THE BUTLER / BANKS BOOK TOUR CONTINUES! Author Alan D. Jones Wrestles with Sacrifices in Science Fiction
It is Day 2 of the Butler / Banks Book Tour!
Day 1 was amazing and today, we continue the Blacknificence with our next author, Alan D. Jones!
Alan is a former columnist for the Atlanta Tribune, who has worked most of his adult life as a Business/IT consultant, working all across America from Los Angeles to Wall Street. Born in Atlanta, Alan attended GA-Tech and GA State, obtaining his MBA from Georgia State University’s Robinson School of Business. In addition, Alan was a feature writer for the student newspapers at both schools. Alan also served on the board of the Atlanta chapter of the National Black MBA association.
Alan, is the author of the Science Fiction novels, To Wrestle with Darkness and its prequel, Sacrifices.
In Sacrifices, a prequel to Alan’s first book, To Wrestle with Darkness, we meet Cil, Deborah, Ruth and Sarah. They are four sisters descended from the coupling of angels and humans. And as such they’ve been embodied with fantastical abilities which they use to defend the world from those who would harm it, be they flesh or spirit. In Sacrifices, they find themselves tested, as they must contest the forces of darkness that are intent on ending all of creation. If they are to prevail, there will certainly be sacrifices.
Check out this exciting excerpt:
One by one, four black horses, exploded out of nothingness into the white pristine snowfall of a Scandinavian winter night. Each horse ran hard through the woods of fresh powder. Atop each horse, rode a daughter of Hosea draped in black. Each rider rode with such purpose that no words were needed. Each knew her destination. On the way, they encountered a time walker dressed in white by the name of Akina. Cil pulled on the reins of her steed and her sisters followed suit. “Akina, all is as expected?” she asked.
Akina pulled back her fur lined hood to reply, “Yes, Auntie, all is as expected. But, you know that. Don’t you?”
Cil said nothing but smiled before she kicked her heels into her horse and rode off into the darkness. One by one, each of her sisters proceeded past Akina. First was Deborah, who had, as Akina would later describe, a wide-eyed, overly-excited look on her face. It was almost a bloodlust. Next came Ruth Ann, with a thousand miles away stare on her face. Bringing up the rear was Sarah, with her ever-present sunglasses firmly in place. She rode past Akina flashing her trademark irrepressible smile. Sarah’s opponents hated that smile and longed to wipe it off her face. The sisters followed Cil through the woods and towards the castle on the northern bay. They rode hard and fast through the woods as a winter’s full moon illuminated their path.
As the sisters broke through the tree line, a castle and the wall that surrounded it were plainly in sight. They rode toward the guard tower along the outer wall. Nordic soldiers lined the top of the wall in a heightened state of readiness. As the sisters approached, a gate in the wall swung open and they passed through on their shiny black horses. Aunt Cil led them up the central corridor toward the castle beyond. Residents in the courtyard gasped as the four hooded riders proceeded, escorted by several guards on horseback.
The ladies quickly dismounted in front of the castle and walked briskly towards the large wooden front doors. One of the guards barked out a command and once again a set of doors swung open before the women this time opening into a grand hall. The king and his court were sitting in their assigned places at the other end of the hall. It was clear that the Aunties were expected.
The members of the court were adorned in their finest coats and pelts. A feast for four was laid out on the great dining table, but the sisters paid it no mind. It was an offering of sorts, but Cil and her sisters had no time for such things.
They stood before the court and removed their hoods. This action froze the crowd more than the weather outside ever could. The sight of the four black women standing shoulder to shoulder left their mouths agape.
Deborah leaned over to Ruth and whispered, “They’re looking at our hair.”
Ruth rolled her eyes.
Cil motioned for Deborah to step forward. Deborah did so and began to speak to the king and his court in their native tongue. Deborah had the gift of speaking in the tongue of many languages. She could even speak languages that she’d never heard before. So, she translated between the parties.
“King Helwig, Queen Helwig, and members of the royal court as our herald undoubtedly communicated to you, we are here to rid your realm of the terror currently approaching your gates.”
King Helwig stood up, “We saw what your herald can do but what can you do that would warrant us putting our faith in you to resolve this matter?” He pointed at the Aunties as he made this last point.
Cil nodded to Sarah. She removed her shades which immediately revealed her glowing eyes. Then, she gazed upon a large urn of water and unleashed a red hot beam from those eyes that split the urn in half spilling the water it contained onto the stone floor.
Next, Ruth Ann stepped forward. She raised her hands, and in a single scooping motion projected a blue shell which scooped the remains of the broken and still smoldering urn into the air. The sphere hovered in the air spinning slightly before launching upwards bursting through the ceiling and into the night sky. The entire court could see the blue ball accelerate towards the great beyond and out of sight.
Then, when all eyes landed on Deborah, she simply vanished. From the spot on the floor where she had stood, a spring sprung up spouting water thirty feet into the air. The geyser began to rage and quickly filled the hall with water. Suddenly, water began to flow into the hall from everywhere. Water flowed from every opening including the windows, the cracks in the walls, and the new hole in the ceiling. Members of the court scurried up the king’s landing and to the throne to escape the rising waters. Just as her audience began to panic, the water disappeared and Deborah reappeared right where she had been when the phenomena began as though nothing happened.
Finally, Cil raised her staff but before she could demonstrate anything, the king motioned towards her vigorously shaking his head. There was little need for Deborah to translate.
Deborah glanced towards Cil and then said to the king, “About our fee…”
Or if you prefer, the TinyURL: http://tinyurl.com/kydzcee
Website for Sacrifices: http://alandjones.com/sacrifices/
Facebook Fan Page: https://www.facebook.com/?ref=tn_tnmn#!/pages/Sacrifices/130230720341543
Our first featured author is the beautiful, brilliant and Blacktastic Colby R. Rice, who brings us a great work of Black Speculative Fiction with Ghosts of Koa!
Let me introduce you to Colby – although, if you’re reading this blog, you probably already know her and her work.
Here she is, in a nutshell:
A shameless nerd and bookworm since the age of five, Colby R Rice is the author of Ghosts of Koa, the first novel in The Books of Ezekiel, a dystopian-urban fantasy decalogy. She was an Air Force BRAT born in Bitburg Rheinland-Pfalz, Germany and came to the States at the age of one.
Colby bounced around a lot, but finally settled in Los Angeles, where she could at last deal with her addictions to creative entrepreneurship, motorcycles, and traveling.
Now, armed with a mound of animal crackers and gallons of Coca-Cola, Colby takes on fiction writing in a fight to the death!
Current projects include: the second novel in The Books of Ezekiel series, the first novel in a middle grade SFF detective series, the first novel in an adult sci-fi thriller series, development of her first sci-fi thriller film, and the growth of her production house, Rebel Ragdoll. Stay tuned at her website and blog at Colby’s Cove!
For over one hundred years the Civic Order and the Alchemic Order have held a shaky truce, peppered by violence and mistrust. But when Koa, a Civilian-born insurgency, bombs an Alchemist summit, the truce is shattered. Now, Koa is rising. War is coming. And all sixteen-year-old Zeika Anon can do is keep moving as she watches the lords of alchemy slowly overtake her home.
But when clashes between Koa and the Alchemic Order put a final, deadly squeeze on the remaining Civilian territories, Zeika finds herself in the crosshairs of fate. She must walk the line between survival and rebellion against the Alchemists. On one side of the line awaits death. On the other, the betrayal of her civilization, her loyalties, and herself.
GHOSTS OF KOA is a fast-paced, post-apocalyptic survival tale, set in the streets of a dying city that has been crushed by alchemic law. Layered with the elements of gritty crime drama, dark urban fantasy, hard sci-fi, and horror, GHOSTS OF KOA is a wild ride to the end of a young girl’s sanity as she struggles with an impossible choice: to keep one step ahead of a war… or to be consumed by it.
CONTENT WARNING – Contains coarse language, intense violence, adult / suggestive themes, and aberrant behavior. Reader discretion is advised.
Read the excerpt below!
Excerpt from Ghosts of Koa
Shadows flittered in the night, and Xakiah jerked his head up, his eyes automatically tracking the movements. The light was sparse, but even from the passenger seat of the truck, his eyes could outline the three distant figures in the dark. About thirty yards away, the shadows of the hunted jerked and twitched with a contained haste as they assembled themselves in their sedan. It was time. The driver would be first.
He lifted the rifle and anchored the butt in the soft of his shoulder. He lowered his eye into the scope, positioning the crosshairs over the figure settling into the driver’s seat. As he began to depress the trigger, he wondered how exactly the man’s head would splatter— when the tires of the sedan screeched against the asphalt, and it shot off into the dark.
“Shit,” Xakiah hissed, letting the scope drop. “Gun it, Joseph!”
His body felt slick with a cold sweat as their truck roared to life and lurched forward. Joseph jammed his foot down onto the gas pedal, pushing nearly one hundred as the truck’s tires kicked up the slag of the country road.
My mission. Mine.
His jaw ached beneath the grind of his teeth. Their hubris was surprising, that they fancied even for a moment he’d let them get away after what they’d done.
A sharp clack of a round being chambered ricocheted through the truck as Bly, a teammate sitting behind Joseph, prepared to shoot. The only man in the van who didn’t move was the one sitting directly behind Xakiah, silent beneath his hood and cloak. He looked out of his window, even, his chin on his knuckles, as though enjoying a slow Sunday drive.
