They knew how to accommodate themselves to others and to the world. Before the earth died, most parents — those who were actually fertile— had children who were “damaged” and labeled as mentally “limited” or “developmentally slow.” Yet, these children were viewed as a blessing because children themselves were so rare. The year the earth died, ten thousand ships had departed the earth, each with about five hundred crew members. Over the years, most of the crew of 871 had died, or gone stir crazy and suicidal (another American earth phrase.)  It had been difficult to explain the deaths to the children — who were both young and “limited.” But the crew had managed, telling the children that the dead crew members had really gone to worlds along the way. The children — if they missed the dead at all— believed the crew’s protective lies. But now, as the remaining elders looked at each other’s wrinkled faces and at the faces of their children, they knew their limits. Death would come soon. Puberty would appear.

Lily often wondered if puberty would be natural. Would the children “know” what to do? Would “nature” take its course? Some of the children were astute enough to understand many things. They would share their knowledge no doubt. Others could barely feed themselves. But these are the last of Earth humanoids, Lily thought. Unless some others have survived,  we are all that’s left. And even if others have survived, aren’t their children as wounded and “limited” as ours?

As the old travelers looked on their children, they could only come to the decision that terraforming might take a year, but their children would not survive in a world that was not specifically meant for them. Terraforming it had to be. The year went by. No longer did they see the stars passing past them (or vice versa.) No longer did they use the great craft’s power to move forward. All its energies were used to create a perfect land for their children. During that year, five of the eighteen parents died. But their children lived and were taken care of by the others. And each day, the planet took on its form.

A great dome was built around the planet — the laser technology creating a new atmosphere. The ice at the poles farthest from the sun were melted and pushed toward the equator where lakes —not deeper than a man’s foot, not wider than a mile—were built. The seeds of non-genetically-modified non-poisonous plants, the frozen larvae of insects and embryos of animals that would bow to humans were planted in green forests, cold artic poles, and deserts.

At last, the day came when the parents landed their craft on the new world. Some eighty children exited the craft. Lame, halt, mute, mentally limited — a joyous kind new breed of humans, incapable of hatred or pettiness. It was not known if the damage to their bodies and minds was mutagenic. Nor was Lily sure how long she and the old ones would live in that world. The children sat on the grass in front of her — their minds not really focused on the sex video she was showing them. But how could they focus? They had never seen a lake before, or little bunny rabbits, or sheep or bees before.

But Lily stood there and pointed to the dolls, then at the sex video. “This,” she said, hoping some would understand and would teach the others, “This is how you make a world.”

THE END

You can find more of Carole’s work in the following spots:

Her Website: http://www.carolemcdonnell.blogspot.com/

Her Author’s Page on Amazon: http://www.amazon.com/Carole-McDonnell/e/B0034Q3BWG/ref=ntt_athr_dp_pel_1

At her publisher’s website: http://www.wildsidebooks.com/The-Constant-Tower-by-Carole-McDonnell-trade-pb_p_10772.html


RETURN OF THE TWINJAS! Steamfunk, Dieselfunk and Rococoa: Diversify Your Steampunk

DIeselfunk

Recently I was interviewed by Twinja Book Reviews, a website dedicated to the fight to bring multiculturalism to Young Adult Fantasy and Science Fiction novels.

Founded and helmed by twin sisters Libertad and Guinevere Tomas, Twinja Book Reviews is a great site to find YA books that go beyond the white male default protagonist. Check out their ‘Our Reviews’ section for a wonderful selection of multicultural YA.

Now, the Twinjas have returned with their brilliant Diversify Your Steampunk series. I’m a participant in the series, reppin’ Steamfunk, Dieselfunk and Rococoa and there are others before me with some fantastic stuff, too, so after you read this post, hop on over to the Twinja’s website and indulge.

Thank me later.

I have reposted my contribution to the series below for your reading pleasure:

 

Diversify Your Steampunk Day 5: Welcome Back Balogun Ojetade

During our month of highlighting diversity back in December of 2013, we introduced our audience to Balogun Ojetade for the first time. Clearly with his followong he doesnt need to be introduced, but we couldnt think of a more deserving candidate to end our first week of Diversifying our Steampunk. 


1. You’ve been here before, so while we don’t require an introduction, our new followers do! What can you tell us about yourself the person, the author and the steampunk innovator?

Balogun OjetadeMy name is Balogun Ojetade. Although my name  is Yoruba, I am descended from the Ateke people of Gabon and the Seminole Nation of the Southeastern United States. I am a husband, father of eight children – seven girls and one boy – and I am also a grandfather twice over.

I am author of six novels, one non-fiction book, several articles and short stories I wrote are in anthologies and magazines and I am contributing co-editor of two anthologies. I am also a filmmaker and fight choreographer and I have created two short films and two feature films and choreographed three films, thus far.

As far as Steampunk innovation goes, I am one of the founders of the Steamfunk Movement. Steamfunk is Black / African-inspired Steampunk. We tell the stories that had previously gone untold – the stories about the Black heroes in the Age of Steam. We have done the same with Dieselpunk, which we call Dieselfunk and with Rococo, which we call Rococoa.

2. Since we’re asking everyone involved, we have to know. Why Steampunk? Was there something that drew you to this particular sub genre of science fiction? Have you always been a fan of steampunk? What draws you to steampunk? How do you define steampunk?

Moses: The Chronicles of Harriet TubmanStarting at the age of two, I was sat at the foot of my mother and encouraged to watch one of her favorite television shows – The Wild, Wild West. For those familiar with the show, you know that it was Steampunk before the word Steampunk existed. I fell in love with that show and its anachronisms and I vowed that one day I would write something in that genre, but with heroes who looked like me.

I have always been a fan of retrofuturism, however, when I wrote Moses: The Chronicles of Harriet Tubman, which is recognized as the first Steamfunk novel, I had never heard of Steampunk. When my publisher wrote me and said I had written a great Steampunk story, I Googled it and discovered what Steampunk is. I turned to my wife and said “Finally, I have a name for what I have been writing all my life.”

It’s funny you called Steampunk ‘Science Fiction’ – and for many people, that is what it is, However, my expression of Steampunk would be closer to Science Fantasy. I include strong elements of magic, African spirituality and the supernatural in my works of Steamfunk. 

I define Steamfunk as retrofuturistic Science Fiction or Fantasy set in the Age of Steam. This age could be set in the Victorian Period of 1837 to 1901, or in Ancient Africa. It doesn’t matter when or where to me, as long as the dominant technology is steam power, or perhaps, the Lumineferous Aether.

3. Steampunk over the years has become so synonymous with the Victorian era, many will not wrap their heads around a non-European setting. You’re pretty much one of the innovators of a sub genre you crafted yourself. “SteamFunk.” What was the story behind Steamfunk? Why did you deem it necessary to the steampunk world?

Harriet TubmanThe Steamfunk Movement started as a conversation on a social media website in which several Black authors expressed their appreciation for Steampunk, but were disappointed in its lack of stories featuring Black heroes and its near-absence of Black people involved in Steampunk cosplay or any other aspects of the genre. I had already been writing Steampunk, as had another author Maurice Broaddus, who had written a short story entitled Pimp My Airship, but we all came to the conclusion that we would all begin to write Steampunk from a Black perspective. Maurice said “well I call the Steampunk that I write Steamfunk.” We all agreed that was the perfect name for our brand of Steampunk and that is how we came to call our work Steamfunk. 

As far as the Steamfunk Movement is concerned, I decided that we needed to bring Steamfunk to the forefront of speculative fiction and to make Steampunk known to the general Black population, who knew very little of the genre if anything at all, so I started my Chronicles of Harriet blog and began educating Black people about Steampunk and educating the world about Steamfunk.

Steamfunk is necessary because our stories deserve to be told; our voices need to be heard. And honestly, before Steamfunk, very few Black people had any interest in Steampunk. Most Black people thought it was a “whites only” thing, or that it was just corny. We showed them that you can get funky with it; that Steamfunk is exciting, fun and cool.

4. What music puts you in the mood to write for SteamFunk? If you had a soundtrack for “The Chronicles of Harriet” what would make the cut?

I have very eclectic tastes in music. I listen to everything from classical music to Zydeco to Jazz to Hip-Hop. When I write Steamfunk, however, I usually listen to the music of Ennio Morricone, who is famous for scoring spaghetti westerns such as The Good, the Bad and the UglyHigh Plains Drifter and A Fist Full of Dollars

If I had a Soundtrack for Moses: The Chronicles of Harriet Tubman, it would include: Bound to Ride and Till My Last Shot by Gangstagrass; Snowden’s Jig, by Carolina Chocolate Drops; the Prison song Early in the Mornin’; Ennio Morricone’s L’Estasi Dell’oro (“The Ecstasy of Gold”) and Il Buono, Il Cattivo, Il Bruto (“The Good, the Bad and the Ugly”); and the Buck and the Preacher Theme, by Benny Carter.

5. What is the future of SteamFunk for you? Do you have other SteamFunk works in your head? Do you plan on making any other historically famous women of color leading ladies? 

The future of Steamfunk for me is in film and the final novel in the Chronicles of Harriet series. I will be releasing the Rococoa novel, Black Caesar: The Stone Ship Rises at the end of this year and I have already released the Dieselfunk novel, The Scythe this year. Stagecoach Mary Fields is already a co-star in the Chronicles of Harriet series and I have been contemplating writing a novel with her as the lead protagonist. We’ll see.

As far as film and Steamfunk, Rite of Passage, the first Steamfunk feature film, premieres May 8th in Los Angeles. I am also writing a Steamfunk film based on my short story Nandi that I hope to get major backing for.

6. You’ve made many appearances throughout the steampunk junket. Do you have any favorite conventions? Who are some of the most interesting people you’ve met through diversifying SteamPunk?

Balogun OjetadeOne of my favorite conventions is AnachroCon, which is an Atlanta-based Alternate History convention held every February. It is loads of fun and the people who put on the event – the Directors and their staff – have treated my family and me very well at the Con and have been very supportive of Steamfunk.

Some of the most interesting people I have met have become friends of mine – Diana Pho, aka Ay-Leen, the Peacemaker, an editor at Tor and founder of the brilliant Beyond Victoriana website; Mark Curtis, a genius Steampunk tinkerer and cosplayer, who cosplays Steampunk John Henry and Steampunk Lando Calrissian; Mark’s wife, Theresa Curtis, another genius, who is an expert fabricator and who cosplays a Steampunk vampire, just to name a few.

7. You also have a sub genre of fantasy known as “Sword&Soul.” What is that exactly? Any upcoming projects in that genre to come our way in the near future?

Once Upon A Time in AfrikaSword and Soul, which is African-inspired Epic and Heroic Fantasy, is actually a phrase coined by the subgenre’s founder and father, Charles R, Saunders. I wrote the novel Once Upon A Time In Afrika, which is published by another big name in Sword and Soul, Milton J. Davis, the owner and CEO of MVmedia, which publishes most of the Sword and Soul out there.

I am working on Once Upon A Time In Afrika, Book II, which I plan to release early next year.

8. It was awesome to have you back! We’re already following, but where can people just tuning in go to check up the latest updates on your work?

They can check out my website: Roaring Lions Productions , or my blog: Chronicles Of Harriet

You can reach me on Facebook ; and on Twitter @ Baba_Balogun

Oh, and please, please, PLEASE go to the Steampunk Chronicle website, register, if you haven’t already (it’s quick, easy and painless), scroll waaaay down to STEAMLIFE and then vote for me for Best Multicultural Steampunk and Best Politically Minded Steampunk, too!

Yep, it’s important. Thanks, y’all!

 


DAY 3 OF THE BUTLER / BANKS BOOK TOUR! Balogun Ojetade Transports Readers to the Roaring 20s in the Two-Fisted Dieselfunk novel, “The Scythe”

The Scythe

Balogun OjetadeBalogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single LinkRite of Passage: Initiation and Rite of Passage: The Dentist of Westminster.

He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/.

He is author of six novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika, two Fight Fiction, Action-Adventure novellas – A Single Link and Fist of Africa and the two-fisted Dieselfunk tale, The Scythe. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk.

Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis.

You can reach him on Facebook at www.facebook.com/Afrikan.Martial.Arts; on Twitter @Baba_Balogun and on Tumblr at www.tumblr.com/blog/blackspeculativefiction.

 

The Scythe

The ScytheHe has been given a second chance at life. A second chance at revenge. He is the bridge between the Quick and the Dead. He is…THE SCYTHE!

Out of the tragedy of the Tulsa Race Riot of 1921, a two-fisted hero rises from the grave!

Inspired by the pulp magazines of the 1930s and 1940s, a tale of action, adventure, thrills and chills await fans of Dieselpunk, die-hard pulp fans and readers who just love a gritty story that packs a mean punch.

Enter a world in which Gangsters, Flappers, vampires, robots and the Ku Klux Klan all roam the same dark back streets; a world of grit, grime and grease; a world of hardboiled gumshoe detectives and mad scientists; a world where magic and technology compete for rule over the world.

Dieselfunk has emerged in The Scythe…and the Roaring Twenties will never seem the same!

 

Excerpt from The Scythe

“He who sleeps with an itching anus wakes up with smelly fingers.”

Ikukulu opened his eyes. Anesusu stood over him smiling. A horde of Agu stood behind him.

“Only a madman would go to sleep with his roof on fire,” Ikukulu replied, hopping to his feet.

“This is the sigil, then?” Anesusu inquired, pointing at the carving on the kuka tree.

Ikukulu nodded. “It is. It will require all of our blood to activate it.”

“Let’s get to it, then,” Anesusu said, drawing his knife.

Anesusu held his obsidian blade high above his head.

Hundreds of similar obsidian knives, with gazelle antler handles, were thrust into the air.

Ikukulu drew his coral knife. He slid the blade across his palm, rending his flesh and then pressed the leaking gash to the sigil for a few moments.

Anesusu followed him and then each warrior from amongst the Agu did the same until the sigil was covered in gore.

“The sigil is now activated and well-fed,” Anesusu said to his brethren. “The Jugu will be upon us in a few hours and we will send them to their doom. So drink; make love – preferably not with your own wife or husband, for you married warriors – and rest up…for at midday, we usher in a new era…a new world!”

A cheer erupted from the army of Agu.

Ikukulu turned away and sauntered toward the river. The ways of the Agu disgusted him, but the refusal of his own brothers and sisters to work with the Agu had forced him to ally with them alone – a dangerous undertaking, indeed, but one most necessary. He prayed that his punishment would not be too harsh and that the Abo would one day come to realize his level of sacrifice.

###

Ikukulu and Anesusu stood at the edge of the Ogun River with three hundred armored Agu behind them.

The dawn air was cool; crisp; and carried the scent of sulfur and putrid flesh.

“The Jugu are close,” Ikukulu shouted, drawing his knife.

“Swords!” Anesusu commanded.

The Agu drew their knives and pointed them skyward. A white energy, like a bolt of lightning, coursed through the obsidian blades, from base to point. A moment later, the knives expanded into broadswords.

Ikukulu knelt, slamming the pommel of his knife into the soft earth. The knife twisted; shifted; stretched. Ikukulu stood, a razor sharp, coral scythe now gripped tightly between his fists.

A muddy, marsh- green mass thundered toward them.

Ikukulu charged toward the mass, his scythe, held low, cutting a swath in the red dirt behind him.

“Forward!” Anesusu ordered, pointing his sword toward the fast approaching mass.

The army of Agu followed their leader, keeping pace with his loping gait.

As Ikukulu came closer to the mass, the monstrous forms of the Jugu became clear. Their brawny, grey-green bodies stood upon seven foot tall frames and their thick skin was scaled and ridged like that of a crocodile. Their facial features were human, but their mouths were extended, tapering into a ‘v’, like the maw of a crocodile.

The creatures roared in unison, exposing their dagger-like teeth. They raised their arms shoulder-high, baring their razor-sharp claws.

The Jugu had no one leading them, for their Mistress, Kielgek, commanded her warriors – with whom she was psychically linked – from the Abysmal Plane.

Ikukulu leapt into the fray, his scythe slashing furiously. The coral blade met scale-armored flesh and Jugu fell.

With each death of a Jugu, Kielgek cried out in agony upon her dark throne.

However, with each death of an Agu, of which there were many, she roared in ecstasy. Her warriors fighting on the Terrestrial Plane roared with her.

“Fall back!” Anesusu bellowed, turning on his heels.

The army of Agu about-faced and retreated from the battle, sprinting along the edge of the Ogun River.

Ikukulu whirled about and took off, running closely behind Anesusu.

Ikukulu could hear the Jugu galloping behind him, hot on his heels. He felt their foul breath on the back of his neck.

The Agu ran a few yards past the tree bearing the sigil and then turned to face their enemy.

Ikukulu dived forward, rolling past the tree.

The Jugu stampeded toward Ikukulu and the Agu.

Suddenly, as if the air had devoured them, the Jugu vanished.

Ikukulu turned toward the Agu. “The Jugu have been sucked back into their abhorrent world. You have done well, warriors! Now, quickly, we must fell the tree to seal the portal forever. Anesusu and I will beat back any Jugu who try to pass through until you bring the tree down.”

“Work swiftly, my brothers and sisters!” Anesusu ordered.

Ikukulu stood a few feet in front of the tree. Anesusu stood beside him.

A vertical sliver of darkness rent the air. A scaly, grey-green head emerged from it, roaring.

Ikukulu severed the Jugu’s head with an upward slash of his scythe.

Something slammed into Ikukulu’s back with the force of a battering ram. He stumbled forward, his left arm, which held his scythe, disappearing into the black sliver. Something on the other side of the sliver grabbed a hold of him, piercing the skin of his forearm in several places.

“They have my arm,” Ikukulu gasped. Cut it off, Anesusu!”

“I promised you that no harm would come to the Abo from the Agu, my friend,” Anesusu said. “I must honor the truce.”

“If you don’t sever my arm, the Jugu will pull me into their world!” Ikukulu shouted.

“I keep my promises, Ikukulu,” Anesusu replied. “I will not do you any harm.”

A strong yank pulled Ikukulu’s shoulder and half of his face into the darkness.

“You have betrayed me!” Ikukulu spat.

“To betray, you must first belong,” Anesusu snickered. “You cannot run with the hare and hunt with the hounds. Goodbye, Ikukulu.”

Ikukulu vanished from the Terrestrial World and the foul world of the Jugu welcomed him.

 

You can purchase The Scythe and other works by Balogun Ojetade at https://www.roaringlionsproductions.com/. All of his works are also available on Amazon.

http://www.amazon.com/The-Scythe-Balogun-Ojetade/dp/099140730X/ref=tmm_pap_title_0.

 

 


THE BUTLER / BANKS BOOK TOUR CONTINUES! Author Alan D. Jones Wrestles with Sacrifices in Science Fiction

Sacrifices

Sacrifices

It is Day 2 of the Butler / Banks Book Tour!

Day 1 was amazing and today, we continue the Blacknificence with our next author, Alan D. Jones!

Alan JonesAlan is a former columnist for the Atlanta Tribune, who has worked most of his adult life as a Business/IT consultant, working all across America from Los Angeles to Wall Street. Born in Atlanta, Alan attended GA-Tech and GA State, obtaining his MBA from Georgia State University’s Robinson School of Business. In addition, Alan was a feature writer for the student newspapers at both schools. Alan also served on the board of the Atlanta chapter of the National Black MBA association.

Alan, is the author of the Science Fiction novels, To Wrestle with Darkness and its prequel, Sacrifices.

 

In Sacrifices, a prequel to Alan’s first book, To Wrestle with Darkness, we meet Cil, Deborah, Ruth and Sarah. They are four sisters descended from the coupling of angels and humans. And as such they’ve been embodied with fantastical abilities which they use to defend the world from those who would harm it, be they flesh or spirit. In Sacrifices, they find themselves tested, as they must contest the forces of darkness that are intent on ending all of creation. If they are to prevail, there will certainly be sacrifices.

Check out this exciting excerpt:

One by one, four black horses, exploded out of nothingness into the white pristine snowfall of a Scandinavian winter night. Each horse ran hard through the woods of fresh powder. Atop each horse, rode a daughter of Hosea draped in black. Each rider rode with such purpose that no words were needed. Each knew her destination. On the way, they encountered a time walker dressed in white by the name of Akina. Cil pulled on the reins of her steed and her sisters followed suit. “Akina, all is as expected?” she asked.