The fleeing sedan far in front of them turned and reeled off the dark path, clunking across the vast stretch of green that separated the road from the main highway.
“Don’t lose them, Joseph.” Xakiah said, his voice low in the dark.
“Y-yes, sir!” Joseph said, a whimper choking his voice. He veered off the road, leaves and branches snapping in dry whispers as he leaned in harder on the gas, following the hunted across the soft, mushy green. Both cars’ headlights made yellow eyes in the growing dark, like one nighttime monster chasing another.
Xakiah grinned, joy swelling under his frustration. They were going catch them. He was going to win— and he felt himself nearly thrown into the driver’s seat as Joseph yanked the steering wheel, sending the truck into a hard lean.
The truck’s tires lifted a couple inches from the ground, and the far right side of the windshield exploded open, fragments of glass flying inward as hot metal grazed the SUV in a messy swarm. A rogue in the scattered cloud clipped Xakiah across the high crest of his cheek, kicking up a curl of flesh, a splash of blood. As his mind made sense of the pain, his joy eroded. Bullets. The thieving bastards had the audacity to shoot…
He focused his thoughts on the wound, and his flesh began to heal itself. “Vassal—?”
“I’m fine, Proficient,” the man behind him cooed.
Joseph jerked the truck to the side again as more bullets whined in the night. They were already just a couple minutes off the freeway, which budded with shining cars and vans.
“Christ, Joseph! My granny burns rubber better’n you!” Bly shouted from the backseat.
“What the hell are you waiting for, then?!” Joseph cried. “Shoot back!”
Bly leaned out his window and sprayed, aiming for the tires of the fleeing sedan.
The truck lurched from side to side as Joseph avoided the returning gunfire. “We’re losing ground!” He yelled.
Xakiah leaned forward, realizing that he was right. The rebel’s muscle car skirted the mud with ease, whereas their truck was in danger of toppling over if Joseph made another turn like that…
“That Page is the heart of the Order, Proficient.”
The simplicity of his Vassal’s statement threaded calm through the dark belly of the car, but the threat in his voice was unmistakable.
Xakiah locked his jaw, nodding as much from obedience as from the tightness in his throat that had stolen his voice. If they didn’t get the Page back, he’d be punished. But far worse than that, his Vassal would be disappointed. He wouldn’t fail. He couldn’t…
“Take them out,” his Vassal murmured. “I know you can.”
Xakiah swallowed and nodded at him, fear and pride swelling in his chest. He rolled down the window, and wind blasted into the truck. With a smooth slide, he navigated his body through, positioning himself on the ledge.
White bursts of fire lit the night as Bly’s shots knocked out one of the sedan’s tires, slowing it down. Thirty seconds until they hit the freeway.
“Steady, Joseph,” Xakiah said, lifting the rifle scope to his eye. He focused his thoughts on the driver’s head, searching for it in the long dark stretch in front of him. He had homed in on the driver right before they sped off, and he could do it again. He just had to feel it.
He stared down the scope, letting it drift across the swerving sedan, and something aligned, linking his slamming heart, the rifle, his eye, and the bobbing head of the driver in far front of them. He pulled the trigger—
Shp! —and the driver’s head snapped forward, slamming into the steering wheel. Metal squealed high, and rubber peeled from the rims of the sedan as it veered off its path. It crashed into the bordering thickets of the highway, the hood folding in on itself like an accordion, crushed.
Bly roared with triumph, slamming his fist into Joseph’s headrest. “Xakiah, man, you’re an animal!”
Xakiah frowned as he looked back at him.
“Uh, I mean—” Bly stuttered. “Nice job, Captain.”
“Badges,” Xakiah commanded.
Joseph maneuvered the truck a few feet away from the crash. They had barely rolled to a stop before Bly popped open his door, jumped out, and ran over to the wreck. Joseph hurried after him, his gun up.
Xakiah followed, holding up his rifle, aiming at the overturned car. The fools. The hunted could have any number of traps prepared, and the young rookies were ambling over, hooting in celebration. He, on the other hand, kept his distance, and his eyes remained ready for even the slightest movement. Joseph and Bly were good cops, for what flatfeet were worth, but neither of them understood the true magnitude of this mission.
Behind him, Vassal Moss seemed to glide out of the truck, never once making a noise in the night. The leaves didn’t even crunch beneath his feet as he followed them to the crash.
Bly and Joseph had already made their ways over to the steaming wreckage and were fumbling with something in the front seat. There was scuffling, and a scared whine wound its way out of the twisted metal as the two agents dragged something out of the front passenger seat. One of the hunted was still alive.
Bly threw the rebel to the ground and spat on its shadow. “Lay down, scum!” he snarled.
Xakiah tightened his grip on his rifle. Bly, like a jackal, was stealing his kill.
“Calm, Proficient,” Vassal murmured from behind him.
Xakiah nodded tightly at the warning. His Vassal knew him well, too well, but he was right. Closing out this mission was more important than a few seconds of glory. Resigned, Xakiah slung his rifle on his shoulder as he approached the two agents.
“Only one survivor, Captain,” Joseph announced. “The driver’s head is dog meat, and the one in the back died in the crash.”
Joseph tossed him something, and Xakiah caught it, already knowing what it was. A porcelain mask, just the bottom-half of it, hard and smooth. A tell-tale trademark of the Knights of Almaut— Koa— terrorist dogs who fancied themselves men.
Xakiah cradled the mask in his hand, feeling the ridges of the molded nose, cheeks, and mouth, all of them together barely the size of his own palm. It was the captive’s. He looked up at the squirming rebel, finally noticing the long red hair that spilled out onto the grass—
He smiled, somehow feeling impressed amidst his annoyance. Her face was speckled with a constellation of freckles, acne even. She couldn’t have been any older than 16.
“Show her to me.” The soft command had come from the shadowed man at Xakiah’s heels, the Vassal.
Joseph and Bly hoisted the rebel to her knees and lowered their heads in the Vassal’s direction. Xakiah cast down his eyes and stepped to the side, allowing his Vassal to pass before he lifted his gaze again.
The Vassal stood before the captive, staring at her with soft eyes. Finally he spoke: “How young. I might have known Koa would send pups to do a dog’s work. What should I do with you, I wonder? What purpose will you serve?”
“No purpose, sir,” Bly said. “I say kill the Koan scum.”
“No. We’ll do no such thing. We are to honor the Articles39,” the Vassal replied. He turned to Xakiah. “The car.”
Xakiah nodded and went to work. He tossed the sedan, cast the corpses aside, ripped up carpet, gutted the trunk, seats, and glove compartment, or what was left of it. Nothing. There weren’t even any signs of it. No traces of energy, not even a ripple in the air where it might have passed through. Nothing betrayed its location.
He frowned, turning to his superior. “Vassal. This faction must have been a decoy so that the real transport could get away.” Bitterness coated his tongue, almost forcing the words back. “They’ve hidden it somewhere else.”
His Vassal’s cold gaze flickered, and Xakiah tensed, expecting words of admonishment or worse, disappointment… but to his surprise, the Vassal said nothing. Instead, he turned to the rebel.
“Lift her up,” he ordered.
Joseph and Bly hoisted the woman to her feet so that her gaze was level with his.
“You Azure bastards can go to Hell,” she said, the pubescent snarl clear. “You can’t kill me. Even your own code won’t allow it.”
“Oh no, we aren’t going to kill you at all,” Vassal agreed. “That’s barbaric.”
The man balled up his hand, and— schhhleck— the girl’s face fell from her cheekbones and cartilage, slapping wetly against the grass. She howled, a long wailing sound that whistled from the milky shine of her jaw. As she screamed, the large white balls in her eye sockets rolled, like slippery hardboiled eggs, and her teeth, exposed to the gums, clacked together with frenetic snaps.
“Xakiah, if you please,” the Vassal said.
Bly and Joseph’s faces paled with terror, but without so much as a flicker of disgust, Xakiah scooped the dripping wrinkles of skin from the ground, gripping it in a fist.
Xakiah held the sagging flesh in front of the woman’s eyes. The cheeks and lips of it drooped, as though lamenting the girl’s disfigurement.
“Three cc’s of morphine, please, Joseph.”
Trembling, Joseph pulled the kit from his side pack and began to prepare the anesthetic. Bly held her, still turning his eyes away as Joseph slid the needle into the base of her neck and emptied its contents. Then the Vassal stepped forward, bringing his nose close to her face.
“I can imagine that you are in incredible pain,” he said. “The morphine is to numb that for you so we can talk.”
“Ooou astards!” She screamed, but without lips, the curses just sounded like angry jibberish. She began to sob.
“Not to worry, my dear. You are going to get your face back. How much of it is returned, however, is up to you. Now. I am going to ask you some questions. For every answer I think is a lie, my Proficient is going to slice away an inch of your face and burn it.” The Vassal motioned to Xakiah, who still held the sagging flesh in the moonlight.
“Lllease… llease don’t…” Her sobs crescendoed, forming echos in the night, and her body heaved with each cry.
“And we’ll begin,” And with almost a lover’s touch, he took her chin in his thumb and forefinger. “Now. You tell me. Where is the Final Page?”
Ghosts of Koa: The First Book of Ezekiel
Get it now in ebook or paperback (and audiobook coming in June)!
And coming soon on IBookstore & Google Play!
THE FRESH FEST OF AFROFUTURISM IS COMING TO YOUR TOWN! Just 8 Days until the Launch of the Butler / Banks Book Tour!
In just eight days, the Fresh Fest of Afrofuturism – also known as the Butler / Banks Book Tour – begins!
The lineup of authors is a stellar one, with some of the leading names in Black Speculative Fiction rocking the literary mic!
We are calling on every Steamfunkateer, every Dieselfunkateer, every fan of Fantasy, Horror and Science Fiction to join us on this tour and to spread the word.
When articles are still being written that lament the lack of Black Speculative Fiction available…when just three days ago, I see a video with some “Brother” screaming that there is no Black Science Fiction or Fantasy on the market, except his wack animation…when, in response to that same video, another “Brother” claims that, while there is a bit of Speculative Fiction written by Blacks from America, there is none from Africa because “Africans do not dream or imagine due to a lack of mental capacity to do so…” then, it is clear that a Black Speculative Fiction book tour is right on time and most necessary.
So, here is the lineup. There are, of course, many more great Black authors of Speculative Fiction out there; many authors who, for one reason or another, could not make it on this leg of the tour, but promise to join the tour on the next go-round.
And there will be a next go-round…very soon.
Join us in eight days, but shout it out now…the Fresh Fest of Afrofuturism is coming to your town!
Alan D. Jones: Former columnist for the Atlanta Tribune, Alan Jones has worked most of his adult life as a Business/IT consultant, working all across America from Los Angeles to Wall Street. Born in Atlanta, Alan attended GA-Tech and GA State, obtaining his MBA from Georgia State University’s Robinson School of Business. In addition, Alan was a feature writer for the student newspapers at both schools. Alan also served on the board of the Atlanta chapter of the National Black MBA association.
Alan, is the author of the Science Fiction novels, To Wrestle with Darkness and its prequel, Sacrifices.
Balogun Ojetade: Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the short films, A Single Link and Rite of Passage: Initiation.
He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/.
He is author of six novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika, two Fight Fiction, New Pulp novellas – A Single Link and Fist of Afrika and the two-fisted Dieselfunk tale, The Scythe. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk.
Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis.
Carole McDonnell:Carole McDonnell holds a BA degree in Literature from SUNY Purchase and has spent most of her years surrounded by things literary. Her writings appear in various anthologies including So Long Been Dreaming: Post-colonialism in science fiction; the anthology, Fantastic Visions III; Jigsaw Nation; Griots: A Sword and Soul Anthology; Life Spices from Seasoned Sistahs: writings by mature women of color; Fantastic Stories of the Imagination; and the Steamfunk! anthology.
She lives in New York’s Hudson Valley with her husband, two sons, and their pets. Her novels – The Constant Tower and Wind Follower, were published by Wildside Books. Her other works include My Life as an Onion and The Boy Next Door From Far Away , Seeds of Bible Study: How NOT to Study the Bible. Her collection of short stories, Spirit Fruit: Collected Speculative Fiction, is available on kindle.
Check her out at http://carolemcdonnell.blogspot.com/.
Colby R. Rice:Sci-fi, Fantasy, & Thriller Novelist. Screenwriter. Film Producer. Globetrotter. Action Junkie. Rebel Ragdoll.
A shameless nerd and bookworm since the age of five, Colby R Rice is the author of Ghosts of Koa, the first novel in The Books of Ezekiel, a dystopian-urban fantasy decalogy. She was an Air Force BRAT born in Bitburg Rheinland-Pfalz, Germany and came to the States at the age of one. Colby bounced around a lot, but finally settled in Los Angeles, where she could at last deal with her addictions to creative entrepreneurship, motorcycles, and traveling.
Now, armed with a mound of animal crackers and gallons of Coca-Cola, Colby takes on fiction writing in a fight to the death!
Current projects include: the second novel in The Books of Ezekiel series, the first novel in a middle grade SFF detective series, the first novel in an adult sci-fi thriller series, development of her first sci-fi thriller film, and the growth of her production house, Rebel Ragdoll. Stay tuned at www.colbyrrice.com! ;-)
Crystal Connor: Crystal grew up telling spooky little campfire-style stories at slumber parties. Living on a steady literary diet of Stephen King, Robin Cook, Dean R. Koontz and healthy doses of cinema masterpieces such as The Birds, Friday the 13th, Hellraiser, The Outer Limits and The Twilight Zone; along with writing short stories specializing in the Science Fiction & Horror genres since before Jr. high School, it surprised no one that she ended up writing horror novels!
She now lives in Seattle, WA, where she is a member of the Dark Fiction Guild, and belongs to both the Authors Anonymous and The Seattle Women’s writing groups and she is also an active member of The Critters Workshop.
The Darkness, is her first full-length novel, followed by And They All Lived Happily Ever After and Artificial Light, the sequel to The Darkness.
Check her out at http://www.wordsmithcrystalconnor.blogspot.com/.
DaVaun Sanders: If imagination was a mutant power, DaVaun Sanders could have enrolled at 1407 Graymalkin Lane. Instead, he went the safe route and earned a Bachelor’s degree from Washington University in St. Louis in 2002. After two fulfilling service terms with AmeriCorps in Phoenix, he eventually acquiesced to the student loan gods and returned to architecture. Yet his passion for the field faded as he spent more free time writing and performing spoken word poetry.
The Seedbearing Prince began as a dream vivid enough to play like a movie trailer. Deciding to write his debut novel took some time, as it wasn’t part of “The Plan,” but the housing market collapse forced DaVaun’s small design firm under in 2008. He decided to plunge into writing full-time, and is loving every minute of it. When the keyboard cramps his fingers, DaVaun gets lost in the great outdoors of Arizona or attends open mic spots in the Valley. DaVaun is currently hard at work editing The Course of Blades, the third book in his World Breach series. Follow him on Twitter @davaunwrites and like on Facebook (facebook.com/davaunsanders) for updates and giveaways!
Jeff Carroll: The award winning Golddigger Killer was Jeff Carroll’s second film, which screened in over 10 film festivals and film series. Jeff Carroll’s first film, Holla If I Kill You, is the second rated all time best seller on B-Movie.com, the number one site for cult movies.
Jeff coined the term “Hip Hop Horror” and is pioneering this hybrid genre.
As well as being a writer and a filmmaker he is owner of Red, Black and Green Promotions, a college entertainment company where he works as an entertainment agent. Jeff Carroll is a leading voice of Hip Hop male/female relations reform and tours colleges and universities coaching students on dating.
Jeff lives in Miami, Florida, with his wife and son. Check out other great works by Jeff at http://hhcnf.blogspot.com/.
K. Ceres Wright: Daughter to a U.S. Army father, K. Ceres Wright has lived in Asia and Europe, where her mother dragged her to visit every castle she came across. She attended undergraduate school at the University of Maryland, College Park, with a double major in economics and finance. She then worked for 10 years as a credit and treasury analyst before deciding to change careers, entering the writing and editing field.
Wright received her Master’s degree in Writing Popular Fiction from Seton Hill University, and Cog was her thesis novel, which was later published by Dog Star Books. Wright’s poem, “Doomed,” was a nominee for the Rhysling Award, the Science Fiction Poetry Association’s highest honor. Her work has appeared in Hazard Yet Forward; Genesis: An Anthology of Black Science Fiction; Many Genres, One Craft; The 2008 Rhysling Anthology, and the upcoming Far Worlds anthology.
She works as an editor and writer and lives in Maryland with her two children. Visit her website at http://www.kcereswright.com and find her on Twitter @KCeresWright.
Kai Leakes:From Iowa, but later relocating to Alton, IL and St. Louis, MO, Kai Leakes was a multifaceted Midwestern child, who gained an addiction to books at an early age. Sharing stories with her cousins as a teen, writing books didn’t seem like something she would pursue until one day in college. Storytelling continues to be a major part of her very DNA, with the goal of sharing tales that entertain and add color to a gray literary world.
In her spare time she likes to cook, dabble in photography, and assists with an internet/social networking group online. Loving to feed her book addiction, romance, fantasy and fiction novels are her world. Reading those particular genres help guide her as she finds the time to write and study for school.
Kai is the author of Sineaters: Devotion book one and the soon-to-be-released Sin Eaters: Retribution: Devotion book two, coming in June.
You can find her at: kwhp5f.wix.com/kai-leakes.
Keith Gaston: Also writing as D.K. Gaston,Keith was born in Detroit, Michigan. After serving in the military as an Infantry soldier, he earned his Bachelors degree in Computer Science, a Masters in Technology Management and a Masters in Business Administration.
Keith is the author of mysteries, thrillers, science fiction and fantasy, including the wildly popular Urban Fantasy novels, Taurus Moon: Relic Hunter and its sequel, Taurus Moon: Magic and Mayhem.
Keith is a devoted husband and father and when not enjoying time with his family, he is always working on his next novel.
Check Keith out at: http://www.dkgaston.com/.
Milton Davis: Milton Davis is owner of MVmedia, LLC , a micro publishing company specializing in Science Fiction, Fantasy and Sword and Soul. MVmedia’s mission is to provide speculative fiction books that represent people of color in a positive manner.