Akina pulled back her fur lined hood to reply, “Yes, Auntie, all is as expected. But, you know that. Don’t you?”

SacrificesCil said nothing but smiled before she kicked her heels into her horse and rode off into the darkness. One by one, each of her sisters proceeded past Akina. First was Deborah, who had, as Akina would later describe, a wide-eyed, overly-excited look on her face. It was almost a bloodlust. Next came Ruth Ann, with a thousand miles away stare on her face. Bringing up the rear was Sarah, with her ever-present sunglasses firmly in place. She rode past Akina flashing her trademark irrepressible smile. Sarah’s opponents hated that smile and longed to wipe it off her face. The sisters followed Cil through the woods and towards the castle on the northern bay. They rode hard and fast through the woods as a winter’s full moon illuminated their path. 

As the sisters broke through the tree line, a castle and the wall that surrounded it were plainly in sight. They rode toward the guard tower along the outer wall. Nordic soldiers lined the top of the wall in a heightened state of readiness. As the sisters approached, a gate in the wall swung open and they passed through on their shiny black horses. Aunt Cil led them up the central corridor toward the castle beyond. Residents in the courtyard gasped as the four hooded riders proceeded, escorted by several guards on horseback. 
The ladies quickly dismounted in front of the castle and walked briskly towards the large wooden front doors. One of the guards barked out a command and once again a set of doors swung open before the women this time opening into a grand hall. The king and his court were sitting in their assigned places at the other end of the hall. It was clear that the Aunties were expected. 
The members of the court were adorned in their finest coats and pelts. A feast for four was laid out on the great dining table, but the sisters paid it no mind. It was an offering of sorts, but Cil and her sisters had no time for such things. 
They stood before the court and removed their hoods. This action froze the crowd more than the weather outside ever could. The sight of the four black women standing shoulder to shoulder left their mouths agape. 

Deborah leaned over to Ruth and whispered, “They’re looking at our hair.” 

Ruth rolled her eyes.

Cil motioned for Deborah to step forward. Deborah did so and began to speak to the king and his court in their native tongue. Deborah had the gift of speaking in the tongue of many languages. She could even speak languages that she’d never heard before. So, she translated between the parties. 

“King Helwig, Queen Helwig, and members of the royal court as our herald undoubtedly communicated to you, we are here to rid your realm of the terror currently approaching your gates.”

King Helwig stood up, “We saw what your herald can do but what can you do that would warrant us putting our faith in you to resolve this matter?” He pointed at the Aunties as he made this last point.

Cil nodded to Sarah. She removed her shades which immediately revealed her glowing eyes. Then, she gazed upon a large urn of water and unleashed a red hot beam from those eyes that split the urn in half spilling the water it contained onto the stone floor.

Next, Ruth Ann stepped forward. She raised her hands, and in a single scooping motion projected a blue shell which scooped the remains of the broken and still smoldering urn into the air. The sphere hovered in the air spinning slightly before launching upwards bursting through the ceiling and into the night sky. The entire court could see the blue ball accelerate towards the great beyond and out of sight.

Then, when all eyes landed on Deborah, she simply vanished. From the spot on the floor where she had stood, a spring sprung up spouting water thirty feet into the air. The geyser began to rage and quickly filled the hall with water. Suddenly, water began to flow into the hall from everywhere. Water flowed from every opening including the windows, the cracks in the walls, and the new hole in the ceiling. Members of the court scurried up the king’s landing and to the throne to escape the rising waters. Just as her audience began to panic, the water disappeared and Deborah reappeared right where she had been when the phenomena began as though nothing happened.

Finally, Cil raised her staff but before she could demonstrate anything, the king motioned towards her vigorously shaking his head. There was little need for Deborah to translate.

Deborah glanced towards Cil and then said to the king, “About our fee…”

 

To purchase Sacrifices on Amazon: http://www.amazon.com/Sacrifices-Wrestle-Darkness-Book-Jones-ebook/dp/B00G1R1C1W/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1397533249

Or if you prefer, the TinyURL: http://tinyurl.com/kydzcee

Website for Sacrifices: http://alandjones.com/sacrifices/

Facebook Fan Page: https://www.facebook.com/?ref=tn_tnmn#!/pages/Sacrifices/130230720341543

Twitter: https://twitter.com/poppa1050

Instagram: http://instagram.com/poppa1050


THE BUTLER / BANKS BOOK TOUR BEGINS: Author Colby R. Rice brings us the Ghosts of Koa!

Ghosts of Koa

Ghosts of Koa

Today, the Butler / Banks Book Tour – aka The Fresh Fest of Afrofuturism – begins with a bang!

Our first featured author is the beautiful, brilliant and Blacktastic Colby R. Rice, who brings us a great work of Black Speculative Fiction with Ghosts of Koa!

Let me introduce you to Colby – although, if you’re reading this blog, you probably already know her and her work.

 

Here she is, in a nutshell:

Colby R. RiceSci-fi, Fantasy, & Thriller Novelist. Screenwriter. Film Producer. Globetrotter. Action Junkie. Rebel Ragdoll.

A shameless nerd and bookworm since the age of five, Colby R Rice is the author of Ghosts of Koa, the first novel in The Books of Ezekiel, a dystopian-urban fantasy decalogy. She was an Air Force BRAT born in Bitburg Rheinland-Pfalz, Germany and came to the States at the age of one.

Colby bounced around a lot, but finally settled in Los Angeles, where she could at last deal with her addictions to creative entrepreneurship, motorcycles, and traveling.

Now, armed with a mound of animal crackers and gallons of Coca-Cola, Colby takes on fiction writing in a fight to the death!

Current projects include: the second novel in The Books of Ezekiel series, the first novel in a middle grade SFF detective series, the first novel in an adult sci-fi thriller series, development of her first sci-fi thriller film, and the growth of her production house, Rebel Ragdoll. Stay tuned at her website and blog at Colby’s Cove!

 

Koa 2For over one hundred years the Civic Order and the Alchemic Order have held a shaky truce, peppered by violence and mistrust. But when Koa, a Civilian-born insurgency, bombs an Alchemist summit, the truce is shattered. Now, Koa is rising. War is coming. And all sixteen-year-old Zeika Anon can do is keep moving as she watches the lords of alchemy slowly overtake her home.

But when clashes between Koa and the Alchemic Order put a final, deadly squeeze on the remaining Civilian territories, Zeika finds herself in the crosshairs of fate. She must walk the line between survival and rebellion against the Alchemists. On one side of the line awaits death. On the other, the betrayal of her civilization, her loyalties, and herself.

GHOSTS OF KOA is a fast-paced, post-apocalyptic survival tale, set in the streets of a dying city that has been crushed by alchemic law. Layered with the elements of gritty crime drama, dark urban fantasy, hard sci-fi, and horror, GHOSTS OF KOA is a wild ride to the end of a young girl’s sanity as she struggles with an impossible choice: to keep one step ahead of a war… or to be consumed by it.
CONTENT WARNING – Contains coarse language, intense violence, adult / suggestive themes, and aberrant behavior. Reader discretion is advised.

 

Read the excerpt below!

Excerpt from Ghosts of Koa

            Shadows flittered in the night, and Xakiah jerked his head up, his eyes automatically tracking the movements. The light was sparse, but even from the passenger seat of the truck, his eyes could outline the three distant figures in the dark. About thirty yards away, the shadows of the hunted jerked and twitched with a contained haste as they assembled themselves in their sedan. It was time. The driver would be first.

            He lifted the rifle and anchored the butt in the soft of his shoulder. He lowered his eye into the scope, positioning the crosshairs over the figure settling into the driver’s seat. As he began to depress the trigger, he wondered how exactly the man’s head would splatter— when the tires of the sedan screeched against the asphalt, and it shot off into the dark.

            “Shit,” Xakiah hissed, letting the scope drop. “Gun it, Joseph!”

            His body felt slick with a cold sweat as their truck roared to life and lurched forward. Joseph jammed his foot down onto the gas pedal, pushing nearly one hundred as the truck’s tires kicked up the slag of the country road.

            My mission. Mine.

            His jaw ached beneath the grind of his teeth. Their hubris was surprising, that they fancied even for a moment he’d let them get away after what they’d done.

            A sharp clack of a round being chambered ricocheted through the truck as Bly, a teammate sitting behind Joseph, prepared to shoot. The only man in the van who didn’t move was the one sitting directly behind Xakiah, silent beneath his hood and cloak. He looked out of his window, even, his chin on his knuckles, as though enjoying a slow Sunday drive.

            The fleeing sedan far in front of them turned and reeled off the dark path, clunking across the vast stretch of green that separated the road from the main highway.

            “Don’t lose them, Joseph.” Xakiah said, his voice low in the dark.

            “Y-yes, sir!” Joseph said, a whimper choking his voice. He veered off the road, leaves and branches snapping in dry whispers as he leaned in harder on the gas, following the hunted across the soft, mushy green. Both cars’ headlights made yellow eyes in the growing dark, like one nighttime monster chasing another.

            Xakiah grinned, joy swelling under his frustration. They were going catch them. He was going to win— and he felt himself nearly thrown into the driver’s seat as Joseph yanked the steering wheel, sending the truck into a hard lean.

            The truck’s tires lifted a couple inches from the ground, and the far right side of the windshield exploded open, fragments of glass flying inward as hot metal grazed the SUV in a messy swarm. A rogue in the scattered cloud clipped Xakiah across the high crest of his cheek, kicking up a curl of flesh, a splash of blood. As his mind made sense of the pain, his joy eroded. Bullets. The thieving bastards had the audacity to shoot

            He focused his thoughts on the wound, and his flesh began to heal itself. “Vassal—?”

            “I’m fine, Proficient,” the man behind him cooed.

            Joseph jerked the truck to the side again as more bullets whined in the night. They were already just a couple minutes off the freeway, which budded with shining cars and vans.

            “Christ, Joseph! My granny burns rubber better’n you!” Bly shouted from the backseat.

            “What the hell are you waiting for, then?!” Joseph cried. “Shoot back!”

            Bly leaned out his window and sprayed, aiming for the tires of the fleeing sedan.

            The truck lurched from side to side as Joseph avoided the returning gunfire. “We’re losing ground!” He yelled.

            Xakiah leaned forward, realizing that he was right. The rebel’s muscle car skirted the mud with ease, whereas their truck was in danger of toppling over if Joseph made another turn like that…

            “That Page is the heart of the Order, Proficient.”

            The simplicity of his Vassal’s statement threaded calm through the dark belly of the car, but the threat in his voice was unmistakable.

            Xakiah locked his jaw, nodding as much from obedience as from the tightness in his throat that had stolen his voice. If they didn’t get the Page back, he’d be punished. But far worse than that, his Vassal would be disappointed. He wouldn’t fail. He couldn’t

            “Take them out,” his Vassal murmured. “I know you can.”

            Xakiah swallowed and nodded at him, fear and pride swelling in his chest. He rolled down the window, and wind blasted into the truck. With a smooth slide, he navigated his body through, positioning himself on the ledge.

            White bursts of fire lit the night as Bly’s shots knocked out one of the sedan’s tires, slowing it down. Thirty seconds until they hit the freeway.

            “Steady, Joseph,” Xakiah said, lifting the rifle scope to his eye. He focused his thoughts on the driver’s head, searching for it in the long dark stretch in front of him. He had homed in on the driver right before they sped off, and he could do it again. He just had to feel it.

            He stared down the scope, letting it drift across the swerving sedan, and something aligned, linking his slamming heart, the rifle, his eye, and the bobbing head of the driver in far front of them. He pulled the trigger—

            Shp! —and the driver’s head snapped forward, slamming into the steering wheel. Metal squealed high, and rubber peeled from the rims of the sedan as it veered off its path. It crashed into the bordering thickets of the highway, the hood folding in on itself like an accordion, crushed.

            Bly roared with triumph, slamming his fist into Joseph’s headrest. “Xakiah, man, you’re an animal!”

            Xakiah frowned as he looked back at him.

            “Uh, I mean—” Bly stuttered. “Nice job, Captain.”

            “Badges,” Xakiah commanded.

            “Yeah. Right.”

            Joseph maneuvered the truck a few feet away from the crash. They had barely rolled to a stop before Bly popped open his door, jumped out, and ran over to the wreck. Joseph hurried after him, his gun up.

            Xakiah followed, holding up his rifle, aiming at the overturned car. The fools. The hunted could have any number of traps prepared, and the young rookies were ambling over, hooting in celebration. He, on the other hand, kept his distance, and his eyes remained ready for even the slightest movement. Joseph and Bly were good cops, for what flatfeet were worth, but neither of them understood the true magnitude of this mission.

            Behind him, Vassal Moss seemed to glide out of the truck, never once making a noise in the night. The leaves didn’t even crunch beneath his feet as he followed them to the crash.

            Bly and Joseph had already made their ways over to the steaming wreckage and were fumbling with something in the front seat. There was scuffling, and a scared whine wound its way out of the twisted metal as the two agents dragged something out of the front passenger seat. One of the hunted was still alive.

            Bly threw the rebel to the ground and spat on its shadow. “Lay down, scum!” he snarled.

            Xakiah tightened his grip on his rifle. Bly, like a jackal, was stealing his kill. 

            “Calm, Proficient,” Vassal murmured from behind him.

            Xakiah nodded tightly at the warning. His Vassal knew him well, too well, but he was right. Closing out this mission was more important than a few seconds of glory. Resigned, Xakiah slung his rifle on his shoulder as he approached the two agents.

            “Only one survivor, Captain,” Joseph announced. “The driver’s head is dog meat, and the one in the back died in the crash.”

            Joseph tossed him something, and Xakiah caught it, already knowing what it was. A porcelain mask, just the bottom-half of it, hard and smooth. A tell-tale trademark of the Knights of Almaut— Koa— terrorist dogs who fancied themselves men.

            Xakiah cradled the mask in his hand, feeling the ridges of the molded nose, cheeks, and mouth, all of them together barely the size of his own palm. It was the captive’s. He looked up at the squirming rebel, finally noticing the long red hair that spilled out onto the grass—

            A woman.

            He smiled, somehow feeling impressed amidst his annoyance. Her face was speckled with a constellation of freckles, acne even. She couldn’t have been any older than 16.

            “Show her to me.” The soft command had come from the shadowed man at Xakiah’s heels, the Vassal.

            Joseph and Bly hoisted the rebel to her knees and lowered their heads in the Vassal’s direction. Xakiah cast down his eyes and stepped to the side, allowing his Vassal to pass before he lifted his gaze again.

            The Vassal stood before the captive, staring at her with soft eyes. Finally he spoke: “How young. I might have known Koa would send pups to do a dog’s work. What should I do with you, I wonder? What purpose will you serve?”

            “No purpose, sir,” Bly said. “I say kill the Koan scum.”

            “No. We’ll do no such thing. We are to honor the Articles39,” the Vassal replied. He turned to Xakiah. “The car.”

            Xakiah nodded and went to work. He tossed the sedan, cast the corpses aside, ripped up carpet, gutted the trunk, seats, and glove compartment, or what was left of it. Nothing. There weren’t even any signs of it. No traces of energy, not even a ripple in the air where it might have passed through. Nothing betrayed its location.

            He frowned, turning to his superior. “Vassal. This faction must have been a decoy so that the real transport could get away.” Bitterness coated his tongue, almost forcing the words back. “They’ve hidden it somewhere else.”

            His Vassal’s cold gaze flickered, and Xakiah tensed, expecting words of admonishment or worse, disappointment… but to his surprise, the Vassal said nothing. Instead, he turned to the rebel.

            “Lift her up,” he ordered.

            Joseph and Bly hoisted the woman to her feet so that her gaze was level with his.

            “You Azure bastards can go to Hell,” she said, the pubescent snarl clear. “You can’t kill me. Even your own code won’t allow it.”

            “Oh no, we aren’t going to kill you at all,” Vassal agreed. “That’s barbaric.”

            The man balled up his hand, and— schhhleck— the girl’s face fell from her cheekbones and cartilage, slapping wetly against the grass. She howled, a long wailing sound that whistled from the milky shine of her jaw. As she screamed, the large white balls in her eye sockets rolled, like slippery hardboiled eggs, and her teeth, exposed to the gums, clacked together with frenetic snaps.

            “Xakiah, if you please,” the Vassal said.

            Bly and Joseph’s faces paled with terror, but without so much as a flicker of disgust, Xakiah scooped the dripping wrinkles of skin from the ground, gripping it in a fist.

            “Display, please.”

            Xakiah held the sagging flesh in front of the woman’s eyes. The cheeks and lips of it drooped, as though lamenting the girl’s disfigurement.

            “Three cc’s of morphine, please, Joseph.”

            Trembling, Joseph pulled the kit from his side pack and began to prepare the anesthetic. Bly held her, still turning his eyes away as Joseph slid the needle into the base of her neck and emptied its contents. Then the Vassal stepped forward, bringing his nose close to her face.

            “I can imagine that you are in incredible pain,” he said. “The morphine is to numb that for you so we can talk.”

            “Ooou astards!” She screamed, but without lips, the curses just sounded like angry jibberish. She began to sob.

            “Not to worry, my dear. You are going to get your face back. How much of it is returned, however, is up to you. Now. I am going to ask you some questions. For every answer I think is a lie, my Proficient is going to slice away an inch of your face and burn it.” The Vassal motioned to Xakiah, who still held the sagging flesh in the moonlight.

            “Lllease… llease don’t…” Her sobs crescendoed, forming echos in the night, and her body heaved with each cry.

            “And we’ll begin,” And with almost a lover’s touch, he took her chin in his thumb and forefinger. “Now. You tell me. Where is the Final Page?”

 

Ghosts of Koa: The First Book of Ezekiel

Get it now in ebook or paperback (and audiobook coming in June)!

Amazon Kindle

Barnes & Noble Nook

Kobo Books

And coming soon on IBookstore & Google Play!

 

 


THE FRESH FEST OF AFROFUTURISM IS COMING TO YOUR TOWN! Just 8 Days until the Launch of the Butler / Banks Book Tour!

Black Science Fiction

In just eight days, the Fresh Fest of Afrofuturism – also known as the Butler / Banks Book Tour – begins!

The lineup of authors is a stellar one, with some of the leading names in Black Speculative Fiction rocking the literary mic!

We are calling on every Steamfunkateer, every Dieselfunkateer, every fan of Fantasy, Horror and Science Fiction to join us on this tour and to spread the word.

When articles are still being written that lament the lack of Black Speculative Fiction available…when just three days ago, I see a video with some “Brother” screaming that there is no Black Science Fiction or Fantasy on the market, except his wack animation…when, in response to that same video, another “Brother” claims that, while there is a bit of Speculative Fiction written by Blacks from America, there is none from Africa because “Africans do not dream or imagine due to a lack of mental capacity to do so…” then, it is clear that a Black Speculative Fiction book tour is right on time and most necessary.

So, here is the lineup. There are, of course, many more great Black authors of Speculative Fiction out there; many authors who, for one reason or another, could not make it on this leg of the tour, but promise to join the tour on the next go-round.

And there will be a next go-round…very soon.

Join us in eight days, but shout it out now…the Fresh Fest of Afrofuturism is coming to your town!

Alan D. Jones: Former columnist for the Atlanta Tribune, Alan Jones has worked most of his adult life as a Business/IT consultant, working all across America from Los Angeles to Wall Street. Born in Atlanta, Alan attended GA-Tech and GA State, obtaining his MBA from Georgia State University’s Robinson School of Business. In addition, Alan was a feature writer for the student newspapers at both schools. Alan also served on the board of the Atlanta chapter of the National Black MBA association.

Alan, is the author of the Science Fiction novels, To Wrestle with Darkness and its prequel, Sacrifices.

Alan Jones

Balogun Ojetade: Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the short films, A Single Link and Rite of Passage: Initiation.

He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/.

He is author of six novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika, two Fight Fiction, New Pulp novellas – A Single Link and Fist of Afrika and the two-fisted Dieselfunk tale, The Scythe. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk.

Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis.