Milton is the author of eight novels; his most recent, Woman of the Woods and Amber and the Hidden City. He is co-editor of four anthologies: Griots: A Sword and Soul Anthology and Griots: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology with Balogun Ojetade and the Steamfunk! Anthology, also with Balogun Ojetade. MVmedia has also published Once Upon A Time in Afrika by Balogun Ojetade.
Milton resides in Metro Atlanta with his wife Vickie and his children Brandon and Alana.
Valjeanne Jeffers: Valjeanne is the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend, Immortal III: Stealer of Souls, and the steampunk novels: Immortal IV: Collision of Worlds and The Switch II: Clockwork (includes books 1 and 2).
Her writing has appeared in: The Obamas: Portrait of America’s New First Family, The Ringing Ear: Black Poets Lean South, Drumvoices Revue 20th Anniversary, and Liberated Muse: How I Freed My Soul Vol. I. She was also semi-finalist for the 2007 Rita Dove Poetry Award and she was interveiwed in 60 Years of Black Women in Horror Fiction.
Valjeanne’s fiction has appeared in Steamfunk!, Genesis: An Anthology of Black Science Fiction, Griots: A Sword and Soul Anthology, Possibilities, 31 Days of Steamy Mocha, and Griots II: Sisters of the Spear. She is co-owner of Q & V Affordable editing. Her two latest novels: Mona Livelong: Paranormal Detective and Colony: Ascension will be released later this year.
Preview or purchase her novels at: http://www.vjeffersandqveal.com.
Zig Zag Claybourne: Sometimes he is Zig Zag Claybourne, sometimes he is C.E. Young. Whatever the name, he is always respectful of the magic between him and his readers. He wouldn’t forgive himself if he wasted your mind, so it is his goal that every book you experience be a gift a thousand-fold.
Zig Zag is the author of the books Neon Lights, Historical Inaccuracies and (as C.E. Young) By All Our Violent Guides.
His blog is http://thingsididatworktoday.blogspot.com/.
As an author, I have been privileged to meet and work with some amazing artists.
Recently, I worked with artist, Christopher Miller, also known as Chris Crazyhouse, on my Dieselfunk novel, The Scythe. While my cover art was created by Stanley J. Weaver, Jr, I needed interior art and I knew that Chris would give me that 1920s Dieselfunk look I wanted. From working with Chris before on art for Ki-Khanga: The Sword and Soul Role-Playing Game, I also knew he is a master of creating creatures and I needed a vampire and a monstrous race of fowls called the Lougarou illustrated.
Chris – who is as professional as he is talented – went to work and had three beautiful illustrations back to me in less than two weeks.
Today, while watching Chris’ Sketch Blog – a weekly blog he does on Youtube, which I follow faithfully – I realized that, besides Stan Weaver, Chris is the only other artist who has created artwork in the Steamfunk, Dieselfunk and Sword and Soul subgenres. In fact, Chris created his own Steamfunk superhero, Cast Iron after receiving inspiration from the Steamfunk anthology. I hope that Chris will one day allow a certain Steamfunk author to write the script for the Cast Iron graphic novel, which he illustrates (hint).
Chris is also co-creator and illustrator of the Sword and Soul comic book series and graphic novel, Chronicles of Piye.
I am commissioning Chris for the Choose Your Own Adventure book I plan to release during the latter part of this year.
I’m participating in a special year-long blog hop to explain my writing process. I’ve been tagged by the Blacktastic Science Fiction author Alan D. Jones, author of To Wrestle with Darkness and its sequel, Sacrifices. Here are my responses:
What am I working on? I am working on an Urban Fantasy graphic novel script, The Keys. I am also writing the same story as a YA novel. I am very excited about The Keys and having a ball writing it. The story is about two teens, who are really Aztec and Yoruba gods, who must awaken the power of the pyramids around the world as they are hunted by the immortal Henry, the Navigator, who is obsessed with finding the legendary Christian Kingdom of Prester John.
How does my work differ from others in my genre? My books differ from most Science Fiction and Fantasy writers in that I love to mash up genres and I write cinematic fight scenes. I also include indigenous Afrikan martial arts in all that I write. As a practitioner of indigenous West Afrikan martial arts for over 40 years, I include fighting techniques and applications of techniques never before found in prose.
Why do I write what I do? I write what I do because I love it. I write Steamfunk, Dieselfunk, Sword and Soul and Urban Fantasy because I love reading these genres; I love playing role-playing games in these genre settings; and I love researching the people, technology and settings during different eras in history.
How does my writing process work? My writing process begins with the germ of an idea. Ideas come to me daily. Those that I feel are original and fun are jotted down in a notebook. I begin to take notes as I flesh out the idea into a plot. I create and develop the hero and the main villain, coming up with goals they seek to achieve and what obstacles to those goals exist.
Next, I outline the story and then complete the 1st draft with the outline as a guide.
I then step away from the story for a couple of days and return to it to write the second and third draft. Then, it is ready for an editor.
I know…many of you cringe at writing from an outline. “I’m a stream of consciousness writer,” you say.
While a few writers can successfully write without knowing where their story is going, most cannot…well, at least I cannot, but hey, I enjoy writing outlines.
Well, that’s it. I hope you learned a little bit. If not, keep stopping by, you’ll learn something eventually…or at least have a good laugh.
THE BLACK SCIENCE FICTION AND FANTASY YOUTH SYMPOSIUM: Inspiring Black Children to Imagine and Create Better Worlds and Brighter Futures
Recently, I put out the call for Black creators of Speculative works to join me in putting on the 2nd Annual Black Science Fiction and Fantasy Youth Symposium. Authors and artists from around the country responded. Of course, since the event takes place in Atlanta, GA, I did not expect anyone from outside of Georgia to actually become involved, however, the enthusiasm and support is much appreciated and I hope that one day soon, such Symposiums will take place all over the U.S.
However, one comic book author – recommended by Sue Gilman, the Director of our partner in the symposium, the Wren’s Nest – the brilliant writer and creator of the (H)afrocentric comic book series, Juliana “Jewels” Smith, is joining us all the way from the Bay Area.
Jewels, a former professor in Oakland, California, was inspired to create (H)afrocentric after trying to find a way to teach her students about the United States’ prison industrial complex. Smith was amazed by how receptive her students were to a comic book she gave them called Real Costs of Prisons Comix and realized the power of the comic book medium to convey thoughts, ideas and principles.
In Jewels’ world of (H)afrocentic, characters envision a neighborhood that is reminiscent of Ancient Egypt, with pyramids replacing houses; the legendary ancestral home of the Aztecs, Aztlán, called “Atzlan” in Jewels’ world, is the Southwestern United States, which is given back to indigenous peoples and political prisoners like Mumia Abu Jamal are released from prison. All the while, the characters – particularly the comic book’s hero, Naima Pepper – battle against the evil forces of gentrification.
Another comic book creator, Atlanta-based James “Mase” Mason, has also joined us. Mase, a member of the State of Black Science Fiction authors and artists collective, is writer and artist of the popular Urban Shogun: The Evolution of Combat comic book series.
Urban Shogun: The Evolution of Combat follows the exciting adventures of students of an inner-city martial arts school and their Kung Fu Style war on the streets of Atlanta. Specializing in updated forms of Five Animal Kung Fu, Tiger, Crane, Phoenix, Mantis and Cheetah protect the streets from criminals and their dangerous martial arts rivals – the Venom Clan!
Renowned author and publisher, Milton Davis – who also serves as co-curator of the Alien Encounters Black Speculative Fiction and Film Conference and co-founder and co- curator of the Black Science Fiction Film Festival, both in partnership with Yours Truly – brings his experience as an author and publisher of the best in Black Speculative Fiction to the symposium.
Milton is CEO of MVmedia Publishing and Beyond and has created and / or published great Sword and Soul, Steamfunk and Urban Fantasy for people of all ages, such as Meji, Books I and II; the Steamfunk anthology; Changa’s Safari, Volumes I and II; Woman of the Woods; Griots: A Sword and Soul Anthology; Griots: Sisters of the Spear; and Amber and the Lost City.
Completing the list of teachers is author, filmmaker and event producer, Balogun Ojetade (yep, me). Through his multimedia company, Roaring Lions Productions, Balogun creates and publishes books and films made by, for and about Black people of all ages. In addition to his self-published works, Balogun is also traditionally published by various small press, as well as Major, companies.
Balogun’s works include the first Steamfunk novel, Moses: The Chronicles of Harriet Tubman (Books 1 and 2); the popular Sword and Soul novel, Once Upon A Time in Afrika; the Urban Fantasy novel, Redeemer, the Dieselfunk novel, The Scythe and two pulp Fight Fiction / Action-Adventure novels, A Single Link and Fist of Africa. Balogun is also contributing co-editor of the bestselling anthologies, Steamfunk and Ki-Khanga: The Anthology.
With such diverse talent and personalities and with such an awesome schedule, the students are in for much fun, much learning and much development towards becoming the creators and developers of a brighter future.