You can reach him on Facebook at www.facebook.com/Afrikan.Martial.Arts; on Twitter @Baba_Balogun and on Tumblr at www.tumblr.com/blog/blackspeculativefiction.

Balogun Ojetade

Carole McDonnell:Carole McDonnell holds a BA degree in Literature from SUNY Purchase and has spent most of her years surrounded by things literary. Her writings appear in various anthologies including So Long Been Dreaming: Post-colonialism in science fiction; the anthology, Fantastic Visions III; Jigsaw Nation; Griots: A Sword and Soul Anthology; Life Spices from Seasoned Sistahs: writings by mature women of color; Fantastic Stories of the Imagination; and the Steamfunk! anthology.

She lives in New York’s Hudson Valley with her husband, two sons, and their pets. Her novels – The Constant Tower and Wind Follower, were published by Wildside Books. Her other works include My Life as an Onion and The Boy Next Door From Far Away , Seeds of Bible Study: How NOT to Study the Bible. Her collection of short stories, Spirit Fruit: Collected Speculative Fiction, is available on kindle.

Check her out at http://carolemcdonnell.blogspot.com/.

Carole McDonnell

Colby R. Rice:Sci-fi, Fantasy, & Thriller Novelist. Screenwriter. Film Producer. Globetrotter. Action Junkie. Rebel Ragdoll.

A shameless nerd and bookworm since the age of five, Colby R Rice is the author of Ghosts of Koa, the first novel in The Books of Ezekiel, a dystopian-urban fantasy decalogy. She was an Air Force BRAT born in Bitburg Rheinland-Pfalz, Germany and came to the States at the age of one. Colby bounced around a lot, but finally settled in Los Angeles, where she could at last deal with her addictions to creative entrepreneurship, motorcycles, and traveling.

Now, armed with a mound of animal crackers and gallons of Coca-Cola, Colby takes on fiction writing in a fight to the death!

Current projects include: the second novel in The Books of Ezekiel series, the first novel in a middle grade SFF detective series, the first novel in an adult sci-fi thriller series, development of her first sci-fi thriller film, and the growth of her production house, Rebel Ragdoll. Stay tuned at www.colbyrrice.com! ;-)

Colby R. Rice

Crystal Connor: Crystal grew up telling spooky little campfire-style stories at slumber parties. Living on a steady literary diet of Stephen King, Robin Cook, Dean R. Koontz and healthy doses of cinema masterpieces such as The Birds, Friday the 13th, Hellraiser, The Outer Limits and The Twilight Zone; along with writing short stories specializing in the Science Fiction & Horror genres since before Jr. high School, it surprised no one that she ended up writing horror novels! 

She now lives in Seattle, WA, where she is a member of the Dark Fiction Guild, and belongs to both the Authors Anonymous and The Seattle Women’s writing groups and she is also an active member of The Critters Workshop. 

The Darkness, is her first full-length novel, followed by And They All Lived Happily Ever After and Artificial Light, the sequel to The Darkness.

Check her out at http://www.wordsmithcrystalconnor.blogspot.com/.

Crystal Connor

DaVaun Sanders: If imagination was a mutant power, DaVaun Sanders could have enrolled at 1407 Graymalkin Lane. Instead, he went the safe route and earned a Bachelor’s degree from Washington University in St. Louis in 2002. After two fulfilling service terms with AmeriCorps in Phoenix, he eventually acquiesced to the student loan gods and returned to architecture. Yet his passion for the field faded as he spent more free time writing and performing spoken word poetry. 

The Seedbearing Prince began as a dream vivid enough to play like a movie trailer. Deciding to write his debut novel took some time, as it wasn’t part of “The Plan,” but the housing market collapse forced DaVaun’s small design firm under in 2008. He decided to plunge into writing full-time, and is loving every minute of it. When the keyboard cramps his fingers, DaVaun gets lost in the great outdoors of Arizona or attends open mic spots in the Valley. DaVaun is currently hard at work editing The Course of Blades, the third book in his World Breach series. Follow him on Twitter @davaunwrites and like on Facebook (facebook.com/davaunsanders) for updates and giveaways!

DaVaun Sanders

Jeff Carroll: The award winning Golddigger Killer was Jeff Carroll’s second film, which screened in over 10 film festivals and film series. Jeff Carroll’s first film, Holla If I Kill You, is the second rated all time best seller on B-Movie.com, the number one site for cult movies.

Jeff coined the term “Hip Hop Horror” and is pioneering this hybrid genre.

As well as being a writer and a filmmaker he is owner of Red, Black and Green Promotions, a college entertainment company where he works as an entertainment agent. Jeff Carroll is a leading voice of Hip Hop male/female relations reform and tours colleges and universities coaching students on dating.

He published his latest novel Thug Angel: Rebirth of a Gargoyle, through his own company, Hip Hop Comix N Flix

Jeff  lives in Miami, Florida, with his wife and son. Check out other great works by Jeff at http://hhcnf.blogspot.com/.

Jeff Carroll

K. Ceres Wright: Daughter to a U.S. Army father, K. Ceres Wright has lived in Asia and Europe, where her mother dragged her to visit every castle she came across. She attended undergraduate school at the University of Maryland, College Park, with a double major in economics and finance.  She then worked for 10 years as a credit and treasury analyst before deciding to change careers, entering the writing and editing field.

Wright received her Master’s degree in Writing Popular Fiction from Seton Hill University, and Cog was her thesis novel, which was later published by Dog Star Books. Wright’s poem, “Doomed,” was a nominee for the Rhysling Award, the Science Fiction Poetry Association’s highest honor. Her work has appeared in Hazard Yet ForwardGenesis: An Anthology of Black Science FictionMany Genres, One CraftThe 2008 Rhysling Anthology, and the upcoming Far Worlds anthology.

She works as an editor and writer and lives in Maryland with her two children. Visit her website at http://www.kcereswright.com and find her on Twitter @KCeresWright.

K Ceres Wright

Kai Leakes:From Iowa, but later relocating to Alton, IL and St. Louis, MO, Kai Leakes was a multifaceted Midwestern child, who gained an addiction to books at an early age. Sharing stories with her cousins as a teen, writing books didn’t seem like something she would pursue until one day in college. Storytelling continues to be a major part of her very DNA, with the goal of sharing tales that entertain and add color to a gray literary world.

In her spare time she likes to cook, dabble in photography, and assists with an internet/social networking group online. Loving to feed her book addiction, romance, fantasy and fiction novels are her world. Reading those particular genres help guide her as she finds the time to write and study for school.

Kai is the author of Sineaters: Devotion book one and the soon-to-be-released Sin Eaters: Retribution: Devotion book two, coming in June.

You can find her at: kwhp5f.wix.com/kai-leakes.

Kai Leakes

Keith Gaston: Also writing as D.K. Gaston,Keith was born in Detroit, Michigan. After serving in the military as an Infantry soldier, he earned his Bachelors degree in Computer Science, a Masters in Technology Management and a Masters in Business Administration.

Keith is the author of mysteries, thrillers, science fiction and fantasy, including the wildly popular Urban Fantasy novels, Taurus Moon: Relic Hunter and its sequel, Taurus Moon: Magic and Mayhem.

Keith is a devoted husband and father and when not enjoying time with his family, he is always working on his next novel.

Check Keith out at: http://www.dkgaston.com/.

Keith Gaston

Milton Davis: Milton Davis is owner of MVmedia, LLC , a micro publishing company specializing in Science Fiction, Fantasy and Sword and Soul. MVmedia’s mission is to provide speculative fiction books that represent people of color in a positive manner.

Milton is the author of eight novels; his most recent, Woman of the Woods and Amber and the Hidden City. He is co-editor of four anthologies: Griots: A Sword and Soul Anthology and Griots: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology with Balogun Ojetade and the Steamfunk! Anthology, also with Balogun Ojetade.  MVmedia has also published Once Upon A Time in Afrika by Balogun Ojetade.

Milton resides in Metro Atlanta with his wife Vickie and his children Brandon and Alana.

Milton Davis

Valjeanne Jeffers: Valjeanne is the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend, Immortal III: Stealer of Souls, and the steampunk novels: Immortal IV: Collision of Worlds and The Switch II: Clockwork (includes books 1 and 2).

Her writing has appeared in: The Obamas: Portrait of America’s New First Family, The Ringing Ear: Black Poets Lean South, Drumvoices Revue 20th Anniversary, and Liberated Muse: How I Freed My Soul Vol. I. She was also semi-finalist for the 2007 Rita Dove Poetry Award and she was interveiwed in 60 Years of Black Women in Horror Fiction.

 

Valjeanne’s fiction has appeared in Steamfunk!, Genesis: An Anthology of Black Science Fiction, Griots: A Sword and Soul Anthology, Possibilities, 31 Days of Steamy Mocha, and Griots II: Sisters of the Spear. She is co-owner of Q & V Affordable editing. Her two latest novels: Mona Livelong: Paranormal Detective and Colony: Ascension will be released later this year.

Preview or purchase her novels at: http://www.vjeffersandqveal.com.

Valjeanne Jeffers

Zig Zag Claybourne: Sometimes he is Zig Zag Claybourne, sometimes he is C.E. Young. Whatever the name, he is always respectful of the magic between him and his readers. He wouldn’t forgive himself if he wasted your mind, so it is his goal that every book you experience be a gift a thousand-fold.

Zig Zag is the author of the books Neon Lights, Historical Inaccuracies and (as C.E. Young) By All Our Violent Guides.

His blog is  http://thingsididatworktoday.blogspot.com/.

Zig Zag Claybourne


THE FRESH FEST OF AFROFUTURISM! 13 Authors Rock the Mic in Honor of Octavia Butler and L.A. Banks!

Butler Banks Book Tour

THE FRESH FEST OF AFROFUTURISM!

13 Authors Rock the Mic in Honor of Octavia Butler and L.A. Banks!

 

Book TourThe State of Black Science Fiction Authors and Artists Collective decided it is time to do a tour to let the world know that we’re here; that great Black books, written by, for and about Black people do exist (yes, there are many who still don’t know).

Hmm. Which would be best to do – a virtual book tour, or a blog tour?

A virtual book tour is much like a traditional book tour but instead of the author flying from city to city, they are featured on a wide variety of blogs and websites as a guest blogger or author.

A blog tour is a group of writers – not necessarily authors – who get together and, on specific dates, they all blog on similar themes. For example, on May 3rd, 2014, this group of writers might blog on why they love a specific genre of speculative fiction. John Q. might blog on why he loves Paranormal Fantasy; Suzy Q. might blog on why she loves Steamfunk and so on.

We wanted to do something different from a typical virtual book tour and from a traditional blog tour. I decided to let the idea present itself when it was ready. I sat down to do my daily writing, turned on my YA Writing Playlist on Spotify – I am working on a YA Novel / Graphic Novel entitled The Keys – and the first song to play was Run-D.M.C.’s Rockbox.

Book TourYeah, I know, Rockbox isn’t exactly jumping out of teens’ Ipods nowadays – damn, they’re missing out – but back in my teen days, it was always found screeching out of my Walkman…and no, not the digital one launched in 2007; I’m talking the 1982 Sony Walkman cassette player, baby…with Dolby C noise reduction and everythang!

And that’s when it hit me…

“We’ll do this like Fresh Fest!” I shouted with glee.

“What is Fresh Fest?” My son, Oluade, who is eleven years old, inquired from the balcony of my office (well, it was actually the breakfast nook he shouted from, but it is above my office and all my children watch me work from there – whether I want them to, or not – so it feels like a balcony, to me).

Now, while many of you probably know what the Fresh Fest is, most of you probably have no clue, so let me break it down for you:

Book TourThe Fresh Fest concert tour, which began in 1984, was headlined by Run-D.M.C., and featured Kurtis Blow, Whodini, the Fat Boys, and Newcleus. It was hip-hop’s first big moneymaking tour (3.5 million on 27 dates).

It was followed by Fresh Fest II, which included the same acts, with Grandmaster Flash and the Furious Five replacing Newcleus.

This was hip-hop at its best. A stage of superstars – brought this revolutionary, still fairly new form of music, to the world.

One after another, these stars left their blood, sweat and a portion of their spirit on stage. And we – the fans – gave spirit back. Hell, in Chicago, at Fresh Fest II, they even had a linoleum floor set up for any b-boys and b-girls who felt the urge to breakdance or pop-lock (which thousands did, without one incidence of violence; I miss those days).

So, the tour formed in my mind – each day, a “superstar” (author), would take the stage and step to the mic. They would write a blog about their book, or books and the rest of the superstars on the tour would post that blog as a guest blog and shout that blog out all over social media. We would bring the best in Black Speculative Fiction to the world. Yep. That’s what we were going to do.

And we would name – and do – this tour in honor of two of the biggest superstars in literature. Two superstars whose names are synonymous with Black Speculative Fiction and whose works have inspired most of the Black authors who write Science Fiction, Fantasy or Horror: Octavia Butler and L.A. Banks.

Octavia ButlerOctavia Estelle Butler, who shared a birthday with my father (June 22), was an internationally acclaimed science fiction writer. A recipient of both the Hugo and Nebula awards (two of each, actually), her evocative novels explore far-reaching issues of race, sex, power and, ultimately, what it means to be human. Butler was one of the best-known women and Black authors in the field. In 1995, she became the first Science Fiction writer to receive the MacArthur Fellowship.

Set in time periods ranging from the historical past to the distant future, Ms. Butler’s books are known for their controlled economy of language and for their strong, believable protagonists, many of them Black women. She wrote a dozen novels, including Kindred, Parable of the Sower; Parable of the Talents; and, Fledgling.

LA BanksLeslie Esdaile Banks – who wrote under the pennames of Leslie Esdaile, Leslie E. Banks, Leslie Banks, Leslie Esdaile Banks and L. A. Banks – wrote in various genres, including African-American Literature, Romance, Women’s Fiction, Crime, Suspense, Dark Fantasy, Horror and Non-Fiction for five publishing companies.

Best known for The Vampire Huntress Legend Series, Ms. Banks won several literary awards, including the 2008 Essence Literary Awards Storyteller of the Year.

On April 14, the Butler / Banks Book Tour begins. Thirteen authors of Black Speculative Fiction are ready to rock the mic.

So, readers around the world, get ready. The literary Fresh Fest is coming!

Book Tour Promo 1


BEYOND SWORD & SOUL: Charles Saunders, the Father of Dieselfunk!

Fist of Africa

BEYOND SWORD & SOUL: Charles Saunders, the Father of Dieselfunk!

Steamfunk Cover ArtFor this year’s Black History Month, I – along with author Milton Davis – was asked to teach a class on Steamfunk at GA-Tech.

For the class, the students read my story from the Steamfunk anthology, Rite of Passage: Blood and Iron and Milton’s story, The Delivery.

Milton read an excerpt from his upcoming, long-awaited Steamfunk novel, From Here to Timbuktu.

I decided to introduce the students to some Dieselfunk, so I read them an excerpt from my novel, The Scythe.

A few days later, I received an email from a student from Howard University – news travel fast in this Age of the ‘Net – who congratulated me on “another first.” In addition to my “stellar accomplishment” in authoring the first Steamfunk novel, Moses: The Chronicles of Harriet Tubman, according to the student, I was also the first to author a Dieselfunk novel, as well.

While I appreciated the compliments, I had to correct the student. I told her that the first Dieselfunk novel was actually written by one of my idols, who I’m sure didn’t even know he was writing Dieselfunk at the time, as I didn’t know I was writing Steamfunk when I wrote Moses: The Chronicles of Harriet Tubman. I was just writing alternate history with some cool gadgets, enhanced abilities, the supernatural and a bit of magic.

“If not The Scythe,” she asked. “Then what is the first Dieselfunk novel?”

Damballa,” I replied. “Damballa, by Charles R. Saunders.”

“What is Damballa?” She emailed me back.

I replied thusly:

DamballaDamballa is Jazz. African science. Western science. A hooded, Black hero. Two-fisted pulp action.

Such is the stuff that makes Damballa the unique and awesome Dieselfunk read that it is.

A classic costumed pulp hero, the black-hooded Damballa steps out of the forests of Africa and onto the streets of 1930s Harlem to battle Nazi’s bent on proving the superiority of the Aryan race.

Damballa (2011) is an incredible pulp adventure written by author Charles R. Saunders, the founder of the subgenre of Fantasy fiction called Sword and Soul and creator of the Fantasy icon Imaro.

The action does not stop as the titular hero uses his vast knowledge of Western science, African science and martial arts to expose and neutralize the Nazi threat.

Set in Harlem in 1938, the world is on the cusp of World War II and the Nazis are bent on proving their racial superiority.

The world heavyweight boxing champion, an African-American named Jackhammer Jackson, is challenged to a title match by the Nazis. Their representative is Wolfgang Krieger, a freakishly strong and massive man known as the “Aryan Adonis”.  Krieger possesses inhuman power, which the mysterious Damballa believes has been bestowed upon him by Nazi scientists in an attempt to prove their racial superiority.

Aided by African-American NYC detective Bynoe and the brilliant Congolese elder woman Mamadou, Damballa hatches a plan to neutralize the Nazis’ fiendish plot.

Saunders layers this intriguing plot with historical details that recreates post-Renaissance Harlem to perfection.

Damballa is a shining example of what Dieselfunk is and what Pulp is when it is at its very best: thrilling, visceral, tightly-plotted, well-written, fast-paced fun and the hero, Damballa, is a shining example of what a pulp hero in the hands of a master can be: a hero the reader can actually stand up and cheer for; a hero with qualities and with a story other authors do their damndest to echo in their own creative and original ways.

Saunders delivers a masterful blend of storytelling, film noir, and boxing, with an eye-popping cover by Charles Fetherolf and interior illustrations by Clayton Hinkle that combine to make Damballa an instant pulp classic you do not want to miss!

“I must read The Scythe and Damballa now,” the student said. “But are they Dieselfunk or are they Pulp?”

“Both,” I replied. “Dieselfunk is a subgenre; Pulp is a style. Science Fiction, Sports Fiction, Crime Fiction, even Romance can all be written in the Pulp style, however, they are all quite different subgenres.”

She asked me to share excerpts from my work that were of different genres but shared the Pulp style. I now share with you what I shared with her:

The Scythe

Dieselfunk

The ScytheThe Scythe stormed into Ernest Woodruff’s office suite.

La Vipère Noire burst into the room behind him. She was dressed in a matte black cat-suit, studded with tiny black beads. Her boots, gloves and even her derby were all similar studded in a reptile scale pattern.  A black bandana concealed her face from her cheeks to her chin. Her derby was pulled low over her forehead and tilted slightly to the left.

The two vampires sitting on post leapt from their seats.

“Viper, take the one on the left,” the Scythe said.

“Got him,” the Black Viper said sauntering toward the vampire.

She extended her right arm, revealing a small, tubular, metallic flashlight in her fist. She pressed a button on the flashlight and bright, white light washed over the vampire’s face.

The creature laughed heartily. “Sunlight hurts vampires, dinge; not tungsten filament-light!”

The Black Viper whipped her left leg toward the vampire’s head in a wide arc. As her leg passed through the light, the studs on her leg seemed to swallow it for a moment and then spit the light out with the intensity of two suns.

The vampire screamed in agony as his flesh blistered and charred.

Viper’s shin slammed into the vampire’s neck, separating his head from his shoulders.

The vampire’s body collapsed as his head bounced across his partner’s feet.

“Damn,” the Scythe said as the head rolled past him.

The surviving vampire leapt to the ceiling and then clung to it like a spider. He scurried toward the exit.

The Scythe vanished.

He reappeared right below the vampire and then thrust his right hand into the vampire’s back.

The vampire wailed.

“That’s your spine I’m holding,” the Scythe hissed. “The first vertebrae of your lumbar spine, to be exact.”

The Scythe slammed the vampire onto his face.

Brown blood sprayed across the black and white checkered floor tiles.

The Scythe yanked upward, ripping the vertebrae from the creature’s back.

The vampire gasped and then released a weak moan.

“He’s all yours, Viper,” The Scythe said.

The Viper held her left forearm in front of her flashlight. She turned the flashlight on and the black studs intensified the light to a blinding brightness. The intensified light struck the vampire, setting it ablaze.