Here is the schedule of events:
10:00am – 10:15am: Registration
10:15am – 10:30am: Welcome: Sue Gilman, Wren’s Nest
10:30am – 10:45am: Opening Ceremony (Youth African Drumming; Storytelling by Teachers)
10:45am – 11:00am: Introductions (of Instructors, then Students) and Overview
11:00am – 11:30am: What Is Science Fiction and Fantasy and Why Should We Read and Write It? (A discussion and Q&A between students and teachers)
11:30am – 12:15pm: Lunch
12:15pm – 12:30pm: The Fold and Pass Writing Game
12:30pm – 12:40pm: Divide students into the Young Authors Group and Young Comic Book Creators Group
12:40pm – 12:55pm: The Premise (we give the students the basic premise that their stories and comic books will be based on; they will all work from the same premise, however, how they tell their stories – and in which genre or subgenre of Science Fiction and Fantasy – will be up to them)
12:55pm – 2:15pm: The Young Comic Book Creators will sit with comic book writer, Jewels Smith and comic book artist, James Mason, who will guide them in writing their story as a comic book script. Any young comic book artists may also begin sketching their comic book if time permits.
12:55pm – 2:15pm: The Young Authors will sit with authors Balogun Ojetade and Milton Davis, who will guide them in writing their story as a short story.
2:15pm – 2:45pm: After the Work is Done (Groups come together; Teachers speak on getting published and self-publishing)
2:45 – 3:00pm: Students prepare to read their work
3:00pm – 4:00pm: Student Presentation of Work (students read their work to the audience of parents, volunteers and fellow students)
4:00pm – 5:00pm: Artist / Author Meet-and-Greet (parents and students can chat more with us and browse / discuss our works)
This event is free and open to the public. However, due to overwhelming response, we are limiting availability to 45 spaces. Register to reserve your – or your child’s – spot.
Date: Saturday, April 26, 2014
Time: 10:00am – 5:00pm
Cost: Free and open to the public
Age Suitability : 8 – 14
THE FRESH FEST OF AFROFUTURISM!
13 Authors Rock the Mic in Honor of Octavia Butler and L.A. Banks!
The State of Black Science Fiction Authors and Artists Collective decided it is time to do a tour to let the world know that we’re here; that great Black books, written by, for and about Black people do exist (yes, there are many who still don’t know).
Hmm. Which would be best to do – a virtual book tour, or a blog tour?
A virtual book tour is much like a traditional book tour but instead of the author flying from city to city, they are featured on a wide variety of blogs and websites as a guest blogger or author.
A blog tour is a group of writers – not necessarily authors – who get together and, on specific dates, they all blog on similar themes. For example, on May 3rd, 2014, this group of writers might blog on why they love a specific genre of speculative fiction. John Q. might blog on why he loves Paranormal Fantasy; Suzy Q. might blog on why she loves Steamfunk and so on.
We wanted to do something different from a typical virtual book tour and from a traditional blog tour. I decided to let the idea present itself when it was ready. I sat down to do my daily writing, turned on my YA Writing Playlist on Spotify – I am working on a YA Novel / Graphic Novel entitled The Keys – and the first song to play was Run-D.M.C.’s Rockbox.
Yeah, I know, Rockbox isn’t exactly jumping out of teens’ Ipods nowadays – damn, they’re missing out – but back in my teen days, it was always found screeching out of my Walkman…and no, not the digital one launched in 2007; I’m talking the 1982 Sony Walkman cassette player, baby…with Dolby C noise reduction and everythang!
And that’s when it hit me…
“We’ll do this like Fresh Fest!” I shouted with glee.
“What is Fresh Fest?” My son, Oluade, who is eleven years old, inquired from the balcony of my office (well, it was actually the breakfast nook he shouted from, but it is above my office and all my children watch me work from there – whether I want them to, or not – so it feels like a balcony, to me).
Now, while many of you probably know what the Fresh Fest is, most of you probably have no clue, so let me break it down for you:
The Fresh Fest concert tour, which began in 1984, was headlined by Run-D.M.C., and featured Kurtis Blow, Whodini, the Fat Boys, and Newcleus. It was hip-hop’s first big moneymaking tour (3.5 million on 27 dates).
It was followed by Fresh Fest II, which included the same acts, with Grandmaster Flash and the Furious Five replacing Newcleus.
This was hip-hop at its best. A stage of superstars – brought this revolutionary, still fairly new form of music, to the world.
One after another, these stars left their blood, sweat and a portion of their spirit on stage. And we – the fans – gave spirit back. Hell, in Chicago, at Fresh Fest II, they even had a linoleum floor set up for any b-boys and b-girls who felt the urge to breakdance or pop-lock (which thousands did, without one incidence of violence; I miss those days).
So, the tour formed in my mind – each day, a “superstar” (author), would take the stage and step to the mic. They would write a blog about their book, or books and the rest of the superstars on the tour would post that blog as a guest blog and shout that blog out all over social media. We would bring the best in Black Speculative Fiction to the world. Yep. That’s what we were going to do.
And we would name – and do – this tour in honor of two of the biggest superstars in literature. Two superstars whose names are synonymous with Black Speculative Fiction and whose works have inspired most of the Black authors who write Science Fiction, Fantasy or Horror: Octavia Butler and L.A. Banks.
Octavia Estelle Butler, who shared a birthday with my father (June 22), was an internationally acclaimed science fiction writer. A recipient of both the Hugo and Nebula awards (two of each, actually), her evocative novels explore far-reaching issues of race, sex, power and, ultimately, what it means to be human. Butler was one of the best-known women and Black authors in the field. In 1995, she became the first Science Fiction writer to receive the MacArthur Fellowship.
Set in time periods ranging from the historical past to the distant future, Ms. Butler’s books are known for their controlled economy of language and for their strong, believable protagonists, many of them Black women. She wrote a dozen novels, including Kindred, Parable of the Sower; Parable of the Talents; and, Fledgling.
Leslie Esdaile Banks – who wrote under the pennames of Leslie Esdaile, Leslie E. Banks, Leslie Banks, Leslie Esdaile Banks and L. A. Banks – wrote in various genres, including African-American Literature, Romance, Women’s Fiction, Crime, Suspense, Dark Fantasy, Horror and Non-Fiction for five publishing companies.
Best known for The Vampire Huntress Legend Series, Ms. Banks won several literary awards, including the 2008 Essence Literary Awards Storyteller of the Year.
On April 14, the Butler / Banks Book Tour begins. Thirteen authors of Black Speculative Fiction are ready to rock the mic.
So, readers around the world, get ready. The literary Fresh Fest is coming!
ARE STEAMFUNK, DIESELFUNK and SWORD & SOUL NECESSARY? Countering Negative Images of Black People in Science Fiction and Fantasy
ARE STEAMFUNK, DIESELFUNK and SWORD & SOUL NECESSARY?
Countering Negative Images of Black People in Science Fiction and Fantasy
We have become so insensitive or desensitized to our own negative typecasting and even dehumanization that we are no longer conscious of what we see, hear and what is going into our minds. We have become a party to our own brainwashing. We have joined in and become our own victimizers.
In the old days, white comedians put on black cork and made a living humiliating and ridiculing Black people. A few years later, their senses dulled by this illusion called “progress”, Black comedians said to the white comedians “Hey, you don’t have to ridicule and humiliate us, we’ll do it. We’ll take it from here, boss.”
And they took it from there…and carried it straight to Hell.
Let’s take the use of the word “nigger”, for example; so talked about now because of its use 110 times in the movie Django Unchained. Black comedians took this wicked, destructive word and took ownership of it as if to call ourselves a nigger was empowering, as if it was a term of endearment and still vehemently defend its use to this very day. And no, saying “the N-word” is no better. It is just foolish and strangely, makes us even less human than our use of nigger does.
“Man, you my N-Word!”
Or Kanye West and Jay-Z’s popular Niggas In Paris, now the politically correct N-Words In Paris:
“What’s Gucci my N-Word?
What’s Louis my killa?
What’s drugs my deala?
What’s that jacket, Margiela?
Doctors say I’m the illest
Cause I’m suffering from realness
Got my N-Words in Paris
And they goin’ gorillas, heh?”
Yeah…that shit cray.
The historian Carter G. Woodson said that Black people have been conditioned to go around to the back door, and if there is no back door, we will insist on one.
If you can get a Black comedian to show up on a late-night talk show and act the clown, it’s comforting to those people who say, “See they are a happy people. They aren’t angry with us for five hundred years of slavery and oppression.” It is like approaching a dog you have abused, neglected and chained up in your kitchen for a week, thinking “Boy, I sure hope it doesn’t bite.” And if, instead of tearing out your throat, the dog starts wagging its tail, you breathe a sigh of relief and say “Whew, good dog.”
We have been conditioned to expect little of ourselves and of each other.
Many Black authors lament that they create great content, but Black people pass by their table at geek conventions and head straight to Jim Butcher’s table to purchase his Dresden Files novels, or to the Marvel Comics booth to pick up the latest X-Man graphic novel.
Don’t lament, Black author. Remember, we have been conditioned to expect little of ourselves and of each other, so most Black people will assume, without any evidence, that your work is wack. You have to reach out and educate them; show them that your work is just as good as – or better than, what they are used to. Most will still flock to the Marvel booth. They love – and have faith in – good ol’ Stan Lee. To chastise them for that will gain you enemies, not friends and certainly not fans.
Now, outside the Black geek community is where I have found my greatest support. There is a hunger among “regular” Black people – those who do not identify as geeks, nerds, or science fiction fans – for speculative fiction written by and about Black people.
At the Westview Festival last year – a neighborhood festival in the predominantly Black, lower-to-middle-class area near Atlanta’s West End – I sold out all of my books in less than a half hour. Mind you, my table was next to a table that sold – at less than half price – mainstream fiction and science fiction and fantasy by authors such as Isaac Asimov, J.R.R. Tolkien, Frank Herbert and George R.R. Martin.