The vampire cried weakly as it convulsed.

A moment later all that remained of the creature was ashes.

Fist of Afrika

Fight Fiction

Fist of AfricaThunderous applause rose from the dense crowd before Nick. The people parted, revealing a hulking figure sitting upon an iron throne, carved in the shape of a leopard resting on its haunches.

Agbu Tochi rose from the throne, looming above the crowd like a statue carved from onyx stone. His forearms were as thick as an average man’s thigh and appeared to be as hard as the throne he had just risen from. He slammed his cantaloupe-sized fist into his chest and the crowd roared. Tochi sprinted into the ring, charging directly toward Nick.

Nick swallowed his fear and stood his ground as the human locomotive called Agbu Tochi sped toward him.

The colossus stopped just inches in front of Nick, his massive chest almost touching Nick’s nose.

The giant stood still and in silence.

“Are you ready, Nick Steed?” Chizo asked.

Nick nodded.

“Are you ready, Agbu Tochi?”

Agbu Tochi tapped his chest twice with his fist.

Chizo slid her arm between the fighters. “Then, fighters take your places.”

Nick shuffled backward to his place at the edge of the ring. Agbu Tochi shambled backward to his place, his unblinking gaze locked on Nick’s throat.

“And now …” Chizo raised her hand high above her head, her fingers pointing toward the clear noonday sky. After a long pause, she brought her arm down sharply, slicing the air with her well-manicure fingers. “Fight!”

Agbu Tochi lurched forward. Nick charged forward to meet him.

Nick hammered into Agbu Tochi’s ribs with a volley of heavy right and left hooks. Agbu Tochi staggered backward.

Nick shuffled forward with a lead-hand hook toward Agbu Tochi’s chin.

The giant leaned back. The punch shot past his face. He then countered with a fierce cross, catching Nick square on the jaw.

Nick collapsed to his knees. He shook off the pain and exploded back to his feet, careful not to let his hands touch the ground. Both knees and a hand on the ground at the same time would be a loss by traditional rules.

Nick’s feet had barely touched the earth when he was lifted high into the air by the giant, who had grabbed him from behind in a tight bear-hug.

Nick thrust his leg to the outside of Agbu Tochi’s thigh, hooking his foot behind the giant’s knee. With the throw now blocked, Nick bent at the waist as he threw his palms toward the ground, breaking free of Agbu Tochi’s grip.

Nick thrust back and upward with his left foot, driving his heel into Agbu Tochi’s solar plexus. Agbu Tochi doubled over in pain.

Nick whirled toward Agbu Tochi, slamming a crushing shin kick into the outside of his thigh. Agbu Tochi’s leg buckled.

Nick followed with a second shin kick to the inner thigh of the same leg. Agbu Tochi’s leg quivered and he switched feet, bringing his left leg forward to protect his right leg from further onslaught.

Nick burst forward, wrapping his arms around Agbu Tochi’s waist and pulling him close. The giant thrust his massive right arm between his hips and Nick’s to partially break his grip.

The men mirrored each other, both holding the others left triceps with their right hand and waist with their left hand. They then fought for superior position, snaking their arms over and under each other in an attempt to grasp the other around the waist with both hands.

Nick proved to be a bit faster, lithely coiling his arms deep under Agbu Tochi’s armpits and then digging his fingers into the colossus’ sinewy shoulders.

Agbu Tochi shook furiously, but could not free himself from Nick’s boa constrictor-like control of his upper torso.

Nick thrust his hips forward as he punched his arms skyward under Agbu Tochi’s armpits, launching the massive wrestler high into the air. Agbu Tochi’s eyes widened. A hush fell over the crowd.

Nick torqued his hips as he arched backward, increasing the momentum of the throw. Both men struck the ground with a thunderous din. A cloud of sand billowed up from the ring.

So, there you have it – Dieselfunk and Fight Fiction, two different genres; both, very much Pulp Fiction; both inspired by my idol, Charles Saunders, the father and founder of Sword and Soul and Dieselfunk.

 


Steampunk, Dieselpunk and Stereotype Threats at Anachrocon!

Anachrocon

Steampunk, Dieselpunk and Stereotype Threats at Anachrocon!

Anachrocon 2014My wife; my seventeen year-old daughter, Yetunde; my eleven year-old, son, Oluade; and my five year-old daughter, Oriyemi, recently participated in Anachrocon 2014.

Yetunde put tremendous thought into her cosplay. She is a stickler for historical accuracy, so she insisted everything from her shoes, to her hairstyle to her fingernails be done as they would have been during the 1940s; to achieve said accuracy, Yetunde devoted weeks of research to the aesthetics of the 1940s. She did this while maintaining the 4.0 grade-point average she has achieved for her entire academic career.

AnachroconOluade gave a lot of thought to his cosplay as well. Since this year’s theme for Anachrocon was Dieselpunk, which is set in the Diesel Era of the 1920s through the end of WWII, and he knew, through reading my blogs and my latest novel, The Scythe, that Pulp magazines were popular during most of that era, Oluade decided he wanted to be a two-fisted masked pulp hero. Thus, the Auburn Avenger was born!

His concept of the character is so well-developed and so cool, I have promised Oluade that the Auburn Avenger will feature in a few of my short stories and perhaps even a Middle Grade novella.

AnachroconOriyemi was happy to just cosplay a vampire princess and to joyously – and accurately – point out which costumes at Anachrocon were Steampunk and Dieselpunk.

My children were completely comfortable at Anachrocon; much more than I have ever been at any convention.

Why?

Because they do not suffer from stereotype threat.

“What is stereotype threat,” you ask?

It is the fear or anxiety of confirming some negative stereotype about your social group; it is the idea that we hold within us that we might accidentally act in ways that confirm stereotypes about ourselves.

These fears are often self-fulfilling, pulling us, like magnets, toward the very stereotypical actions we hope to avoid.

In the Yoruba culture, we call this phenomenon Elenini – the personification of negativity. In western societies the statement “As a man thinketh in his heart, so is he,” applies.

I have blogged about how the media often portrays Black people and other People of Color, negatively. One of the implications of these negative images is the notion of stereotype threat. A person who is constantly bombarded with negative images of his or her racial or ethnic group, begins to internalize the same social and personal characteristics of these images.

Numerous psychological studies have examined effects of stereotype threat in areas such as standardized tests, and athletic performance. 

For example, the commonly held assumption that women are less skilled in mathematics than men has been shown to affect the performance of women on standardized math tests.  When women were primed beforehand of this negative stereotype, scores were significantly lower than if the women were led to believe the tests did not reflect these stereotypes.

Channels such as BET and MTV offer blatantly stereotypical images of Black people and of women of all races that greatly affect young viewers who take these images to heart.

The term stereotype threat was first used by psychologists Claude Steele and Joshua Aronson, who, in 1995, conducted several experiments that proved Black college freshmen and sophomores performed more poorly on standardized tests than White students when their race was emphasized. When race was not emphasized, however, Black students performed better and equivalently with White students. 

The results showed that performance in academic contexts can be harmed by the awareness that one’s behavior might be viewed through the lens of racial stereotypes. 

Long-term effects of stereotype threat are shown to contribute to educational and social inequality and affect stereotyped individuals’ performance in a number of domains beyond academics.

Research shows that stereotype threat can harm the academic performance of any individual for whom the situation invokes a stereotype-based expectation of poor performance. For example, stereotype threat has been shown to harm the academic performance of Hispanics, students from low socioeconomic backgrounds, girls and women in math, and even white males when faced with the stereotype of Asian superiority in math.

Stereotype threat produces numerous consequences, most of which are negative in nature, such as:

1.     Decreased performance

Perhaps the most widely known consequence of stereotype threat is reduced achievement on tests in situations in which the stereotype is relevant. In addition to affecting test performance, stereotype threat has been shown to decrease performance on other kinds of tasks, as varied as white people and women of all races in athletics ; women in negotiation; the elderly in memory performance and women in driving. Stereotype threat, it appears, can harm performance on any task where a stereotype is invoked suggesting that members of some groups will perform more poorly than others.

 2.     Internal Attributions for Failure

We often try to identify what factors are responsible when we fail to achieve a desired outcome. More often than not, we blame this failure on internal factors; on ourselves. This is especially true for those under stereotype threat. A test in 2008 showed that women under stereotype threat were more likely than men to attribute their failure on a computer task to their internal characteristics. When failure is internalized, stereotypes are reinforced.

   3.     Self-handicapping

Self-handicapping is a defensive strategy in which individuals erect barriers to their own performance to provide something to blame for their failure. They can point fingers at the barriers rather than at any deficiencies in their ability or effort. A test in 2002 showed that girls who performed poorly on a math test under stereotype threat were more likely to blame that performance on stress they experienced before taking the test.

 4.     Discounting the task

People under stereotype threat often question the validity of a task or the importance of the trait being tested. You might view a task as biased or as being ill-equipped to test your abilities if you expect to struggle with the task or have struggled with it in the past.

I believe this is one of the main reasons many Black people do not cosplay or read speculative fiction, whether it is written by a Black person or not. We are stereotyped as not being into Science Fiction and Fantasy; not possessing the capacity to create, or even understand it. Thus, we say such stuff is for white folks, or that Black people are too busy dealing with reality to deal with escapist hobbies such as reading Science Fiction or engaging in cosplay.

 5.     Distancing yourself from the stereotyped group

Stereotype threat can also affect the degree that we allow ourselves to enjoy and identify with activities associated with our social group. Steele and Aronson discovered that Black people who experienced stereotype threat expressed weaker preferences for – and performed less well than their White counterparts in – stereotypically “Black” activities such as jazz, hip-hop, and basketball. This identity distancing reflects a desire not to be seen through the lens of a racial stereotype.

To preserve their identity as a competent person in certain circles, stereotyped individuals sometimes distance themselves from an aspect of their social identity, or from people that bear the burden of the negative stereotype. When I first began to push Steamfunk, some Black Steampunks distanced themselves from me for fear that I was going to be the stereotypical angry Black man who happened to infiltrate Steampunk.

The effects of stereotype threat can be reduced or eliminated by several means.  

1.     Reframing the task

To reduce stereotype threat, you can “reframe” the task – use a different language to describe it. Simply informing Black people that it is cool to cosplay and showing examples of it can alleviate stereotype threat in fandom.

 2.     Deemphasizing threatened social identities

Interventions that encourage individuals to consider themselves as complex and multi-faceted can reduce vulnerability to stereotype threat. 

It is important for Black people to know that we are not monolithic and thus are not confined to some unimaginative, non-creative, non-expressive “Black box.”

 3.     Encouraging self-affirmation

Affirming your self-worth is an effective means for protecting yourself from stereotype threat and the resulting failure.

Encourage people to think about their important characteristics, skills, values and roles. Black people who are given the opportunity to affirm their commitment to being Steamfunkateers are less likely to respond in a stereotypical fashion and bring great originality, creativity and coolness to Steampunk.

 4.     Providing role models

Providing role models who demonstrate proficiency in a field can reduce or even eliminate stereotype threat effects.

A Black historian sat in on the Diversity in Steampunk and Alternate History panel that I and the Co-Editor of the Steamfunk anthology, Milton Davis, were panelists on. He said that his interest in Steampunk came through his introduction to it through my blogs about Steamfunk and later, through reading the anthology. He further stated that he would have never participated in Anachrocon, or any other fandom convention, for that matter, if not for my – and Milton Davis’ – work.

In my efforts to help make all eight of my children proud of their Blackness; their intelligence; their wit and their creativity, I have, fortunately, helped to alleviate and maybe even eliminate any stereotype threat they may have been under had I done otherwise.

They have always seen my pride; they have seen me live as an African traditionalist in non-traditional America; they have always seen me embrace my creativity; to admire and model the brilliant and the ingenious; to push myself just as much as I push them and to succeed because of it.

Oriyemi engaging in her first National Tea Duel.

Oriyemi engaging in her first National Tea Duel.

So Yetunde, Oluade and Oriyemi approached Anachrocon with no fears, no worry that they would fall into some stereotype and embarrass themselves, me, or Black people. They weren’t thinking of being Black; they simply were Black, thus at Anachrocon, like everywhere else, they shined.

I pray to be like them one day when I grow up.  


ARE STEAMFUNK, DIESELFUNK and SWORD & SOUL NECESSARY? Countering Negative Images of Black People in Science Fiction and Fantasy

Countering Negative Images

ARE STEAMFUNK, DIESELFUNK and SWORD & SOUL NECESSARY?

Countering Negative Images of Black People in Science Fiction and Fantasy

 

RacismImages and words combined are very powerful, and have been used, quite effectively, to convey this whole idea of Black people being “less than”; “not as good as”: the myth of Black inferiority.

We have become so insensitive or desensitized to our own negative typecasting and even dehumanization that we are no longer conscious of what we see, hear and what is going into our minds. We have become a party to our own brainwashing. We have joined in and become our own victimizers.

In the old days, white comedians put on black cork and made a living humiliating and ridiculing Black people. A few years later, their senses dulled by this illusion called “progress”, Black comedians said to the white comedians “Hey, you don’t have to ridicule and humiliate us, we’ll do it. We’ll take it from here, boss.”

And they took it from there…and carried it straight to Hell.

Let’s take the use of the word “nigger”, for example; so talked about now because of its use 110 times in the movie Django Unchained. Black comedians took this wicked, destructive word and took ownership of it as if to call ourselves a nigger was empowering, as if it was a term of endearment and still vehemently defend its use to this very day. And no, saying “the N-word” is no better. It is just foolish and strangely, makes us even less human than our use of nigger does.

“Man, you my N-Word!”

Or Kanye West and Jay-Z’s popular Niggas In Paris, now the politically correct N-Words In Paris:

“What’s Gucci my N-Word?
What’s Louis my killa?
What’s drugs my deala?
What’s that jacket, Margiela?
Doctors say I’m the illest
Cause I’m suffering from realness
Got my N-Words in Paris
And they goin’ gorillas, heh?”

Yeah…that shit cray.

The historian Carter G. Woodson said that Black people have been conditioned to go around to the back door, and if there is no back door, we will insist on one.

RacismIf you can get a Black comedian to show up on a late-night talk show and act the clown, it’s comforting to those people who say, “See they are a happy people. They aren’t angry with us for five hundred years of slavery and oppression.” It is like approaching a dog you have abused, neglected and chained up in your kitchen for a week, thinking “Boy, I sure hope it doesn’t bite.” And if, instead of tearing out your throat, the dog starts wagging its tail, you breathe a sigh of relief and say “Whew, good dog.”

We have been conditioned to expect little of ourselves and of each other.

Many Black authors lament that they create great content, but Black people pass by their table at geek conventions and head straight to Jim Butcher’s table to purchase his Dresden Files novels, or to the Marvel Comics booth to pick up the latest X-Man graphic novel.

Don’t lament, Black author. Remember, we have been conditioned to expect little of ourselves and of each other, so most Black people will assume, without any evidence, that your work is wack. You have to reach out and educate them; show them that your work is just as good as – or better than, what they are used to. Most will still flock to the Marvel booth. They love – and have faith in – good ol’ Stan Lee. To chastise them for that will gain you enemies, not friends and certainly not fans.

Now, outside the Black geek community is where I have found my greatest support. There is a hunger among “regular” Black people – those who do not identify as geeks, nerds, or science fiction fans – for speculative fiction written by and about Black people.

Black People ReadAt the Westview Festival last year – a neighborhood festival in the predominantly Black, lower-to-middle-class area near Atlanta’s West End – I sold out all of my books in less than a half hour. Mind you, my table was next to a table that sold – at less than half price – mainstream fiction and science fiction and fantasy by authors such as Isaac Asimov, J.R.R. Tolkien, Frank Herbert and George R.R. Martin.

At the recent 3rd Annual Ujamaafest – a festival celebrating Kwanzaa’s principle of Collective Economics – Milton Davis and I shared a table. Once again, Black Speculative Fiction sold like hotcakes. At this festival, the participants were mainly culturally conscious Black people from all walks of life.

At both festivals, most of the people who purchased books said that if Black authors were writing Science Fiction and Fantasy, with Black heroes, when they were young, they would have been into it, but they were eager to get their children and grandchildren into Black Speculative Fiction.

Are Steamfunk, Dieselfunk, Sword & Soul and other Black Speculative Fiction necessary? Damn right, they are.

While many of us want to see ourselves as the heroes and sheroes and recognize the need for Black Speculative Fiction, many of us cannot fathom ourselves as star-spanning, evil-crushing, saving-the-world heroes. The horse wrangler for the Steamfunk feature film Rite of Passage told me he never imagined we could be the heroes in a Fantasy or Science Fiction story, or that such a movie would ever be created.

The media is directly responsible for this. The perpetuation of stereotypes is always done through print, television, film, radio, music and, now, the internet.

Flip the channel or turn the page and there are the “baby mamas” and “baby daddies” so ubiquitous in common American culture that they become plot points or titles for mainstream comedies and movies.

The syndicated television program Maury, hosted by Maury Povich, is known for its “Who’s Your Daddy?” segments. Much of the content is based on issuing paternity tests to teens and young adults in hopes of determining fatherhood.

Many of Maury’s guests are Black, and the sheer number of these cases is damning. Shows like these, along with court television shows that promote the same dysfunction, are very popular.

Even Black millionaire housewives, doctors and business moguls are portrayed as argumentative, catty, incapable of being unified and downright ig’nant.

Millions of viewers are indoctrinated by these images of Black family chaos. And we watch these programs like a gory highway car wreck because they involve so many people who look like us.

And we accept and share these perceptions without question, qualm or quarrel.

At a very young age, Black men and women are inundated with messages that they cannot trust or depend upon one other. Children see images of – and hear comments and jokes about – lazy, greedy, irresponsible, or otherwise flawed Black adults.

Black characters have appeared in American films since the beginning of the industry in 1888, but Black actors were not even hired to portray Black people in early works. Instead, white actors and actresses were hired to portray the characters while in “blackface.”

In addition, Black people have, for nearly a hundred years, been purposely portrayed in films with negative stereotypes that reinforce white supremacy over us. Since motion pictures have had more of an impact on the public mind than any other entertainment medium in the last ninety years, this has had a tremendous effect on society’s view of Black people.

RacismThe media sets the tone for the morals, values, and images of our culture. Many people in this country believe that the degrading stereotypes of Black people are based on reality and not fiction. Everything they believe about us is determined by what they see on television. After over a century of movie making, these horrible stereotypes continue to plague us today, and until negative images of Black people are extinguished from the media, we will be regarded as second-class citizens and will regard ourselves as such.

We have not come that far since 1914, when Sam Lucas was the first black actor to have a lead role in a movie for his performance in Uncle Tom’s Cabin

1915 is a significant date in motion picture history because D.W. Griffith released The Birth of a Nation, which supported the Ku Klux Klan and is possibly the most anti-Black film ever made.

The Birth of a Nation – with its vicious portrayal of Black people as subhuman compared to the glorified Ku Klux Klan – was important because it led to the creation of a new industry that produced “race films” for Black People. These films portrayed us in a positive light and addressed many social concerns of the community.

Before “race films,” Black people in films were nothing more than shuffling, shiny-faced, head-scratching simpletons with bugged out eyes who leaned on brooms and spoke bad English, but after the introduction of “race films,” we were depicted with more dignity and respect.

In order for Black people to ensure that they would have positive roles and stop reinforcing negative stereotypes through film, we had to make our own movies. The same holds true today.

I am asked, quite often, if there is such a thing as a Black Science Fiction movie. Supposing by “Black Science Fiction movie”, they mean a science fiction or fantasy movie that features a Black protagonist and majority Black cast and deals with issues that strongly impact Black people, I tell them that Black Science Fiction movies began in 1939, with the release of Son of Ingagi and that filmmakers continue to make quality Black Science Fiction movies today.

Countering Negative ImagesWe learn a great deal about human nature by comparing ourselves to others; and by comparing ourselves to fictional heroes…and villains. 

Contemplating fictional characters helps us examine the nature of heroism and villainy. Through fiction, film and television, we develop our view of the ideal person; we learn what to expect from good guys and bad guys, even in real life.

What distinguishes a superhero from a supervillain? How do their basic personalities differ — and how has the media affected our perception of ourselves and heroism?

Most people see themselves as being close in personality to their favorite superheroes and mimic their heroes’ characteristics in an effort to live up to that perception.

However, if the fiction you read or see consistently portrays those who look like you as less than heroic; as savage – whether noble, or not – as the eternal sidekick; as the first to die; as the one to sacrifice him or herself so that the real heroes can save the world; as the thug; the pimp; the whore, then how do you see yourself?

In Blueprint for Negro Literature, Richard Wright discussed the problem of Black literature:

“They [Black authors] entered the Court of American Public Opinion dressed in the knee-pants of servility, curtsying to show that the Negro was not inferior, that he was human, and that he had a life comparable to that of other people. These were received as poodle dogs, who have learned clever tricks. … In short, Negro writing on the whole has been the voice of the educated Negro pleading with white America.”

Wright went on to say that every story Black people write “should carry within its lines, implied or explicit, a sense of the oppression of the Negro people, the danger of war, of fascism, of the threatened destruction of culture and civilization; and, too, the faith and necessity to build a new world.”

While such pleading – such curtsying to show that we are not inferior” – may have been the goal of Black writers during Wright’s time, it is certainly not my goal or the goal of my colleagues.

On the contrary, I seek to show Black people, in general – teens and tweens, in particular – that we are not inferior; that we are heroic; that we are beautiful, courageous, brilliant and strong.

Furthermore, while I appreciate a good story that deals with the ills of racism, sexism, classism and the destruction and rebuilding of Black civilization, I do not feel that every story must, or even should, deal with such issues.

The ScytheWhat I do feel Black Speculative Fiction should do is tell our stories, because they have gone untold in Speculative fiction for so damned long. And I feel those stories should feature Black heroes and an occasional Black villain, too…a criminal mastermind, that is; not a damned street thug, or other walking stereotype.

And please, no more Black heroes who begin as gangsters, prostitutes, drug dealers, or dope fiends. Thanks.

If you are seeking a list of works of great Black Speculative Fiction, check it out here. For a list of great Black authors of Speculative Fiction, you can find that here. For a list of Black Speculative events in Atlanta in celebration of Black History Month, look here.

So, do you feel Steamfunk, Dieselfunk and Sword & Soul are necessary? Is there a type of Black Speculative Fiction you’d like to see created or more of? Horror? Dystopian? Young Adult glittery vampires?

Comment and let your opinion be known!


TOP 20 STEAMFUNK, DIESELFUNK, SWORD & SOUL AND URBAN FANTASY BOOKS FOR BLACK YOUTH!

Black Speculative Fiction

TOP 20 STEAMFUNK, DIESELFUNK, SWORD & SOUL AND URBAN FANTASY BOOKS FOR BLACK YOUTH!

 

Recently, I wrote about why Black children should read and write Science Fiction and Fantasy. I also wrote about it here. Now I would like to provide you with a list of books for young adults, teens and tweens. A list of books for children aged 2-9 will follow in a later blog. 

Sword and Soul

Young Adult (“YA”) Fiction is fiction marketed to adolescents and young adults, ranging roughly between the ages of 14 to 21. The majority of YA stories portray an adolescent as the protagonist, rather than an adult or a child. The subject matter and story lines are typically consistent with the age and experience of the main character and the stories span the entire spectrum of fiction genres.

Middle Grade (“MG”) Fiction is intended for readers between the ages of 8 to 12, with the protagonist at the higher end of the age range.

MG readers are learning about who they are, what they think, and where they fit in. Their focus is inward and the conflicts in MG books usually reflect this. The themes range from school situations, friendships, relationships with peers and siblings, and daily difficulties that may seem ordinary to the rest of us. The protagonist’s parents are usually seen and have some sort of an influence. Stories are usually fast paced and chapters are short.

In contrast, Young Adult novels deal with underlying themes and more complicated plots. They allow teen readers to examine deeper issues, their roles in life, the importance of relationships, how to cope with adversity and even tragedy and how their actions can impact the world. 

YA protagonists are usually searching for their identity, figuring out who they are as an individual and where they fit in. YA books are generally much more gritty and realistic than MG books. Parents have less influence in YA stories and are often not seen at all.

Below is a list of twenty of the most Blacktastic books that are sure to entertain, educate and even empower readers, young and old.

The books are grouped into three categories, by age appropriateness, for your convenience.

While there are many more great books written by and about Black people, this is a good start and more books will be shared in future posts.

YOUNG ADULT (Ages 15+)

A Single Link, by Balogun Ojetade

A Single Link“A Single Link NEVER Breaks!” 

After suffering a brutal rape at the hands of a martial arts champion, Remi “Ray” Swan decides that, to gain closure and empowerment, she must face her attacker in the first professional fight between a man and a woman.

Join Ray in this powerful, two-fisted adventure as she fights, not just for herself, but for all who have suffered at the cruel hands of those who would wreak pain, oppression, injustice and death!

Step into the cage, where action, adventure, bone shattering fights, and a touch of romance await you!

Damballa, by Charles R. Saunders

The first ever African American 1930s avenger sets out to stop a Nazi plot to subvert a championship fight.

From deepest Africa to the streets of 1930s Harlem, the action is none stop.

Written by famed novelist Charles Saunders, with interior illustrations by Clayton Hinkle and a cover by Charles Fetherolf, this is a history making pulp adventure fans do not want to miss.

Devil’s Wake, by Steven Barnes and Tananarive Due

Devil's WakeWhat happens when an unprecedented infection sweeps the world, leaving the earth on the brink of the Apocalypse? 

But this infection goes far beyond disease. Beyond even the nightmare images of walking dead or flesh-eating ghouls. The infected are turning into creatures unlike anything ever dreamed of . . . more complex, more mysterious, and more deadly.

Trapped in the northwestern United States as winter begins to fall, Terry and Kendra have only one choice: they and their friends must cross a thousand miles of no-man’s-land in a rickety school bus, battling ravenous hordes, human raiders, and their own fears.

In the midst of apocalypse, they find something no one could have anticipated . . . love.

Dillon and the Voice of Odin, by Derrick Ferguson

He’s a soldier of fortune gifted with an astonishing range of remarkable talents and skills that make him respected and feared in the secret world of mercenaries, spies and adventurers. A world inhabited by amazing men and women of fabulous abilities that most of us are unaware even exists.

Fueled by a taste for excitement, driven by an overpowering desire to protect the innocent, see that wrongs are righted and assisted by a worldwide network of extraordinary men and women, all experts in their fields, Dillon spans the globe in a never-ending quest for the wildest and most breathtaking adventures of all!

Griots: A Sword and Soul Anthology, Edited by Milton J. Davis and Charles R. Saunders

GriotsMagic. Myth. Warfare. Wonder. Beauty. Bravery. Glamour. Gore. Sorcery. Sensuality. These and many more elements of fantasy await you in the pages of Griots, which brings you the latest stories of the new genre called Sword and Soul.

The tales told in Griots are the annals of the Africa that was, as well as Africas that never were, may have been, or should have been. They are the legends of a continent and people emerging from shadows thrust upon them in the past. They are the sagas sung by the modern heirs of the African story-tellers known by many names – including griots.

Here, you will meet mighty warriors, seductive sorceresses, ambitious monarchs, and cunning courtesans. Here, you will journey through the vast variety of settings Africa offers, and inspires. Here, you will savor what the writings of the modern-day griots have to offer: journeys through limitless vistas of the imagination, with a touch of color and a taste of soul.

Griots: Sisters of the Spear, Edited by Milton J. Davis and Charles R. Saunders

Griots: Sisters of the Spear picks up where the ground breaking Griots Anthology leaves off.

Charles R. Saunders and Milton J. Davis present seventeen original and exciting Sword and Soul tales focusing on black women.

Just as the Griots Anthology broke ground as the first Sword and Soul Anthology, Griots: Sisters of the Spear pays homage to the spirit, bravery and compassion of women of color.

The griots have returned to sing new songs, and what wonderful songs they are!

Ki Khanga: The Anthology, Edited by Milton J. Davis and Balogun Ojetade

What is Ki Khanga?

The answer lies in the pages of this amazing anthology.

Balogun Ojetade and Milton Davis define this fascinating world which forms the foundation of the Ki Khanga Sword and Soul Role Playing Game.

Prepare yourself for stories of bravery, tragedy, love and adventure.

Prepare yourself for Ki Khanga.

Moses: The Chronicles of Harriet Tubman, by Balogun Ojetade

Steamfunk“I’m gon’ drive the evil out and send it back to Hell, where it belong!” – Harriet Tubman

Harriet Tubman: Freedom fighter. Psychic. Soldier. Spy. Something…more. Much more.

In “MOSES: The Chronicles of Harriet Tubman (Book 1: Kings * Book 2: Judges)”, the author masterfully transports you to a world of wonder…of horror…of amazing inventions, captivating locales and extraordinary people.

In what is hailed as the world’s first Steamfunk novel, Harriet Tubman must match wits and power with the sardonic John Wilkes Booth and a team of hunters with powers beyond this world in order to save herself, her teenaged nephew, Ben and a little girl in her care – Margaret.

But is anyone who, or what, they seem?

Parable of the Sower, by Octavia Butler

In 2025, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future

Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others.

When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

Steamfunk, Edited by Balogun Ojetade and Milton J. Davis

STEAMFUNKA witch, more machine than human, judges the character of the wicked and hands out justice in a ravaged Chicago. John Henry wields his mighty hammers in a war against machines and the undead. Frederick Douglass and Harriet Tubman rule a country of freed slaves that rivals – and often bests – England and France in power and technology.

You will find all this – and much more – between the pages of Steamfunk, an anthology of incredible stories by some of today’s greatest authors of Science Fiction, Fantasy and Steamfunk – African and African American-inspired Steampunk.

Editors Milton Davis and Balogun Ojetade have put together a masterful work guaranteed to transport you to new worlds. Worlds of adventure; of terror; of war and wonder; of iron and steam. Open these pages and traverse the lumineferous aether to the world of Steamfunk!

Taurus Moon: Relic Hunter, by Keith Gaston

Taurus Moon is a relic hunter, but the artifacts he searches for aren’t found in the jungles of the Yucatan or the deserts of Egypt. His quests often take him through the grittier parts of urbanized cities where even the toughest of thugs fear to tread. Forgotten relics once thought of as only myths and legends can be found, if you know where to look, and have the guts to go searching into dark and deadly places. 

Taurus Moon is hired by a vampire crime lord to locate an ancient artifact that would make the criminal a God. Even though Taurus is no fan of vampires, especially one aspiring to become a Deity, he does love money and despite his misgivings, he begins the treacherous hunt for the artifact. Things become more complicated when a rival crime lord hires a ruthless relic hunter who has no qualms about killing the competition.

 YOUNG ADULT (Ages 13+)

Changa’s Safari, by Milton J. Davis

In the 15th century on the African Continent a young prince flees his homeland of Kongo, vowing to seek revenge for the murder of his father and the enslavement of his family and his people.

He triumphs over the slavery and the fighting pits of Mogadishu to become a legendary fighter and respected merchant.

From the Swahili cities of the East African Coast to the magnificent Middle Kingdom of Asia, Changa and his crew experience adventures beyond the imagination.

Changa will not rest until he has fulfilled his promise to his family and his people. The anchors are raised and the sails unfurled.

Let the safari begin!

Fist of Africa, by Balogun Ojetade

Balogun CoverNigeria 2004 … Nicholas ‘New Breed’ Steed, a tough teen from the mean streets of Chicago, is sent to his mother’s homeland – a tiny village in Nigeria – to avoid trouble with the law. Unknown to Nick, the tiny village is actually a compound where some of the best fighters in the world are trained. Nick is teased, bullied and subjected to torturous training in a culture so very different from the world where he grew up. 

Atlanta 2014 … After a decade of training in Nigeria, a tragedy brings Nick back to America. Believing the disaffected youth in his home town sorely need the same self-discipline and strength of character training in the African martial arts gave him, Nick opens an Academy. While the kids are disinterested in the fighting style of the cultural heritage Nick offers, they are enamored with mixed martial arts. Nick decides to enter the world of mixed martial arts to make the world aware of the effectiveness and efficiency of the martial arts of Africa.

Pursing a professional career in MMA, Nick moves to Atlanta, Georgia, where he runs into his old nemesis – Rico Stokes, the organized crime boss who once employed Nick’s father, wants Nick to replace his father in the Stokes’ protection racket. Will New Breed Steed claim the Light Heavyweight title … Or will the streets of Atlanta claim him?

Once Upon A Time In Afrika, by Balogun Ojetade

An exciting Sword and Soul tale by Balogun Ojetade, Once Upon a Time in Afrika Tells the story of a beautiful princess and her eager suitors.

Desperate to marry off his beautiful but “tomboyish” duaghter, Esuseeke, the Emperor of Oyo, consults the Oracle. The Oracle tells the Emperor Esuseeke must marry the greatest warrior in all Onile (Afrika). To determine who is the greatest warrior, the Emperor hosts a grand martial arts tournament inviting warrior from all over the continent.

Unknown to the warriors and spectators of the tournament a powerful evil is headed their way.

Will the warriors band together against this evil?

The Scythe, by Balogun Ojetade

The ScytheHe has been given a second chance at life. A second chance at revenge. He is the bridge between the Quick and the Dead. He is…THE SCYTHE! 

Out of the tragedy of the Tulsa Race Riot of 1921, a two-fisted hero rises from the grave!
Inspired by the pulp magazines of the 1930s and 1940s, a tale of action, adventure, thrills and chills await fans of Dieselpunk, die-hard pulp fans and readers who just love a gritty story that packs a mean punch.

Enter a world in which Gangsters, Flappers, vampires, robots and the Ku Klux Klan all roam the same dark back streets; a world of grit, grime and grease; a world of hardboiled gumshoe detectives and mad scientists; a world where magic and technology compete for rule over the world.

Dieselfunk has emerged in The Scythe…and the Roaring Twenties will never seem the same!

The Seedbearing Prince, by DaVaun Sanders

Dayn Ro’Halan is a farmer’s son sworn to a life of plowing on his homeworld, Shard. After finding a lost artifact called a Seed, he’s thrust into an ancient conflict between voidwalkers of the hated world Thar’Kur, and Defenders from a floating fortress called the Ring.

Dayn must become a Seedbearer and learn to use the Seed’s power to shape worlds before the entire World Belt is lost.

Woman of the Woods, by Milton J. Davis

Sword and SoulThe latest Sword and Soul novel by Milton Davis returns to the land of Meji, the amazing world of Uhuru. It tells the story of Sadatina, a girl on the brink of becoming a woman living with her family in Adamusola, the land beyond the Old Men Mountains. But tragic events transpire that change her life forever, revealing a hidden past that leads her into the midst of a war between her people and those that would see them destroyed, the Mosele.

Armed with a spiritual weapon and her feline ‘sisters,’ Sadatina becomes a Shosa, a warrior trained to fight the terrible nyokas, demon-like creatures that aid the Mosele in their war against her people. 

Woman of the Woods is an action filled, emotionally charged adventure that expands the scope of the world of Uhuru and introduces another unforgettable character to its heroic legends.

MIDDLE GRADE (Ages 10+)

Akata Witch, by Nnedi Okorafor

Twelve-year-old Sunny lives in Nigeria, but she was born American. Her features are African, but she’s albino. She’s a terrific athlete, but can’t go out into the sun to play soccer.

There seems to be no place where she fits. And then she discovers something amazing-she is a “free agent,” with latent magical power. Soon she’s part of a quartet of magic students, studying the visible and invisible, learning to change reality.

But will it be enough to help them when they are asked to catch a career criminal who knows magic too?

Amber and the Hidden City, by Milton J. Davis

Amber and the Hidden CityThirteen year old Amber Robinson’s life is full of changes. Her parents are sending her to a private school away from her friends, and high school looms before her. But little does she know that her biggest change awaits in a mysterious city hidden from the world for a thousand years. 

Why?

Amber’s grandmother is a princess from this magical kingdom of Marai. She’s been summoned home to use her special abilities to select the new king but she no longer has the gift, and her daughter was never trained for the task. That leaves only one person with the ability to save the city: Amber! But there are those who are determined that Amber never reaches Marai and they will do anything to stop her. 

Prepare yourself for an exciting adventure that spans from the Atlanta suburbs to the grasslands of Mali.

It’s a story of a girl who discovers her hidden abilities and heritage in a way that surprises and entertains.

Interlopers: A Shifters Novel, by L.M. Davis

Make sure to clean up your messes. 

Keep the cat in the house.

Fraternal twins Nate and Larissa Pantera know all about strange rules. They’ve grown up with plenty of them, and they have always obeyed those rules without question

However, disturbing things are starting to happen–both at home and at school. And when their parents go missing and a strange messenger appears, they discover that the only way to save them is by breaking all the rules.

Interlopers: A Shifters Novel is the thrilling fantasy adventure. Fans of YA fantasy, such as Harry Potter and Percy Jackson, love this new series about the Pantera twins, who discover that everything they thought they knew is only the beginning of the truth.

I am sure this list will get you well on your way on your Blacknificent journey through the world of Black Speculative Fiction. We end this with a few book trailers to take along as companions on this journey. Enjoy!


BLACK SPECULATIVE FICTION DURING THESE 28 DAYS OF BLACK HISTORY

Ki Khanga

BLACK SPECULATIVE FICTION DURING THESE 28 DAYS OF BLACK HISTORY

Every year around this time, things get very busy for me and for most of my other Black friends who create speculative works. This year is no different and many fun and exciting things are happening during Black History Month that I am proud to be involved in and that I know you will enjoy.

I’d like to share them with you and I would like for you to commit to attending at least one, if you are able to, or to shout them out all over social media if you are not; if you are attending one or more of these Blacknificent events, then please, shout ‘em out anyway.

Anachrocon

The ScytheBalogun CoverAs you probably know, my books, The Scythe and Fist of Africa dropped this month and are now available. However, the official debut of The Scythe is at Anachrocon. This is fitting because Anachrocon’s theme this year is Dieselpunk and The Scythe is a Dieselfunk Pulp novel.

My publishing / film production company, Roaring Lions Productions, will have a table there, with all of our books. Please, come by, purchase some great Steamfunk, Urban Fantasy or Dieselfunk, get a book signed, or just chat it up. No debating if Steamfunk or Dieselfunk is racist or separatist, though. Save that for the panel discussions I am participating in…or go to author Milton Davis with it; his table will be right beside mine. Just kidding, Milton!

Anachrocon happens February 14-16.

WREK Sci Fi Lab

On Thursday, February 20, from 7:00pm-8:00pm, Milton Davis and I will be guests on the WREK Sci Fi Lab Radio Show.

During the show, we will discuss Steamfunk, Dieselfunk and the soon-to-be-released Steamfunk feature film, Rite of Passage.

Listen in on the radio or on the internet; call in and ask questions, or harass us. We look forward to hearing from you – and responding in kind – either way.

The State of Black Science Fiction & Challenges Games and Comics Present: Black Authors and Artists of Science Fiction and Fantasy

James Earl Jones JediThis amazing event takes place Saturday, February 22, from 12:00pm – 5:00pm at the North Dekalb Mall in Decatur, Georgia (2050 Lawrenceville Hwy.; Suite 1018).

Come on out and meet Science Fiction, Fantasy and comic book authors Alan JonesAlicia McCallaBalogun OjetadeJames Mason and Milton Davis as we discuss Black Speculative Fiction and do some dynamic readings of our works.

Purchase books and have them signed by the writers.

As an added bonus, James Mason will provide caricatures for anyone who purchases books and comic books totaling $20.00 or more!

This is a great event for people of all ages!

Balogun Ojetade and Milton Davis teach Steamfunk at GA-Tech

Balogun Ojetade and Milton DavisThis one isn’t open to everyone – apologies, y’all – but I wanted to share what was happening and we are going to film this and post it at a later date.

Milton Davis and Yours Truly are crashing and taking over the Science Fiction class at GA-Tech February 26 and teaching a class on Steamfunk, its relationship to Steampunk and why it is a necessary and fast-growing movement.

The students have been reading the Steamfunk anthology as part of their syllabus and now I get to play professor again; fun stuff!

Steamfunk in academia…who’da thunk it?