At the recent 3rd Annual Ujamaafest – a festival celebrating Kwanzaa’s principle of Collective Economics – Milton Davis and I shared a table. Once again, Black Speculative Fiction sold like hotcakes. At this festival, the participants were mainly culturally conscious Black people from all walks of life.
At both festivals, most of the people who purchased books said that if Black authors were writing Science Fiction and Fantasy, with Black heroes, when they were young, they would have been into it, but they were eager to get their children and grandchildren into Black Speculative Fiction.
Are Steamfunk, Dieselfunk, Sword & Soul and other Black Speculative Fiction necessary? Damn right, they are.
While many of us want to see ourselves as the heroes and sheroes and recognize the need for Black Speculative Fiction, many of us cannot fathom ourselves as star-spanning, evil-crushing, saving-the-world heroes. The horse wrangler for the Steamfunk feature film Rite of Passage told me he never imagined we could be the heroes in a Fantasy or Science Fiction story, or that such a movie would ever be created.
The media is directly responsible for this. The perpetuation of stereotypes is always done through print, television, film, radio, music and, now, the internet.
Flip the channel or turn the page and there are the “baby mamas” and “baby daddies” so ubiquitous in common American culture that they become plot points or titles for mainstream comedies and movies.
The syndicated television program Maury, hosted by Maury Povich, is known for its “Who’s Your Daddy?” segments. Much of the content is based on issuing paternity tests to teens and young adults in hopes of determining fatherhood.
Many of Maury’s guests are Black, and the sheer number of these cases is damning. Shows like these, along with court television shows that promote the same dysfunction, are very popular.
Even Black millionaire housewives, doctors and business moguls are portrayed as argumentative, catty, incapable of being unified and downright ig’nant.
Millions of viewers are indoctrinated by these images of Black family chaos. And we watch these programs like a gory highway car wreck because they involve so many people who look like us.
And we accept and share these perceptions without question, qualm or quarrel.
At a very young age, Black men and women are inundated with messages that they cannot trust or depend upon one other. Children see images of – and hear comments and jokes about – lazy, greedy, irresponsible, or otherwise flawed Black adults.
Black characters have appeared in American films since the beginning of the industry in 1888, but Black actors were not even hired to portray Black people in early works. Instead, white actors and actresses were hired to portray the characters while in “blackface.”
In addition, Black people have, for nearly a hundred years, been purposely portrayed in films with negative stereotypes that reinforce white supremacy over us. Since motion pictures have had more of an impact on the public mind than any other entertainment medium in the last ninety years, this has had a tremendous effect on society’s view of Black people.
The media sets the tone for the morals, values, and images of our culture. Many people in this country believe that the degrading stereotypes of Black people are based on reality and not fiction. Everything they believe about us is determined by what they see on television. After over a century of movie making, these horrible stereotypes continue to plague us today, and until negative images of Black people are extinguished from the media, we will be regarded as second-class citizens and will regard ourselves as such.
We have not come that far since 1914, when Sam Lucas was the first black actor to have a lead role in a movie for his performance in Uncle Tom’s Cabin.
1915 is a significant date in motion picture history because D.W. Griffith released The Birth of a Nation, which supported the Ku Klux Klan and is possibly the most anti-Black film ever made.
The Birth of a Nation – with its vicious portrayal of Black people as subhuman compared to the glorified Ku Klux Klan – was important because it led to the creation of a new industry that produced “race films” for Black People. These films portrayed us in a positive light and addressed many social concerns of the community.
Before “race films,” Black people in films were nothing more than shuffling, shiny-faced, head-scratching simpletons with bugged out eyes who leaned on brooms and spoke bad English, but after the introduction of “race films,” we were depicted with more dignity and respect.
In order for Black people to ensure that they would have positive roles and stop reinforcing negative stereotypes through film, we had to make our own movies. The same holds true today.
I am asked, quite often, if there is such a thing as a Black Science Fiction movie. Supposing by “Black Science Fiction movie”, they mean a science fiction or fantasy movie that features a Black protagonist and majority Black cast and deals with issues that strongly impact Black people, I tell them that Black Science Fiction movies began in 1939, with the release of Son of Ingagi and that filmmakers continue to make quality Black Science Fiction movies today.
Contemplating fictional characters helps us examine the nature of heroism and villainy. Through fiction, film and television, we develop our view of the ideal person; we learn what to expect from good guys and bad guys, even in real life.
What distinguishes a superhero from a supervillain? How do their basic personalities differ — and how has the media affected our perception of ourselves and heroism?
Most people see themselves as being close in personality to their favorite superheroes and mimic their heroes’ characteristics in an effort to live up to that perception.
However, if the fiction you read or see consistently portrays those who look like you as less than heroic; as savage – whether noble, or not – as the eternal sidekick; as the first to die; as the one to sacrifice him or herself so that the real heroes can save the world; as the thug; the pimp; the whore, then how do you see yourself?
In Blueprint for Negro Literature, Richard Wright discussed the problem of Black literature:
“They [Black authors] entered the Court of American Public Opinion dressed in the knee-pants of servility, curtsying to show that the Negro was not inferior, that he was human, and that he had a life comparable to that of other people. These were received as poodle dogs, who have learned clever tricks. … In short, Negro writing on the whole has been the voice of the educated Negro pleading with white America.”
Wright went on to say that every story Black people write “should carry within its lines, implied or explicit, a sense of the oppression of the Negro people, the danger of war, of fascism, of the threatened destruction of culture and civilization; and, too, the faith and necessity to build a new world.”
While such pleading – such “curtsying to show that we are not inferior” – may have been the goal of Black writers during Wright’s time, it is certainly not my goal or the goal of my colleagues.
On the contrary, I seek to show Black people, in general – teens and tweens, in particular – that we are not inferior; that we are heroic; that we are beautiful, courageous, brilliant and strong.
Furthermore, while I appreciate a good story that deals with the ills of racism, sexism, classism and the destruction and rebuilding of Black civilization, I do not feel that every story must, or even should, deal with such issues.
What I do feel Black Speculative Fiction should do is tell our stories, because they have gone untold in Speculative fiction for so damned long. And I feel those stories should feature Black heroes and an occasional Black villain, too…a criminal mastermind, that is; not a damned street thug, or other walking stereotype.
And please, no more Black heroes who begin as gangsters, prostitutes, drug dealers, or dope fiends. Thanks.
If you are seeking a list of works of great Black Speculative Fiction, check it out here. For a list of great Black authors of Speculative Fiction, you can find that here. For a list of Black Speculative events in Atlanta in celebration of Black History Month, look here.
So, do you feel Steamfunk, Dieselfunk and Sword & Soul are necessary? Is there a type of Black Speculative Fiction you’d like to see created or more of? Horror? Dystopian? Young Adult glittery vampires?
Comment and let your opinion be known!
TOP 20 STEAMFUNK, DIESELFUNK, SWORD & SOUL AND URBAN FANTASY BOOKS FOR BLACK YOUTH!
Recently, I wrote about why Black children should read and write Science Fiction and Fantasy. I also wrote about it here. Now I would like to provide you with a list of books for young adults, teens and tweens. A list of books for children aged 2-9 will follow in a later blog.
Young Adult (“YA”) Fiction is fiction marketed to adolescents and young adults, ranging roughly between the ages of 14 to 21. The majority of YA stories portray an adolescent as the protagonist, rather than an adult or a child. The subject matter and story lines are typically consistent with the age and experience of the main character and the stories span the entire spectrum of fiction genres.
Middle Grade (“MG”) Fiction is intended for readers between the ages of 8 to 12, with the protagonist at the higher end of the age range.
MG readers are learning about who they are, what they think, and where they fit in. Their focus is inward and the conflicts in MG books usually reflect this. The themes range from school situations, friendships, relationships with peers and siblings, and daily difficulties that may seem ordinary to the rest of us. The protagonist’s parents are usually seen and have some sort of an influence. Stories are usually fast paced and chapters are short.
In contrast, Young Adult novels deal with underlying themes and more complicated plots. They allow teen readers to examine deeper issues, their roles in life, the importance of relationships, how to cope with adversity and even tragedy and how their actions can impact the world.
YA protagonists are usually searching for their identity, figuring out who they are as an individual and where they fit in. YA books are generally much more gritty and realistic than MG books. Parents have less influence in YA stories and are often not seen at all.
Below is a list of twenty of the most Blacktastic books that are sure to entertain, educate and even empower readers, young and old.
The books are grouped into three categories, by age appropriateness, for your convenience.
While there are many more great books written by and about Black people, this is a good start and more books will be shared in future posts.
YOUNG ADULT (Ages 15+)
A Single Link, by Balogun Ojetade
After suffering a brutal rape at the hands of a martial arts champion, Remi “Ray” Swan decides that, to gain closure and empowerment, she must face her attacker in the first professional fight between a man and a woman.
Join Ray in this powerful, two-fisted adventure as she fights, not just for herself, but for all who have suffered at the cruel hands of those who would wreak pain, oppression, injustice and death!
Step into the cage, where action, adventure, bone shattering fights, and a touch of romance await you!
Damballa, by Charles R. Saunders
The first ever African American 1930s avenger sets out to stop a Nazi plot to subvert a championship fight.