So, that’s my schedule, thus far. If any of you would like to bring Black Speculative Fiction to your school, presentation, convention, asylum for the violently insane, spice planet, or galaxy far-far-away, let me know…we’d be happy to work with you (well, maybe not the asylum).

Enjoy this Black History Month!


THE SCYTHE HAS RISEN! Dieselfunk has emerged and the Roaring Twenties will never seem the same!

The Scythe

THE SCYTHE HAS RISEN!

Dieselfunk has emerged and the Roaring Twenties will never seem the same!

 

The ScytheThe very first Dieselfunk novel, The Scythe, is now available in both paperback and e-book formats!

Here’s a peek at what it’s about:

 

Out of the tragedy of the Tulsa Race Riot of 1921, a two-fisted hero rises from the grave!

Dr. A. C. Jackson has been given a second chance at life. A second chance at revenge. He is the bridge between the Quick and the Dead.

He is…THE SCYTHE!

LA_VIPERE_NOIRE_HQInspired by the pulp magazines of the 1930s and 1940s, a tale of action, adventure, thrills and chills await fans of Dieselpunk, die-hard pulp fans and readers who just love a gritty story that packs a mean punch.

Enter a world in which Gangsters, Flappers, vampires, robots and the Ku Klux Klan all roam the same dark back streets; a world of grit, grime and grease; a world of hardboiled gumshoe detectives and mad scientists; a world where magic and technology compete for rule over the world.

Dieselfunk has emerged in The Scythe…and the Roaring Twenties will never seem the same!

 

*This novel also contains the illustrated short story, La Vipère Noire and the Initiation at Pic la Selle (illustrated by the Blacktastic artist Chris Miller) and other goodies!

**Cover art by Stanley “Standingo” Weaver, Jr.!


A GREAT Year for Steamfunk, Sword & Soul and Black Speculative Fiction! 2013 in review

Steamfunk

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 94,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.

Click here to see the complete report.


AFRICAN PULP: The Spear in Racist Pulp Fiction’s Heart!

Lance Spearman

AFRICAN PULP: The Spear in Racist Pulp Fiction’s Heart!

comix 13Throughout Africa, storytelling has always been an intrinsic part of society, used to recall historical events, impart wisdom, debate and communicate messages from the divine.

Storytellers – called Djele, Sanusi, Babalawo, Iyanifa, Okomfo and other titles, depending on where, on the continent you go – are revered and are usually also skilled in spiritual and healing practices as well.

Tales of powerful heroes, megalomaniacal villains, sorcerers, witches and fearsome creatures abound in African folklore, thus I was not surprised at my recent discovery – thanks to Paul Bishop, author and mastermind behind the Fight Card brand of Fight Fiction books – that Pulp magazines, created by, and about, African heroes were highly popular across the continent in the 1960s through the 1980s.

Sold under the brand names African Film and Boom, these magazines – called photo comics, or “look books” – were illustrated with stunning photographs instead of drawings, giving them the uniqueness, creative flair and do-it-yourself spirit common throughout Africa.

With heroes like the Tarzanesque Fearless Fang (Boom) and the “African Superman”, Son of Samson, children and adults alike waited eagerly every month for latest edition to hit the newsstands.

Lance SpearmanThe most popular photo comic magazine was The Spear (African Film), which featured Lance Spearman, the super-spy / detective whose coolness James Bond and Derek Flint would envy. The Spear drove a Corvette stingray, sported a panama hat and well-tailored suits with a bow tie and smoked expensive cigars. And in true Pulp fashion, he had a bevy of beautiful women at his beck-and-call.

Lance Spearman pursued the bad guys with zeal, outwitting their conspiracies, kicking much ass with his African martial arts and saving the day…all in one issue!

These popular Pulps – a portfolio of black and white photos, complete with speech balloons, narration boxes and all the “bam-pow” sound effects that a kick and a quick upper cut to the jaw makes in any comic book.

Unlike the popular Pulps of the Western world, however, which were rife with racist tropes of uncivilized, uneducated, spear-chucking cannibals, or damn-near naked noble savages, with objectified, ample body parts, Lance Spearman was sharp, stylish and sophisticated.

Even the jungle stalking Fearless Fang was intelligent, witty, brave and well, cool.

Combining Western references with a distinctly African cultural identity, these amazing African Pulps presented a critique of colonialism and a significant variation in how the genre classically figured normality and otherness.

And they were entertaining as hell!

Published first by publisher Drum Publications in Nigeria in the early 1960s and later also published in Kenya and Ghana the photo comic had a powerful and lasting influence in fostering postcolonial pride and identity.

Its combination of extreme violence, melodrama, romance and glimpses of the glamorous life preceded and influenced the Blaxploitation craze in American cinema in the 1970s and its use of inventive DIY tactics to overcome budget constraints influenced the booming Nollywood film industry.

African PulpOther popular titles included The Stranger, about a two-gun toting, Black Lone Ranger-type hero; the romantic Sadness and Joy; and the serpentine shero, Cobra.

“Ok, you’ve told us about the photo comics, but how, and why, were they created?” You ask? “

 Well, Drum Publications of Nairobi, Kenya – tired of the clichéd racist images of Black people in contrast to the heroic images of white soldiers and superheroes in Western comics – decided to create comic books that would appeal to Black men. They began photographing black men in adventures that were designed to appeal to the Black African population.

Drum would buy stories and then send the scripts to Swaziland, where a photographer would takes pictures of a cast of Black actors. They would then send the photographed strips to London, England, where the magazines were printed. Finally, the photo comic magazines would be distributed in West, East and South Africa.

comix 12The Lance Spearman title was the most popular publication, with circulation figures estimated at 100, 000 in West Africa, 45,000 in East Africa and 20,000 in South Africa. In fact, Lance Spearman had a greater circulation in Kenya than any of the local daily newspapers at that time.

The writers of these look-books were Black Africans, who were paid $65 – equivalent to approximately $508.00 today – for every script they produced.

Expected in the scripts were lots of fistfights and the bad guys always losing in the end.

The readership of these photo comics included men, women, boys and girls from small rural towns to sprawling urban cities; from the barely literate to highly educated professionals.

The man, who played the character of Lance Spearman, was Jore Mkwanazi, originally employed as a “houseboy” in Durban, South Africa, scrubbing the floors of an apartment for $35 a month and as a musician, playing the piano in a nightclub for $1.50 a night, when photographer Stanley N. Bunn discovered him and decided he had the tough, cynical, sophisticated face that was needed for The Spear. In the role of the super-spy, Mkwanazi earned $215 a month.

Here is the original Drum Publications information, found in every issue of their photo comic magazines:

 
Drum Publications (E.A.) Ltd
P.O Box 43372
Nairobi
Kenya

Editor: J. Singh

Printed by 
Printing and Packaging Corporation Ltd
P.O Box 30157, 
Nairobi

But the story of photo comic magazines does not stop here.

In fact, it is just beginning.

In the summer of 2014, I will publish my first photo comic book, The Siafu: Revolution.

The Siafu is about escaped prisoner, Jamil Brown, who suffers a virus-induced myostatin deficiency that gives him enhanced strength, speed and endurance. Jamil is hunted by his makers, while gathering others like him to help fight against the corrupt system that made him.

For those of you who don’t know, siafu are army ants that, while small, are powerful and – in large enough numbers – can bring down an elephant.

So, be on the lookout for this amazing new graphic Pulp science fiction novel in a few months.

Get ready for The Siafu.

Get ready for Revolution.

 

 


SISTERS OF THE SPEAR: Black Sheroes In Speculative Fiction

'Ayen and Bull' by artist Jason Reeves

SISTERS OF THE SPEAR: Black Sheroes In Speculative Fiction

 Women Warriors 1

A while ago, I wrote a blog lamenting the sexism in speculative fiction. We still have a long way to go, but, in Black Speculative Fiction, at least, great strides are being made to give women their due respect and some awesome sheroes have emerged.

In this festive month, alone, no less than two awesome books have been released that feature hard-hitting women protagonists:

The first is the Sword and Soul anthology, Griots: Sisters of the Spear, which picks up where the ground breaking Griots anthology leaves off. Charles R. Saunders and Milton J. Davis present seventeen original and exciting Sword and Soul tales focusing on Black women as sheroes. Just as the Griots anthology broke ground as the first Sword and Soul anthology, Griots: Sisters of the Spear pays homage to the spirit, bravery and compassion of Black women. The griots have returned to sing new songs; and what wonderful songs they are!

The Table of Contents and list of authors in Sisters of the Spear hints at just how much of an amazing must-read this anthology is:

A Subtle Lyric by Troy L Wiggins
Blood of the Lion by Joe Bonadonna
Brood by Balogun Ojetade
Death and Honor by Ronald Jones
Ghost Marriage by Phenderson Djèlí Clark
Lady of Flames by Treka Willis Cross
Marked by Sara Macklin
Queen of the Sapphire Coast by Linda Macauley
Raiders of the Skye Isle by Cynthia Ward
The Antuthema by Ds Brown
The Night Wife by Carole McDonnell
The Price of Kush by Sylvia Kelso
The Sickness by Valjeanne Jeffers
Zambeto by JC Holbrook
Old Habits by Milton Davis
Kpendu (a new Dossouye story) by Charles Saunders

Art by Andrea Rushing.

Art by Andrea Rushing.

The women in this book are brave, strong, powerful and brilliant. In my story, Brood, the shero is Mistress Oyabakin, the most powerful warrior on the continent and one of the main characters in the Sword and Soul novel, Once Upon A Time In Afrika.

The second book is the two-fisted (and footed; and elbowed; and kneed) action-adventure Fight Fiction / New Pulp tale, A Single Link.

After suffering a brutal rape at the hands of a martial arts champion, Remi “Ray” Swan decides that, to gain closure and empowerment, she must face her attacker in the first professional fight between a man and a woman.

In A Single Link, the author, Balogun Ojetade (yep, Yours Truly) challenges you to step into the cage, where action, adventure, bone shattering fights, and a touch of romance await you!

Remi Swan, who goes on to become known as ‘The Single Link’ when she transitions from receptionist at a martial arts school to pro fighter must earn her spot on the fight cards, battling not only men, but a formidable women’s champion, who feels Remi has no place in the sport of professional mixed martial arts at all.

Remi is a wife, a mother and a martial artist who lives in a near-future world in which mixed martial arts has become a sport more popular than soccer and basketball. A near-future that dares ask and examine the questions “can a woman win against a man in a professional fight?”

A Single LinkThis fast-paced, hard-hitting tale is the first in a series of books I call the WERK Chronicles. Also, set within the WERK (World Extreme Ring Kombat) Chronicles universe, but not directly part of the WERK Chronicles itself, is Fists of Africa, the Fight Fiction New Pulp novella I penned as part of the Fight Card MMA series. Fists of Africa will release in early 2014.

Another WERK Chronicles book featuring Remi ‘The Single Link’ Swan – Showdown in Sudan – will release in summer, 2014.

I’d like to introduce you to a few more powerful sisters in fiction:

In the Vampire Huntress Legend Series, a twelve book series written by L.A. Banks, we meet young, African-American spoken word artist named Damali Richards, who is one of the Neteru, humans born every thousand years to fight creatures from the Dark Realms. Her most dangerous and most constant enemies from the Dark Realms are vampires. Damali was orphaned at an early age and her experiences in foster care led her to escape, starting her journey as a vampire huntress.

The first book in this incredible series, Minion, unfolds Damali’s origin and introduces us to her team of fellow hunters. 

In the Immortal series by Valjeanne Jeffers, the shape-shifting Karla emerges. Karla is described as a young, “Indigo” (read the book to find out what an Indigo is) woman who works as a successful healer at a place called CLEAN, where people go to get “clean” from addiction to the legal drugs Rush and Placid. Karla is tormented by lucid and erotic – yet terrifying – dreams in which she is immortal.

Two men emerge from these phantasms: the first a Copper shape-shifter (again, read the book) and the other a demon more dead than alive. But Karla is more than prepared to deal with the dark creatures from her dreams…if her own lust doesn’t consume her first.

Parable of the Sower centers on a young woman named Lauren Olamina, who possesses what author Octavia Butler dubbed “hyperempathy”, the ability to feel the pain – and other sensations – of others. As a child living in the remnants of a gated community in post-apocalyptic Los Angeles, Lauren develops a benign philosophical and religious system called “Earth seed”.

Society has reverted to anarchy due to scarce resources and poverty. When the community’s security is compromised, Lauren’s home is destroyed and her family is murdered. She travels north with a few other survivors to start a community where Earth seed can grow.

Dossouye is the tale of the warrior Dossouye and her war-bull, Gob, written by the father of Sword and Soul, Charles R. Saunders.

This fierce and fearsome character is inspired by the real-life female warriors of the West African Kingdom of Mahoney.

Orphaned at a young age, Dossouye becomes a soldier in the women’s army of the kingdom of Anomy. In a war against the rival kingdom of Avanti, Dossouye saves her people from certain destruction; but a cruel twist of fate compels her to go into exile.

On her journey across the vast rainforests outside of her homeland, Dossouye encounters many menaces and perils that will either break or strengthen her.

Woman of the WoodsWoman of the Woods, by Milton Davis, introduces us to Sadatina, a young woman of the Adamou nation. For centuries, the Adamou have been under attack by the yoke – dark, ape-like servants of the god Karan. Their only protection has been the Sosa – warrior-women blessed by their god, Cha, to fight the yoke. Even as a young girl, Sedating is stronger and faster and better at hunting and fighting than any of the young men in her village.

With the aid of two rhumbas – jungle cats whom she has raised from cubs – Sedating becomes the village’s protector and earns the name “Woman of the Woods”.

Moses: The Chronicles of Harriet Tubman, by Yours Truly, is an exciting mash up of Steam funk, alternate history and horror.

The shero – soldier, freedom fighter, Black Dispatch and monster hunter, Harriet Tubman, is hired by John Wilkes Booth to rescue his child Margaret from kidnappers.  Harriet Tubman is a supernatural shero, so she does her job well, but later discovers that Booth is not the girl’s father, which launches the story into a frenzy of action and adventure. The adventure speeds us across the U.S. and Mexico, introducing us to extraordinary characters and exciting scenarios along the way.
Matching Harriet Tubman in power are the murderous Mama Maybelle and the cigar-smoking, gun-toting, ass kicking anti-shero, Black Mary Fields (aka “Stagecoach Mary”).

Harriet Tubman is also one of the sheroes of the Steamfunk feature film, Rite of Passage and its upcoming companion anthology, Rite of Passage: Road to Nicodemus.

There are many more Black heroes in Fantasy and Science Fiction who I will introduce you to in later installments. What women heroes of color are your favorites?


A Steamfunkateer encounters Twinjas!

Sword and Soul

A Steamfunkateer encounters Twinjas!

 

twin 1Recently I was interviewed by Twinja Book Reviews, a website dedicated to the fight to bring multiculturalism to Young Adult Fantasy and Science Fiction novels.

Founded and helmed by twin sisters Libertad and Guinevere Tomas, Twinja Book Reviews is a great site to find YA books that go beyond the white male default protagonist. Check out their ‘Our Reviews’ section for a wonderful selection of multicultural YA.

Also, check out their site for other exciting interviews to follow. They have a line-up of authors set up you do not want to miss. The schedule can be found on their site here.

I was privileged to be the first interview the sisters conducted. I have reposted it below for your reading pleasure:

My sister and I haven’t had the pleasure of reading any of your books yet, but there has been a lot of buzz surrounding you in various places. It’s like we can’t conduct an online search pertaining to diversity in books without your name being mentioned! Why don’t you tell our readers a bit about yourself, as well as your writing?

I am very grateful for the buzz and I thank everyone for their ongoing support.

For those who don’t yet know me – and I would imagine that’s a lot of folks – I am an author; a father of eight children; grandfather of two; a husband; a Steamfunkateer / Steampunk; a filmmaker; a screenwriter; an actor (sometimes); a creator of role-playing games and a priest in the traditional Yoruba system of Ifa. I am also owner, master instructor and technical director of the Afrikan Martial Arts Institute, which has representatives in Atlanta, Macon, GA, Raleigh-Durham, NC and London, England.

I live and work in Atlanta, Georgia.

I write speculative fiction; mainly, Steamfunk, Sword and Soul, New Pulp and Urban Fantasy.

For those unfamiliar with my work and my writing style, you can check out some of my short fiction on my website at Chronicles Of Harriet .

My published fiction books include my books, Moses: The Chronicles of Harriet Tubman (Books 1 & 2)Once Upon A Time In Afrika; and Redeemer (or, paperback)  and I am contributing Co-Editor of the bestselling anthology, Steamfunk and Ki Khanga: The Sword and Soul Anthology. In December, I will release my fight fiction New Pulp novel, A Single Link and in 2014, I will release two novels and one novella and will appear in several anthologies.

We’ve recently discovered the two genres you’ve penned, “Steamfunk” and “Sword and Soul” floating around the realm of diversity in science fiction and fantasy. Why don’t you explain what those genres are?

Steamfunk Harriet TubmanSword & Soul is the African expression of Heroic and Epic Fantasy; think Conan or Lord of the Rings with African heroes, probably in an African setting and featuring African culture and spirituality and you have Sword & Soul. Sword & Soul has been around since the 1970s when the subgenre’s founder, Charles R. Saunders – the masterful author of two incredible Sword & Soul novel series: Imaro and Dossouye – coined the phrase and created a new subgenre of Fantasy.

As far as Steamfunk;  in order to understand it, we must first give a brief definition of Steampunk. Steampunk is a subgenre of science fiction or fantasy, characterized by a setting – in the past, present or future – in which steam power is the predominant energy source. Think the television show The Wild, Wild West, the graphic novel / comic book series, The League of Extraordinary Gentlemen, or the movie The Golden Compass

Steamfunk is a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the Steampunk philosophy and / or Steampunk fiction.

I am one of the founders of the Steamfunk Movement.

On our blog, Twinja Book Reviews, we only review books that feature marginalized groups (e.g. black, gay, Latin, Asian, disabled, plus sized) Why you ask? Well, because then our book blog would be lost in the sea of other book blogs! And why not spread the word on how much we’d like to get our message out there, to perhaps encourage authors to write diverse fiction and for readers to demand it! Why is Diversity in Science fiction and fantasy important to you?

BalogunFirst and foremost, I have been a fan of Science Fiction and Fantasy since I was two years old. In fact, I learned to read at two because my sisters introduced me to superhero and Archie comic books at that age.

I learned just how important Science Fiction and Fantasy is after spending several years as an English and Creative Writing teacher in the public and private sectors. In conversing with other English teachers, I often asked them if they taught creative writing in their classes. Most did not. One teacher told me that she tried “that creative writing stuff” with her students, but quickly gave up on it and returned to a more “practical syllabus”. Upon further investigation, I discovered that she believed creative writing – particularly Horror, Science Fiction and Fantasy – to be something outside – and, indeed, beneath – the instruction of English.

Most educators of English / Language Arts focus on the mechanics of the subject – how to read and write, rules of grammar, use of verbs, adverbs, adjectives, pronouns and nouns and sentence comprehension – without the context of why and how those mechanics are used by students to express themselves.

Yes, we need to teach the mechanics – how to hold a pen; how to read; how words work – but we should not confuse use of a thing with understanding of it. Training in the mechanics of writing produces writing technicians; however, it does not make you a writer. So, you know how to spell; you can answer questions on grammar; you can repeat someone else’s literary criticism of a text – you are a technician. You can fix my text as a garage mechanic can fix my car. The garage mechanic can’t design a car. They can’t improve a car. They can’t build one from scratch. They can only ever work on someone else’s car.

This is why we – and our children – need to read and to write Science Fiction and Fantasy – so that our children do not only work on other people’s texts; they create and build their own. So they are not limited to just reading a story written by someone else and providing a report on it – they are out there in the field, experimenting with new stories and questioning old ones…if only for the reason that they can.

We need to teach our children to go out into the world to add to the pantheon of human creation and endeavor, not to dissect the words of long dead men. Science Fiction and Fantasy are best suited for that.

So, your latest book, Moses: The Chronicles of Harriet Tubman, features Steampunk elements (Or, as you say, Steamfunk) and Harriet Tubman as the Main Protagonist. You have to share what was going through your mind when you came up with that idea!