From deepest Africa to the streets of 1930s Harlem, the action is none stop.
Written by famed novelist Charles Saunders, with interior illustrations by Clayton Hinkle and a cover by Charles Fetherolf, this is a history making pulp adventure fans do not want to miss.
Devil’s Wake, by Steven Barnes and Tananarive Due
But this infection goes far beyond disease. Beyond even the nightmare images of walking dead or flesh-eating ghouls. The infected are turning into creatures unlike anything ever dreamed of . . . more complex, more mysterious, and more deadly.
Trapped in the northwestern United States as winter begins to fall, Terry and Kendra have only one choice: they and their friends must cross a thousand miles of no-man’s-land in a rickety school bus, battling ravenous hordes, human raiders, and their own fears.
In the midst of apocalypse, they find something no one could have anticipated . . . love.
Dillon and the Voice of Odin, by Derrick Ferguson
He’s a soldier of fortune gifted with an astonishing range of remarkable talents and skills that make him respected and feared in the secret world of mercenaries, spies and adventurers. A world inhabited by amazing men and women of fabulous abilities that most of us are unaware even exists.
Fueled by a taste for excitement, driven by an overpowering desire to protect the innocent, see that wrongs are righted and assisted by a worldwide network of extraordinary men and women, all experts in their fields, Dillon spans the globe in a never-ending quest for the wildest and most breathtaking adventures of all!
Griots: A Sword and Soul Anthology, Edited by Milton J. Davis and Charles R. Saunders
Magic. Myth. Warfare. Wonder. Beauty. Bravery. Glamour. Gore. Sorcery. Sensuality. These and many more elements of fantasy await you in the pages of Griots, which brings you the latest stories of the new genre called Sword and Soul.
The tales told in Griots are the annals of the Africa that was, as well as Africas that never were, may have been, or should have been. They are the legends of a continent and people emerging from shadows thrust upon them in the past. They are the sagas sung by the modern heirs of the African story-tellers known by many names – including griots.
Here, you will meet mighty warriors, seductive sorceresses, ambitious monarchs, and cunning courtesans. Here, you will journey through the vast variety of settings Africa offers, and inspires. Here, you will savor what the writings of the modern-day griots have to offer: journeys through limitless vistas of the imagination, with a touch of color and a taste of soul.
Griots: Sisters of the Spear, Edited by Milton J. Davis and Charles R. Saunders
Griots: Sisters of the Spear picks up where the ground breaking Griots Anthology leaves off.
Charles R. Saunders and Milton J. Davis present seventeen original and exciting Sword and Soul tales focusing on black women.
Just as the Griots Anthology broke ground as the first Sword and Soul Anthology, Griots: Sisters of the Spear pays homage to the spirit, bravery and compassion of women of color.
The griots have returned to sing new songs, and what wonderful songs they are!
Ki Khanga: The Anthology, Edited by Milton J. Davis and Balogun Ojetade
What is Ki Khanga?
The answer lies in the pages of this amazing anthology.
Balogun Ojetade and Milton Davis define this fascinating world which forms the foundation of the Ki Khanga Sword and Soul Role Playing Game.
Prepare yourself for stories of bravery, tragedy, love and adventure.
Prepare yourself for Ki Khanga.
Moses: The Chronicles of Harriet Tubman, by Balogun Ojetade
Harriet Tubman: Freedom fighter. Psychic. Soldier. Spy. Something…more. Much more.
In “MOSES: The Chronicles of Harriet Tubman (Book 1: Kings * Book 2: Judges)”, the author masterfully transports you to a world of wonder…of horror…of amazing inventions, captivating locales and extraordinary people.
In what is hailed as the world’s first Steamfunk novel, Harriet Tubman must match wits and power with the sardonic John Wilkes Booth and a team of hunters with powers beyond this world in order to save herself, her teenaged nephew, Ben and a little girl in her care – Margaret.
But is anyone who, or what, they seem?
Parable of the Sower, by Octavia Butler
In 2025, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future
Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others.
When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.
Steamfunk, Edited by Balogun Ojetade and Milton J. Davis
A witch, more machine than human, judges the character of the wicked and hands out justice in a ravaged Chicago. John Henry wields his mighty hammers in a war against machines and the undead. Frederick Douglass and Harriet Tubman rule a country of freed slaves that rivals – and often bests – England and France in power and technology.
You will find all this – and much more – between the pages of Steamfunk, an anthology of incredible stories by some of today’s greatest authors of Science Fiction, Fantasy and Steamfunk – African and African American-inspired Steampunk.
Editors Milton Davis and Balogun Ojetade have put together a masterful work guaranteed to transport you to new worlds. Worlds of adventure; of terror; of war and wonder; of iron and steam. Open these pages and traverse the lumineferous aether to the world of Steamfunk!
Taurus Moon: Relic Hunter, by Keith Gaston
Taurus Moon is a relic hunter, but the artifacts he searches for aren’t found in the jungles of the Yucatan or the deserts of Egypt. His quests often take him through the grittier parts of urbanized cities where even the toughest of thugs fear to tread. Forgotten relics once thought of as only myths and legends can be found, if you know where to look, and have the guts to go searching into dark and deadly places.
Taurus Moon is hired by a vampire crime lord to locate an ancient artifact that would make the criminal a God. Even though Taurus is no fan of vampires, especially one aspiring to become a Deity, he does love money and despite his misgivings, he begins the treacherous hunt for the artifact. Things become more complicated when a rival crime lord hires a ruthless relic hunter who has no qualms about killing the competition.
YOUNG ADULT (Ages 13+)
Changa’s Safari, by Milton J. Davis
In the 15th century on the African Continent a young prince flees his homeland of Kongo, vowing to seek revenge for the murder of his father and the enslavement of his family and his people.
He triumphs over the slavery and the fighting pits of Mogadishu to become a legendary fighter and respected merchant.
From the Swahili cities of the East African Coast to the magnificent Middle Kingdom of Asia, Changa and his crew experience adventures beyond the imagination.
Changa will not rest until he has fulfilled his promise to his family and his people. The anchors are raised and the sails unfurled.
Let the safari begin!
Fist of Africa, by Balogun Ojetade
Nigeria 2004 … Nicholas ‘New Breed’ Steed, a tough teen from the mean streets of Chicago, is sent to his mother’s homeland – a tiny village in Nigeria – to avoid trouble with the law. Unknown to Nick, the tiny village is actually a compound where some of the best fighters in the world are trained. Nick is teased, bullied and subjected to torturous training in a culture so very different from the world where he grew up.
Atlanta 2014 … After a decade of training in Nigeria, a tragedy brings Nick back to America. Believing the disaffected youth in his home town sorely need the same self-discipline and strength of character training in the African martial arts gave him, Nick opens an Academy. While the kids are disinterested in the fighting style of the cultural heritage Nick offers, they are enamored with mixed martial arts. Nick decides to enter the world of mixed martial arts to make the world aware of the effectiveness and efficiency of the martial arts of Africa.
Pursing a professional career in MMA, Nick moves to Atlanta, Georgia, where he runs into his old nemesis – Rico Stokes, the organized crime boss who once employed Nick’s father, wants Nick to replace his father in the Stokes’ protection racket. Will New Breed Steed claim the Light Heavyweight title … Or will the streets of Atlanta claim him?
Once Upon A Time In Afrika, by Balogun Ojetade
An exciting Sword and Soul tale by Balogun Ojetade, Once Upon a Time in Afrika Tells the story of a beautiful princess and her eager suitors.
Desperate to marry off his beautiful but “tomboyish” duaghter, Esuseeke, the Emperor of Oyo, consults the Oracle. The Oracle tells the Emperor Esuseeke must marry the greatest warrior in all Onile (Afrika). To determine who is the greatest warrior, the Emperor hosts a grand martial arts tournament inviting warrior from all over the continent.
Unknown to the warriors and spectators of the tournament a powerful evil is headed their way.
Will the warriors band together against this evil?
The Scythe, by Balogun Ojetade
Out of the tragedy of the Tulsa Race Riot of 1921, a two-fisted hero rises from the grave!
Inspired by the pulp magazines of the 1930s and 1940s, a tale of action, adventure, thrills and chills await fans of Dieselpunk, die-hard pulp fans and readers who just love a gritty story that packs a mean punch.
Enter a world in which Gangsters, Flappers, vampires, robots and the Ku Klux Klan all roam the same dark back streets; a world of grit, grime and grease; a world of hardboiled gumshoe detectives and mad scientists; a world where magic and technology compete for rule over the world.
Dieselfunk has emerged in The Scythe…and the Roaring Twenties will never seem the same!
The Seedbearing Prince, by DaVaun Sanders
Dayn Ro’Halan is a farmer’s son sworn to a life of plowing on his homeworld, Shard. After finding a lost artifact called a Seed, he’s thrust into an ancient conflict between voidwalkers of the hated world Thar’Kur, and Defenders from a floating fortress called the Ring.
Dayn must become a Seedbearer and learn to use the Seed’s power to shape worlds before the entire World Belt is lost.
Woman of the Woods, by Milton J. Davis
The latest Sword and Soul novel by Milton Davis returns to the land of Meji, the amazing world of Uhuru. It tells the story of Sadatina, a girl on the brink of becoming a woman living with her family in Adamusola, the land beyond the Old Men Mountains. But tragic events transpire that change her life forever, revealing a hidden past that leads her into the midst of a war between her people and those that would see them destroyed, the Mosele.