SteamfunkActually, Moses: The Chronicles of Harriet Tubman (Book 1) is my first fiction book. It was released as an e-book in 2011 through Mocha Memoirs Press. In July 2012, I released Moses: The Chronicles of Harriet Tubman (Books 1 & 2) in paperback under my own publishing and film production company, Roaring Lions Productions. I am now writing books 3 and 4 in the series.

Harriet Tubman is one of my heroes. I think because my mother, who is at the top of my list of heroes, is so much like Harriet Tubman, I fell in love with “General Moses” at a young age and I continue to love and admire her. I knew, long ago, that the first novel I wrote would have Harriet Tubman as the hero. I also knew that the world would be similar to that found in The Wild, Wild West – one of my mother’s favorite television shows; a show she made me fall in love with – but a bit grittier; a bit more fantastical.

What type of research goes into bringing one of your stories to life? 

SteamfunkTons of research…on the history; on the setting; on the culture and belief system of the people I write about. 

If we are going to write Steampunk and our story is set during the Victorian Era (between 1837 and 1901) and we want to avoid the cultural appropriation so prevalent in Steampunk, then it is necessary that we know history; that we understand how the Age of Steam was, so that we can determine how it should have been. 

If we cosplay a “Steampunk Squaw”, we should research how First Nation women lived during the Age of Steam; we should study First Nation cultures and choose in which nation we are going to gain historical and sociological expertise; we should research the word “squaw”, understand it is an offensive term to First Nation women and change the name…if you give a damn.

And that is what research is: giving a damn. So I do it…a lot.

What are some of your biggest challenges as a writer of Color?

The biggest challenge is letting people know that there are great works of Science Fiction and Fantasy by People of Color out there. Many more People of Color would read Science Fiction or Fantasy if they knew there are heroes in our books who look like them; who act, think and feel like them.

For years, we were the noble savage; the magical negro; the yellow menace. No one wants to invest days, weeks and sometimes even months, reading how less beautiful they are; how less intelligent; how less heroic. And mainstream publishes continues to perpetuate these images.

That is why I am convinced that the future of the literary industry is in independent publishing – small press and self-publishing. The mainstream literary industry is rooted in fear. It, like any corporation, is not in the business of taking risks – and Black books, other than street lit, are considered risky business. 

Books with People of Color as the heroes and sheroes are risks and the mainstream rarely wants to touch these books; and if they do, you are often asked to change your hero to a Caucasian male or they whitewash your cover, changing your Person of Color into a swarthy White person. Now, once an indie author creates a lot of buzz, the mainstream might pick them up, but before that, chances of your work getting published are slim. If your hero is Black, your chances are even slimmer and if your book is about Black on Black love, you can forget it. That is why I only work with independent publishers and I also self-publish.

I think one thing We love about your book covers is that they feature African American Women of a darker shade (Nothing against the lighter shades but you have to admit darker skinned women on book covers RARELY happens). I think the trend today is to write characters Bi-racial because some feel a black character is not as relatable as a bi-racial one that shares some European heritage. Do you think Colorism and the media’s narrow minded idea of beauty play a big role in the lack of black (especially darker skinned ones) characters on the front covers of books?

Sword and SoulI think the media is well aware of the beauty black people possess, however, for so long, the “beauty and magnificence of whiteness” has been fed to us through the media that now it is a risk to show otherwise and like I stated earlier, the media, like any other corporation, is not in the business of taking risks.

People who take risks; people who stand up and say “I am going to tell these stories about Black people unapologetically” – scare many white people. Hell, we scare many Black people too, who fear it is best to just get along. We scare the mainstream and those working within it because we show that we can be successful without the mainstream and we can do this our way.

In terms of diversity, you feature A LOT of characters of African descent (which is totally stellar). Do you plan on including other marginalized groups in future writings (e.g. Afro-Latina/ Latino characters; I ask because we’re both black Latinas) or Asian love interests?

I do include a diverse cast of characters in my books – and many Latinos / Latinas are of African descent, as I am sure you know – however, my main heroes and sheroes will always be of African descent. In my Steamfunk story, Nandi, which is set in 1970s California, the hero, Nandi, a law-enforcement officer who hunts the supernatural, is a Black woman, born in America, but with strong ties to Africa; her partner Pei-Pei Ming, is Chinese and her former lover, Wabli Ska, who is a law-enforcement officer, turned anarchist, is Native American.

I write what I want to see. I want to see more Black-on-Black love, so I write that; I want to see Black people on amazing adventures and being heroic, so I write that. I believe that most people want to see themselves as the hero. If they have the ability to create worlds in which they are that – through fiction, film, illustrations, or some other medium, they should do so.    

What are some areas or themes you haven’t yet covered but would like to in future writings?

I don’t believe in waiting. If I want something done, I do it, so I have now dived head first into writing New Pulp. I am also writing a Rococoa pirate novel, Black Caesar: The Stone Ship Rises. Rococoa is similar to Steampunk, but is set in the era in which clockwork technology is dominant. Think DaVinci’s DemonsThe Three Muskateers, or Brotherhood of the Wolf, told from a Black perspective.

All of these new writings will be published next year.

Where can potential readers learn more about you and your current and future works?

You can learn more about me and my works by visiting my website – Chronicles Of Harriet – or to learn more about the Steamfunk feature film I wrote, directed and fight choreographed, based on a short story written by author Milton Davis, visit Rite of Passage, The Movie

This amazing movie, entitled, Rite of Passage, will premiere in February, 2014 and is scheduled to screen at major film festivals and fan conventions worldwide.

You can also friend me on Facebook @ Balogun Ojetade; or follow me on Twitter @ Baba_Balogun

I am also quite active on Tumblr @ Black Speculative Fiction and Pinterest @ Balogun

 


Make it a REAL “Black” Friday!

Black Friday

Make it a REAL “Black” Friday!

Buy Black Speculative Fiction!

Black Friday

Also, try out these Blacktastic Books you will absolutely love:

Imaro by Charles Saunders – A masterwork from the father of Sword and Soul. Imaro is the definition of great Heroic Fantasy.

The Parable of the Sower by Octavia E. Butler – Widely considered Butler’s best work, this is an incredible story of a dystopian future and a heroine with hyper-empathy.

Immortal by Valjeanne Jeffers – The first in a series of exciting books that takes place in the world of Tundra. Jeffers deftly combines Science Fiction, Horror and Romance in telling the story of Karla, a shapeshifter who fights the forces of evil of which she dreams. 

Wind Follower by Carole McDonnell – This epic fantasy romance explores race, ethnicity, and imperialism in a beautiful – and sometimes brutal – ancient African setting.

A Darker Shade of Midnight by Lynn Emery – Mystery, Horror and Romance combine to give you this masterpiece that is a first in an incredible series. LaShaun Rousselle – the protagonist, who uses her paranormal abilities to solve the mystery of who killed her cousin and what lives in the woods on her family’s land – is one of the most interesting heroine’s in fiction.

Order of the Seers by Cerece Rennie Murphy – This thrilling tale of discrimination, love, retribution, lust for power and the great potential that lies dormant in us all follows the life and struggle of Liam and Lilith Knight – a brother and sister duo who are hunted by a ruthless and corrupt branch of the U.N., which seeks to capture and exploit Lilith’s unique ability to envision the future.

Hayward’s Reach by Thaddeus Howze – a series of short stories told by Mokoto, the last survivor of an unexpected cataclysm. Mokoto, even in his current state of in-humanity, learns what it means to be truly human.

Steamfunk edited by Milton Davis and Balogun Ojetade – This is the definitive work of Steamfunk – a philosophy or style of writing that combines Black culture and approach to life with that of the steampunk philosophy and / or  steampunk fiction – featuring fifteen masterfully crafted stories by fifteen amazing authors.

Woman of the Woods by Milton Davis – A powerful Sword and Soul tale, set in Davis’ intriguing Uhuru universe, first experienced in his seminal series, MejiWoman of the Woods draws us into the world of demon-hunter, Sadatina and her “sisters”, a duo of twin lionesses who aid her in her battle against the vicious Mosele and their demon allies, who seek to destroy her people.

Redeemer by Balogun Ojetade – This is an edge-of-your-seat adventure that is both gangster saga and science fiction epic. A tale of fatherhood and of predestination versus predetermination. An entertaining mash-up that Science Fiction, Urban Fantasy and Urban Fiction fans alike will enjoy.

If you are interested in finding more authors of Black Speculative Fiction check out Black Speculative Fiction Reviews.


AIN’T NO SUCH THING AS SUPERMAN! Do Black People Need Black Superheroes…or Just Black Heroes?

Black Superhero

AIN’T NO SUCH THING AS SUPERMAN!

Do Black People Need Black Superheroes…or Just Black Heroes?

Black SuperheroStories about the heroes and superheroes in speculative fiction, film and comic books capture essential truths about human nature. We relate to – and identify with – the characters and themes in these stories; we empathize with the dilemmas and problems that superheroes face, and we admire – and often mimic – their heroic acts.

What, exactly, is a superhero, you ask?

What is the difference between a superhero and a hero?

I would say that every hero in a work of Black speculative fiction – and least the works I have read, which is pretty vast – is a superhero.

The definition of a hero is someone who rises above his or her fears and limitations to achieve something extraordinary. A hero embodies what we believe is best in ourselves. By definition, a hero would include entirely fictional characters, such as Batman, Brotherman, or Storm; characters who are real, but surrounded by legend, such as John Henry, Bass Reeves, or ‘Black’ Mary Fields; and “real world” firefighters, teachers and parents.

The clearest difference between a hero and what we tend to consider a superhero is that superheroes possess fantastic powers, fight their battles with advanced technology, or possess uncanny beauty, bravery, skill, or luck. Superheroes are heroes who cannot possibly exist in our own world today.

Unlike ordinary heroes, superheroes must have abilities that normal people do not and cannot have.   A superhero like Brotherman – a great comic book hero and protagonist of a comic book series of the same name, brilliantly realized by writer, Guy Sims and his brother, artist Dawud Anyabwile – has no super powers. He belongs to the uncanny beauty, bravery, skill, or luck camp.

Brotherman is also larger-than-life and his stories are timeless; eternal.

Steamfunk Harriet TubmanWould this make Harriet Tubman a superhero? The great freedom fighter, spy and warrior of history is certainly a hero, however, while she possessed a supreme amount of bravery, endurance, skill, luck and the gift of accurate visions, her abilities were attainable by anyone – except, maybe those accurate visions. They were not uncanny, or otherworldly.

However, Harriet Tubman – protagonist of the Steamfunk novel Moses: The Chronicles of Harriet Tubman and one of the protagonists of the Steamfunk feature film, Rite of Passageis a superhero. She possesses the ability to heal from massive damage to her body at ten times the rate of a normal person; she has the strength of several men; and she can cast illusions.

Milton Davis’ Changa, of the Sword and Soul series, Changa’s Safari, fights monsters, sorceresses and men and has the ability to see malevolent spirits.

A Single LinkRemi ‘The Single Link’ Swan, hero of the fight fiction novel, A Single Link, is the first woman in history to fight men in professional co-ed mixed martial arts.

These are all superheroes – larger than life; powerful beyond the normal realm of human ability; fearless, lucky, or talented beyond measure.

And, like Brotherman, all their stories are timeless; eternal.

No costume is necessary; but it is cool.

But, how do we relate to and identify with characters with such amazing attributes?

Is the reason why the most popular stories in comic books are origin stories because they show us the exact moment when a normal man or woman goes from being just an average Joe or Josephine to being somehow better, faster, smarter, or stronger?

I believe it is not the attributes, but the altruism, we identify with – or at least we aspire to.

It is also the trauma superheroes suffer at their becoming. Many have told me that they love the origin story of The Scythe, who readers will get to see more of when the novel is released in summer, 2014. What they have said they love is how Dr. A.C. Jackson makes a bargain with the sentient scythe of death to return to earth and exact revenge on his murderers. Dr. Jackson is, literally, a tortured soul; the victim of racism and brutality during the Tulsa, Oklahoma Race Riots of 1921.

Readers also identify with the life-altering force of destiny found in origin stories. In the film Rite of Passage, Harriet Tubman gathers several Guardians – those endowed with supernatural powers to fight men, machines, monsters, demons and the undead. One such Guardian, Harriet Tubman’s young pupil, Dorothy Wright, is reluctant to accept her destiny, yet she rises to the occasion and becomes one of the protectors of the Black-owned town of Nicodemus, Kansas. Many of us identify with Dorothy’s challenge of assuming a great responsibility that forces her to grow up sooner than she wants to.

BrothermanFinally, there’s sheer chance; or the illusion that it was chance – I am not inclined to believe in coincidence – that readers love about origin stories. In the Rite of Passage tie-in, the short film The Dentist of Westminster, the protagonist, Osho Adewale, travels to Nicodemus, Kansas to put his deceased grandmother to rest, but is introduced to a world of darkness in which he gains the power to bring the light. His heroism is an example of how seemingly random, adverse events cause many of us to take stock of our lives and choose a different path.

Good writers of speculative fiction are keen observers of nature, in general and specifically, human nature. They are able to express those observations as captivating stories; they are able to tell the stories of self through the stories of their superheroes.

So, pick up a great comic book, like Dusu (issue #1 is free), Watson and Holmes (also free), the Chronicles of Piye, or Sword and Soul Adventures; or great books, such as Moses: The Chronicles of Harriet Tubman, Changa’s Safari, Damballa, or A Single Link (which releases at the end of this month). Soar with the superheroes within.

Capes aren’t necessary.

But, they are cool.


BLACK HEROES OF PULP FICTION (and we don’t mean Samuel L. Jackson or Ving Rhames)

A Single Link

BLACK HEROES OF PULP FICTION (and we don’t mean Samuel L. Jackson or Ving Rhames)

Luke Cage Noir from Marvel Comics.

Luke Cage Noir from Marvel Comics.

Some of you are saying “If not the movie by Quentin Tarantino, then what the in the hell is Pulp?”

Is it that nasty, fibrous stuff I hate in my orange juice, but my wife always buys, because – for some odd reason – she loves it?

What is Pulp?

Is it that early 80s British alternative rock band who sounded like a hybrid of David Bowie and The Human League?

What is Pulp?

Think adventure, exotic settings, femme fatales and non-stop action. Think larger-than-life heroes, such as Doc Savage, The Shadow, Marv, from Sin City and Indiana Jones.

The genre gets its name from the adventure fiction magazines of the 1930s and 1940s.

Pulp includes Horror, Science Fiction, Fantasy, Mystery, Western, Fight Fiction and other genres, but what sets pulp apart are its aforementioned fast-pace, exotic locales, linear – but layered – plots, its two-fisted action….and those characters! As author Thaddeus Howze describes them: “I like the larger than life heroes of the pulp era, loud, bombastic, often arrogant, sexy, outrageous and oh so violent…”

The first pulps were published in the late 1800s and enjoyed a golden age in the 1930s and 1940s.

And – like most genre fiction of the day…and today – Black heroes were absent. Like most genre fiction of the day, if a Black person was found in pulp fiction at all, they were the noble savage…or just the savage.

Coffin Ed Johnson and Grave Digger Jones

Coffin Ed Johnson and Grave Digger Jones by artist Jim Rugg.

Coffin Ed Johnson and Grave Digger Jones by artist Jim Rugg.

However, in 1957, we saw our first Black pulp heroes with the duo of Coffin Ed Johnson and Grave Digger Jones, violent and vicious Harlem police officers, who operated more like private detectives, often going beyond police protocol to solve their cases.

A true master of the pulp aesthetic, Chester Himes – an accomplished author and screenwriter before going to prison – discovered the work of popular pulp author Dashiell Hammett while serving eight years in an Ohio penitentiary for armed robbery. Himes vowed to write pulp books that would, in his words, “tell it like it is”.

Upon his release from prison, Himes moved to Paris and – true to his word – wrote a string of what he called “Harlem domestic detective stories”, all but one written in French and later translated into English.

His first novel, A Rage in Harlem (1957) – first published in French as La Reine des Pomme and also known as For Love of Imabelle – which won the prestigious French literature award, Grand Prix de la Litterature Policière, gave us our first taste of the fearsome Coffin Ed Johnson and Grave Digger Jones.

Fans begged for more of these pulp bad boys and Himes delivered, with a total of seven more bestsellers and one unfinished novel that was published posthumously: The Crazy Kill (1959), The Real Cool Killers (1959), All Shot Up (1960), The Big Gold Dream (1960), Cotton Comes to Harlem (1965), The Heat’s On (aka Come Back, Charleston Blue)(1966), Blind Man With A Pistol (1969), Plan B (1993).

While the duo frequently uses physical brutality, psychological torture and intimidation to solve their cases, Gravedigger and Coffin Ed have deep and genuine sympathy for the innocent victims of crime. They frequently intervene – even putting their own reputations and lives on the line – to protect Black people from the vicious and truly pointless brutality of the white, openly racist police officers in their precinct. Jones and Johnson generally go easy on – and even tolerate – numbers runners, madames, prostitutes, junkies and gamblers; but they are extremely hostile to violent criminals, drug dealers, con artists and pimps.

It can be said that Coffin Ed Johnson and Grave Digger Jones were the darkest heroes in pulp…and not because they’re Black…well, that too.

Aubrey Knight

Black PulpThe next Black hero in pulp did not come on the scene until 1983. Who was he? Aubrey Knight, a lightning quick mountain of muscle, trained to be a Null Boxer who fights in brutal matches while locked in a zero-gravity bubble.

Aubrey Knight is the protagonist of Street Lethal (1983), a jaw dropping pulp thrill ride, penned masterfully by veteran science fiction, fantasy and horror author, Steven Barnes. Street Lethal is set in a near-future dystopian Los Angeles in which Aubrey Knight must battle genetically engineered New Men, drug kingpins, brutal prison guards, a ruthless femme fatale and brainwashing similar to the horrific Ludovico Technique from the classic novel A Clockwork Orange.

Street Lethal spawned two sequels starring the street-fighter, null-boxer and virtual superman: Gorgon Child (1989) and Firedance (1993).

Barnes, an accomplished martial artist himself, gives us a pulp hero who is one part Luke Cage Noir and two parts Iron Fist…only cooler, savvier and more…well, street lethal.

Damballa

Black PulpA classic costumed pulp hero, the black-hooded Damballa steps out of the forests of Africa and onto the streets of 1930s Harlem to battle Nazi’s bent on proving the superiority of the Aryan race.

Damballa (2011) is an incredible pulp adventure written by author Charles R. Saunders, the founder of the subgenre of Fantasy fiction called Sword and Soul and creator of the Fantasy icon Imaro. The action does not stop as the titular hero uses his vast knowledge of Western science, African science and martial arts to expose and neutralize the Nazi threat.

Set in 1938, Damballa is a shining example of what Pulp is when it is at its very best: thrilling, visceral, tightly-plotted, well-written, fast-paced fun.

And the hero Damballa is a shining example of what a pulp hero in the hands of a master can be: a hero the reader can actually stand up and cheer for; a hero with qualities and with a story other authors do their damndest to echo in their own creative and original ways.

Dillon

fight 9Equal parts James Bond, Indiana Jones, Doc Savage and The Saint, Dillon – by his creator Derrick Ferguson’s account – first came to attention of the world a decade ago, when he began hiring himself out as a soldier of fortune. Dillon possesses remarkable talents and gifts that make him respected and even feared in a world of mercenaries, spies, adventurers, powerful technology and mystic artifacts.

Actually, Dillon first came to our attention in the Pulp fiction masterpiece, Dillon and the Voice of Odin (2003).

Dillon’s actual age is unknown, but what is known is that he was born on the technologically advanced, doomed island of Usimi Dero.  After the Destruction of his home, twelve year old Dillon and his mother fled to  Shamballah, a monastery hidden in the Himalayas.  Dillon was adopted by Shamballa’s Warmasters of Liguria, who spent the next seven years training him in various martial arts and other physical and mental disciplines.  After those seven years, Dillon elected to leave Shamballah and return to the world.

Once back in the world, Dillon wandered, learning various skills that would help him in his chosen profession as an adventurer and seeking out those who destroyed his homeland.

This adventurer is the hero of four of his own books – the aforementioned Dillon and the Voice of Odin; Dillon and the Legend of the Golden Bell (2010); Four Bullets for Dillon (2011) and Dillon and the Pirates of Xonira (2012) – and appears in the anthology Black Pulp (2013).

Taurus Moon

Artwork by Winston Blakely.

Artwork by Winston Blakely.

First seen in the often hilarious and always exciting, Taurus Moon: Relic Hunter (2011) and now returning in the recently released, equally exciting sequel, Taurus Moon: Magic and Mayhem (2013), Taurus moon is a complex Pulp hero who walks a complex world of mythic creatures, gangsters and even mythic gangsters and gangling creatures.

The morally conflicted hero, Taurus Moon is often compared to another famed relic hunter, Indiana Jones. Unlike popular relic hunter Indiana Jones, however, the artifacts Taurus Moon hunts are not found in the deserts of Iskenderun Hatay, or in the tropical rainforests of Brazil. Taurus Moon’s quests take him through the grittier parts of urbanized cities; settings where Indiana Jones would get that whip and fedora shoved up his…well, you get the picture. Also unlike Indiana Jones, Taurus Moon’s clientele includes vampire crime bosses and other individuals of ill-repute.

Taurus Moon is straight up mercenary, motivated by money; yet he is imbued with nobility, which keeps him from being completely amoral.

If Indiana Jones and Blade had a clone created from both their DNA strains, with a dash of Thomas Edison and Henry Ford sprinkled in, that little GMO fella would be Taurus Moon.

2014 will see the premiere of at least three more pulp heroes.

A promo poster for Fight Card MMA: A-Town Throwdown by Balogun Ojetade!

A promo poster for Fight Card MMA: A-Town Throwdown by Balogun Ojetade!

In early 2014, my character Nick ‘New Breed’ Steed, the indigenous African martial arts expert turned MMA fighter will enter the world with a bang in my novella, which is part of the Fight Card Series, Fight Card MMA: A-Town Throwdown. A second novella starring Nick Steed, Fight Card MMA: Circle of Blood is likely to follow shortly behind it.

2014 will see another MMA fighter, Remi Fasina [ray-MEE fah-SHEE-nah] – a woman – battle men and women fighters – and her inner demons – on her quest to defeat the MMA champion who sexually assaulted her seven years in her past in my Pulp action novel, A Single Link.

Promo Poster for MMA Pulp novel, "A Single Link" by Balogun Ojetade

Promo Poster for MMA Pulp novel, “A Single Link” by Balogun Ojetade

Finally, the Pulp hero Black Caesar – a former slave, imbued with enhanced intelligence, strength, endurance and agility by dark forces run amok upon a stone slave ship – debuts in the first Rococoa novel, Black Caesar: The Stone Ship Rises.

I have also created the Pulp hero The Scythe, the resurrected Dr. A.C. Jackson, who was murdered in the Tulsa Race Riots of 1921 and returns to reap vengeance upon his murderers and their kin. It is likely that I will expand his story into a novel in 2015.

What other Black Pulp heroes and sheroes do you know of? What Pulp heroes or sheroes are you in the process of developing or creating?


The State of Steamfunk, Part II!

Mahogany Masquerade

The State of Steamfunk, Part II!

Mahogany MasqueradeIt has been exactly ten months since our last State of Steamfunk address.

We are now broadcasting from the Airship Sweet Chariot to bring you news of the Funktastic happenings in the world of Steamfunk!

Milton Davis’ MVmedia, LLC, Balogun Ojetade’s Roaring Lions Productions and Georgia Tech’s School of Literature, Media and Communication wrap shooting the Steamfunk feature film, Rite Of Passage, November 17, 2013.

This amazing film – about the four Guardians of Nicodemus: Harriet Tubman; Harriet’s student, Dorothy Wright; famed lawman, U.S. Marshal Bass Reeves; and the steel drivin’ man, John Henry  and their battle against the supernatural and technological forces of oppression and evil – premieres in late February, 2014 at the 2nd Annual Black Science Fiction Film Festival.

A tie-in to Rite Of Passage, the short film, Rite of Passage: The Dentist of Westminster – about a Guardian from “across the Pond” – premiered worldwide September 1, 2013.

A tie-in anthology, Rite of Passage: Road to Nicodemus, is now accepting submissions and will launch in 2014 as well.

STEAMFUNK Cover2013 also saw the launch of the wildly popular Steamfunk! anthology, an incredible book of fifteen stories by fifteen amazing authors from diverse backgrounds that has become the defining work of the Steamfunk Movement.

The Steamfunk Movement is growing by leaps and bounds and gaining, well…steam.

During Black Speculative Fiction Month in October, the Auburn Avenue Research Library, in partnership with Milton Davis and Balogun Ojetade, hosted The Mahogany Masquerade and the Retrofuturistic Worlds of Steam and Diesel Funk panel discussion. Both events were very well-attended and fun was had by all.

SaintsAt Stan Lee’s Comikaze convention at the Los Angeles Convention Center, tens of thousands gathered November 1-3, 2013, to enjoy all manner of geek-pop culture. Among them was author MD Marie, who unveiled her stunning Saints of Winter Valley 2014 Calendar, a spectacular calendar featuring beautiful photographs of the characters from the world of her soon-to-be released Steamfunk novel, The Saints of Winter Valley, Volume 1.

The graphic novel The Amazing Adventures of David Walker Blackstone, written and illustrated by artistic genius Kevin Sipp, is now crowdfunding through Kickstarter and the releases of the Steamfunk novels Mona Livelong, by Steamfunk, horror and erotica author Valjeanne Jeffers and Black Caesar: The Stone Ship Rises, by Balogun Ojetade, are forthcoming.

Finally, you know you’re growing when people are enraged by your work. Recently, an individual who represents a prominent Dieselpunk group, expressed on that group’s website how the use of the terms Steamfunk and Dieselfunk caused him to “get a little pissed off”:

“What upsets me the most about this though is the emergence of Steamfunk and Dieselfunk. To me this goes back to so many other aspects of society and culture that I won’t even begin to reference…The point is your right hand is saying that you want to be included, and treated equal. While your left hand is creating a situation where you are being exclusive and segregating every other race out.
Dieselpunk is in no way racist, exclusive, or prejudiced against any group of people. Except perhaps those who support Nazis…we don’t really want to have anything to do with them. Dieselfunk though…by the very name of it you’re basically saying this can only be black people. Why would you create something that excludes you from the rest of society? Why make a subset of a culture exclusive to your own race instead of just joining into what’s already established? No one is excluding you, you clearly just don’t want to be involved.
This is why I can’t stand it when people say: “I don’t support this because its racist.” “We want to be treated the same.” etc… And then you go out and support something that is racist, just racist in your favor, that excludes you from being treated as the same since you are separating yourself from the rest of the races in the world.”

I’ll let you good people reading this dismantle that foolishness. I don’t even waste my time responding to this rubbish anymore, but I do post it and make mention of it to make others aware that such ignorance still exists and you can decide if you want to deal with it or not.

Balogun and Iyalogun MasqueradeMe?

I’m too old; too busy being productive; and too not giving a damn.

Anywho…check back often; I will keep you updated on all the exciting happenings in the world of Steamfunk as the movement continues to grow.

This is Balogun Ojetade, from the Airship Sweet Chariot, signing off Steamfunkateers.

Until next time…keep it funky!


STEAMPUNK & STEAMFUNK WRITERS, GET READY! Seeking your stories for a new anthology!

Steamfunk Bass Reeves

STEAMPUNK & STEAMFUNK WRITERS, GET READY! Seeking your stories for a new anthology!

Iyalogun Ojetade as Harriet Tubman, leader of the Guardians.

Iyalogun Ojetade as Harriet Tubman, leader of the Guardians.

MVmedia, publisher of Sword & Soul, Steamfunk and Science Fiction, today announced that submissions are now being taken for the second Steamfunk anthology the multimedia company will publish – Rite of Passage: Road to Nicodemus.

Based on the feature film, Rite of Passage – which is set in a world conceived by authors Milton Davis and Balogun Ojetade, based on a short story by Milton Davis of the same name – Rite of Passage: Road to Nicodemus will contain a collection of short stories inspired by this exciting alternate history Steamfunk world.

The release of Road to Nicodemus will coincide with the release of the movie in February 2014.

MVmedia is seeking completed stories between 2,000 and 10,000 words.

Writers will be paid $25.00 upon release of the anthology.

The deadline for submissions is December 31, 2013

Initial release will be in e-book format. Paperback release will occur at a later date.

Here are the Submission Guidelines and a breakdown of the world of Rite of Passage:

GUIDELINES

  1. Submissions must be set during the era of reconstruction (1865 – 1877). The story can begin at any time in the past, but the bulk of the story (roughly 75%) should take place during reconstruction.
  2. The story can begin anywhere in the world, but will end up in – or on the road to – Nicodemus, KS.
  3. Main characters – be they Guardians or Emissaries (see below) – should be in possession of an artifact – a special item that grants the user incredible powers. This artifact will have been bestowed upon the Guardian by a Mentor. Artifacts can be anything: a book; a gun; a sword; the saliva of a werewolf; a drum; etc. and the method of bestowal is up to the author. All artifacts are linked to some African deity.
  4. Technology is a combination of mundane technology of the era and retrofuturistic Steam technology.
  5. Magic, psionics and the like are acceptable, as long as they are linked to some artifact.
  6. The main character should be of African descent / Black.

MENTORS / GUARDIANS / ARTIFACTS

Steamfunk Bass Reeves Harriet Tubman – the living embodiment of the power of the artifacts – had a vision that told her Jedediah Green – a powerful and dark entity whose power comes from the consumption of the artifacts’ power through consumption of the wielders of the artifacts’ souls – would descend upon the thriving Black-owned town of Nicodemus and from there, gather the ability to subjugate the world.

Harriet – whose power is fueled by the use of the artifacts (whether used for good or evil) – travelled the world, gathering the original bearers of the artifacts and convincing them to pass on the items and how to use them (which eventually bring about a severe depression and longing for release from the responsibility of bearing the artifact) to new bearers who would help her oppose Jedediah Green and his Emissaries.

The original bearers thus became Mentors and the new bearers of the artifacts became known as Guardians.

Harriet has called for all the Guardians to take up residence in Nicodemus, KS and has personally bought a few there herself.

The known Guardians thus far, their Mentors and their artifacts are:

Harriet Tubman – Mentor: Akingbe; Artifact: She is an artifact.

Dorothy Wright – Mentor: Akingbe / Harriet Tubman; Artifact: Shango’s necklace.

Bass Reeves – Mentor: Unknown; Artifact: Carbine and revolver/shotgun hybrid (Deity unknown)

John Henry – Mentor: Ogunlana (“Lana”); Artifact: Twin hammers of Ogun.

Jake Jessup – Mentor: Tara Malloy; Artifact: Shapeshifter’s blood, a gift from Eshu.

Henry Turnipseed / John D. Konkeroo (Mayor of Nicodemus) – Mentor: Mr. Giggles; Artifact: Baron Samedi’s top-hat.

Osho Adewale / The Dentist of Westminster – Mentor: Falana; Artifact: Tome of Obatala.

James and Corliss Riley (“the twins”) – Mentor(s): Grandma and Grandpa Riley; Artifacts: James uses goofa dust, black cat bones and other “conjure” tools; Corliss uses a fiddle. Both artifacts are from the Ibeji twin spirits.

JEDEDIAH GREEN’S EMISSARIES

Mark Curtis - Steampunk and Cosplayer - portrays vampire leader, Greasy Grant in the feature film, Rite of Passage.

Mark Curtis – Steampunk and Cosplayer – portrays vampire leader, Greasy Grant in the feature film, Rite of Passage.

Jedediah Green is the living embodiment of the dark energy that gave birth to vampires, ghasts, ghouls, lichs and other undead and evil. As such, these creatures do his bidding. Also, Jedediah maintains several Emissaries, who he is the sole Mentor of and to whom he grants an artifact forged by unknown dark deities.

The known Emissaries are:

The Piper / Tillman (once helped to escape to freedom by Harriet Tubman) – Artifact: Flute

P.T. Barnum – Artifact: Money clip

Peter Pan – Artifact: None; Peter is one of the oldest and most powerful vampires in the world who loyally serves Jedediah Green, who he narcissistically believes is his shadow self.

So, there you have it. If you feel you have a compelling story to tell – one that will enhance and / or expand the Rite of Passage universe – please, submit it to mv_media@bellsouth.net.

Now, hop offline (after you read a few more of my posts if you’re new here) and get to writing; and most of all…have fun!

 


DO BLACK PEOPLE REALLY DO THIS STUFF? Manga and Anime

Amber; cover by James Eugene; from the YA novel by Milton Davis

DO BLACK PEOPLE REALLY DO THIS STUFF? Manga and Anime

Amber; cover by James Eugene; from the YA novel by Milton Davis

Amber; cover by James Eugene; from the YA novel by Milton Davis

Yesterday, it was announced that author Milton Davis, Yours Truly and artist Sarah Bowman (Macklin) – known worldwide as S-Sama – will collaborate to create the manga version of Amber, a YA novel penned by Milton Davis.

Milton will publish; I will write the graphic script and Sarah will illustrate the work.

For those who are scratching their heads, wondering just what the heck ‘manga’ is, ask any teenager in the world and they can tell you. If no teenager is nearby, read on.

‘Manga’ is the Japanese word commonly used as the name of the genre for all comic books or graphic novels published in Japan. Manga has a certain style, recognizable in its artwork and in its literary tropes.

While manga is typically read by teenagers outside of Japan, there are publications aimed at both children and adults.

Bob Makihara, from the manga "Tenjou Tenge" by Oh! great (Ito Ogure).

Bob Makihara, from the manga “Tenjou Tenge” by Oh! great (Ito Ogure).

In Japan, however, all ages read manga, which is considered literature rather than “just a comic book”. In Japan, manga is so popular its yearly sales reach the billions.

Manga is often adapted into animated television programs and films called ‘anime’. Examples include Pokémon, Naruto, Yu-Gi-Oh! and my personal favorite, Death Note.

Krag of Kragmire, "The First Steampunk".

Krag of Kragmire, “The First Steampunk”.

Like most people born in America, my introduction to the Japanese style of graphic storytelling began with anime. As a four year old, I would sit in awe as I witnessed the adventures of Prince Planet – known in Japan as Planet Boy Papi – which tells the story of Prince Planet – a member of the Universal Peace Corps – from the planet Radion, who is sent to Earth to determine if our world meets standards for membership in the Galactic Union of Worlds and to assist its inhabitants during his stay. While on this mission, Prince Planet adopts the identity of an Earth boy named Bobby (‘Papi’) who, along with a band of human comrades, fights the forces of evil, both alien and terrestrial. In fact, my favorite villain of all time, who I call the “first Steampunk”, is Krag of Kragmire, Prince Planet’s greatest nemesis.

A couple of decades later, I introduced my children to the anime film Princess Mononoke and thus began their love of the art form. I later got them hooked on Death Note – the anime and the manga. Now, one of my daughters is so into manga and anime, she has become fluent in Japanese and Korean and plans to write manga of her own.

Miyuki Ayukawa, from the anime / manga, "Basquash" by Tetsuya Hayashi.

Miyuki Ayukawa, from the anime / manga, “Basquash” by Tetsuya Hayashi.

Black people in the United States – like nearly everyone else – have been heavily into anime since the early 70s and into manga since the early 90s. The well-plotted stories, incredible technology, fearsome creatures, cool characters, over-the-top comedy and eye-popping action are masterfully combined to make science fiction and fantasy palatable for all.

Most fans of the genre are unaware, however, that the visual approach and concepts of manga was introduced to the Western world by a Black man – Vernon Ethelbert Grant.

Vernon E. Grant, father of  Western manga / anime.

Vernon E. Grant, father of Western manga / anime.

Grant, known for his digest-sized comic book series, The Love Rangers, was born February 14, 1935. Always artistically inclined, Grant earned money as a child by drawing cartoons for birthday cards. After graduating from Ridge Technical High School in Cambridge, Massachusetts, he studied for a year in Boston at the Vesper George School of Art and then joined the Army in 1958 at the age of 23.

While in Europe as an airborne and air assault sergeant, Grant studied Japanese and French.

Grant was eventually sent to Tokyo, where he worked as a regular cartoonist for Stars and Stripes – the official newspaper of the Unites States Army. It was in Tokyo that he developed a strong fascination with Japanese comics. He also wrote and drew for Japan’s English-language newspapers, including the Mainichi Daily News.

In the late 1960s, while in Vietnam, Grant became interested in comic books. As he recalled: “When I purchased a French comic magazine in Saigon in 1967, it was the first comic book contact that I had in more than ten years. It reminded me of my early experiments with drawing color comics in grammar school…In 1968 I was discharged from the United States Army in Japan and began studies in Japanese history and culture at Sophia University in Tokyo…In 1972, while still in school, I saw and read my first issue of an underground comic book, The Fabulous Furry Freak Brothers.  This publication was quite an interesting item for me. I had heard of underground comic books but had, until that time, never seen one. I was very impressed.

During the years he lived in Japan, Grant wrote and drew several graphic novels, including the two-volume military satire, Point-Man Palmer and A Monster is Loose in Tokyo (Tuttle, 1972) about the life of a foreigner in Japan.

The Love Rangers, by Vernon E. Grant.

The Love Rangers, by Vernon E. Grant.

When he returned to Cambridge, he created The Love Rangers, his science-fiction comic book series about a racially mixed space crew traveling the universe. Between 1977 and 1988, Grant published seven issues of The Love Rangers in a 36-page, 5½”x8½” format.

The series follows the lives and adventures of a number of officers, robots and members of a squad of genetically engineered Love Rangers that live on the spaceship called “Home”. It is an immense structure, housing 35,000 individuals on its seven levels. While some of the action in the stories takes place on board, many of the episodes in his comic books take place on planets they visit. The ship is commanded by a male and female Shipmaster who share equally in all responsibilities. One of the dominant characters is Princess Tomi, who single-handedly leads her Mice People in their battle against the Owls for survival. There are robots and devices in the ship that the U.S. military incorporated some ten to 15 years after Vernon had already incorporated them into his series. The fuel that powers the ship is the feelings of discord and hate that emanates from different parts of the universe. At times the Love Rangers have to use weapons to control the warring inhabitants of the different planets they visit, but they attempt to first use their “love gas” to change the path of history. In the first book, the love gas helps change the consciousness of Count Ratalus from having a killing drive to flooding his mind with an understanding of history as well as nature’s instinctive patterns. When this happens, a well of human compassion overrides his coded savagery. He stops himself from killing Prince Tug, and they go off to work together peacefully for the betterment of the mice people and toward peaceful co-existence with their enemies, the Owls.

On July 7, 2006, Grant suffered a heart attack while on a daily run, injuring his head when he fell. He went into a coma and died two weeks later on July 23.

Grant’s work is included in Michigan State University‘s Comic Art Collection.

 

Manga / anime facial study by Setor Fiadzibey.

Manga / anime facial study by Setor Fiadzibey.

There are several Black mangaka, or manga creators – most unpublished, unfortunately – who are doing incredible work. Most popular among these are our own Sarah Bowman / S-Sama, the talented Latif-Saeed and the brilliant sister, Nashya.

Finally, from Ghana, is visual storyteller extraordinaire, Setor Fiadzibey, author / artist of the graphic novel Adinkra, the Legend of the Bearers, which is about a group of people, separated by tribes but united by a divine being known as the Great Weaver, an autocratic king and a common enemy known as the Shadow.

Having wrestled with the Shadow through countless generations, the Great Weaver shares his immense power with certain individuals, known as Bearers, who would deliver the people from his dark nemesis. Each Bearer is born with an adinkra symbol that grants them great power and compels them to do the bidding of the Great Weaver.

Adinkra is the tale of those Bearers, their struggles with the Shadow, their struggles with their humanity – even though they have divinity in them – and their pursuit of victory over both.

Amber will soon join Adinkra in delivering an amazing manga that is sure to entertain and inspire fans of anime, manga and fantasy of all ages. Look for it in Spring, 2014.

HAPPY BLACK SPECULATIVE FICTION MONTH!

 

 


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