Armed with a spiritual weapon and her feline ‘sisters,’ Sadatina becomes a Shosa, a warrior trained to fight the terrible nyokas, demon-like creatures that aid the Mosele in their war against her people.
Woman of the Woods is an action filled, emotionally charged adventure that expands the scope of the world of Uhuru and introduces another unforgettable character to its heroic legends.
MIDDLE GRADE (Ages 10+)
Akata Witch, by Nnedi Okorafor
Twelve-year-old Sunny lives in Nigeria, but she was born American. Her features are African, but she’s albino. She’s a terrific athlete, but can’t go out into the sun to play soccer.
There seems to be no place where she fits. And then she discovers something amazing-she is a “free agent,” with latent magical power. Soon she’s part of a quartet of magic students, studying the visible and invisible, learning to change reality.
But will it be enough to help them when they are asked to catch a career criminal who knows magic too?
Amber and the Hidden City, by Milton J. Davis
Thirteen year old Amber Robinson’s life is full of changes. Her parents are sending her to a private school away from her friends, and high school looms before her. But little does she know that her biggest change awaits in a mysterious city hidden from the world for a thousand years.
Amber’s grandmother is a princess from this magical kingdom of Marai. She’s been summoned home to use her special abilities to select the new king but she no longer has the gift, and her daughter was never trained for the task. That leaves only one person with the ability to save the city: Amber! But there are those who are determined that Amber never reaches Marai and they will do anything to stop her.
Prepare yourself for an exciting adventure that spans from the Atlanta suburbs to the grasslands of Mali.
It’s a story of a girl who discovers her hidden abilities and heritage in a way that surprises and entertains.
Interlopers: A Shifters Novel, by L.M. Davis
Make sure to clean up your messes.
Keep the cat in the house.
Fraternal twins Nate and Larissa Pantera know all about strange rules. They’ve grown up with plenty of them, and they have always obeyed those rules without question
However, disturbing things are starting to happen–both at home and at school. And when their parents go missing and a strange messenger appears, they discover that the only way to save them is by breaking all the rules.
Interlopers: A Shifters Novel is the thrilling fantasy adventure. Fans of YA fantasy, such as Harry Potter and Percy Jackson, love this new series about the Pantera twins, who discover that everything they thought they knew is only the beginning of the truth.
I am sure this list will get you well on your way on your Blacknificent journey through the world of Black Speculative Fiction. We end this with a few book trailers to take along as companions on this journey. Enjoy!
Pulp meets the African Martial Arts!
For those new to this page, I am a writer.
For those not new to this page, I am a writer.
Recently, I have expanded my writing into the Pulp genre of Fight Fiction, which was pretty much inevitable because my novels contain lots of exciting action and fight scenes.
What is Fight Fiction. You ask?
Fight Fiction is comprised of tales in which the fighting – whether it happens in a temple in Thailand, a boxing ring in Las Vegas, a cage in Atlanta, or in a bar in New York City – is not merely in the story to make it more exciting; or to add a different spin to it. The fighting must be an integral part of both the story and its resolution. Take the fighting out and you no longer have a story. Think Fight Club; Rocky; Blood and Bone; Kung-Fu Hustle; Million Dollar Baby; and Tai Chi Zero.
Writing fight scenes has always been something I enjoy and that I believe I do fairly well. This is probably due to the fact that I have been a student of indigenous African martial arts for over forty years and I have been an instructor of those same martial arts for nearly thirty years. I am also a lifelong fan of martial arts, boxing and Luchador films.
Recently, I joined a team of stellar authors, who all write under the pen name Jack Tunney (for e-book versions only; paperback versions are in the authors’ names), as part of the Fight Card Project.
The books in the Fight Card series are monthly 25,000 word novelettes, designed to be read in one or two sittings, and are inspired by the fight pulps of the 1930s and 1940s, such as Fight Stories Magazine and Robert E. Howard’s two-fisted boxing tales featuring Sailor Steve Costigan.
In 2013, the Fight Card series published twenty-four incredible tales of pugilistic pandemonium from some of the best New Pulp authors in the business. I am writing under the Fight Card MMA brand and my book, Fist of Africa debuts today.
“What is Fist of Africa about?” You ask?
Here’s a brief synopsis:
Nigeria 2004 … Nicholas ‘New Breed’ Steed, a tough teen from the mean streets of Chicago, is sent to his mother’s homeland – a tiny village in Nigeria – to avoid trouble with the law. Unknown to Nick, the tiny village is actually a compound where some of the best fighters in the world are trained. Nick is teased, bullied and subjected to torturous training in a culture so very different from the world where he grew up.
Atlanta 2014 … After a decade of training in Nigeria, a tragedy brings Nick back to America. Believing the disaffected youth in his home town sorely need the same self-discipline and strength of character training in the African martial arts gave him, Nick opens an Academy. While the kids are disinterested in the fighting style of the cultural heritage Nick offers, they are enamored with mixed martial arts. Nick decides to enter the world of mixed martial arts to make the world aware of the effectiveness and efficiency of the martial arts of Africa.
In Fist of Africa, readers will experience jaw-dropping action on the mean streets of Chicago, in the sand pits of Nigeria and in cages in the “Dirty South” (Atlanta).
2014 also offers a full slate of monthly Fight Card titles along with further Fight Card MMA, Fight Card Romance, and Fight Card Now titles, as well as the debut of the Fight Card Luchadores brand, set in the world of Mexican Masked wrestling.
My first Fight Fiction novella, A Single Link, while very different from Fist of Africa, is set in the same universe, thirty years in the future and some of the characters from Fist of Africa make appearances in it. I will be publishing several other books in this universe, as well and I am even working on a Luchadores Fight Fiction / Science Fiction / Horror mash-up (my homage to Luchador and Nollywood films) set in Mexico, Egypt and Nigeria.
But, for now, enjoy Fist of Africa and please, drop me a line to let me know what you think of it and, if you like it – and you will – help a brother out and give him a review.
BUILDING BLACK YOUTH THROUGH SCIENCE FICTION & FANTASY
Renowned Author, Neil Gaiman (the novel, American Gods; The Sandman comic book series) shared a fascinating fact. While appearing as Guest of Honor at China’s largest state approved Science Fiction convention, Neil decided to inquire why Science Fiction, once frowned upon by the Chinese government, was now not only approved of, but encouraged, with China now the world’s largest market for Science Fiction, with the highest circulation of Science Fiction magazines and the largest Science Fiction conventions.
The answer Neil was given is very interesting.
China is the world’s manufacturing powerhouse. But it doesn’t invent or design most of the things it manufactures. China wants to capture the creativity and imagination of the culture that has produced companies like Google and Apple. So Chinese researchers talked to people involved with those and other Fortune 100 companies to see what factors they had in common. The answer?
All of their CEOs, Presidents and Vice Presidents read science fiction.
The Chinese acted upon this research and today, throughout China, Science Fiction is a thriving and respected genre, read widely; which is very different from the early eighties, when Science Fiction was declared to be “spiritual pollution” and banned by the government. Back then, Science Fiction in China all but disappeared. But it has come back stronger than ever, appealing to a new generation of Chinese who see themselves as part of a world-wide cultural phenomenon, which includes Hip Hop, Fashion, Movies and Science Fiction.
In the past decade, Science Fiction has overtaken fantasy as the popular literary form, even though fantastic fiction is an integral part of the history of Chinese literature.
Science Fiction studies continue at Beijing Normal University, the largest research and editing center of science-fiction theory and criticism in the world. Western authors and scholars visit there often and in the future, this center is expected to be the center of international Science Fiction research.
Science Fiction is an essential influence in the development of top level creative thinkers, especially those dealing with technology. We live in an age of unparalleled technological development, which is creating change throughout society of an unprecedented magnitude. Science Fiction, in all its forms, is a valuable tool for helping train people to creatively work with that change.
Science Fiction does not just show us possible futures, it trains us to anticipate new technology, model how it will impact our lives and exploit that insight.
Aside from Nnedi Okorafor’s Zahrah the Windseeker and the Shadow Speaker; Wendy Raven McNair’s novels, Asleep and Awake; Alicia McCalla’s Breaking Free, Tananarive Due’s and Steven Barnes’ Devil’s Wake and Domino Falls and this writer’s own Once Upon A Time In Afrika and Moses: The Chronicles of Harriet Tubman, it is difficult to find Speculative fiction (Science Fiction and Fantasy) with Black protagonists, or even secondary characters, written for young adults by Black authors.
Middle Grade novels are even harder to find, with L.M. Davis’ Interlopers and Milton Davis’ Amber at the fore.
In their 2003 study of middle school genre fiction, Agosto, Hughes-Hassell, and Gilmore-Clough found that of 976 reviews of youth Fantasy novels, only 6 percent featured protagonists or secondary characters of color, and that of the 387 reviews of youth science fiction, only 5 percent featured protagonists or secondary characters of color.
Yet, as more Black authors of adult Science Fiction and Fantasy – like Charles Saunders, Walter Mosley, Keith Gaston, Valjeanne Jeffers, Milton Davis, Cerece Rennie Murphy and Balogun Ojetade (smile) – grow in popularity and fill a much needed void, more Black writers are getting the opportunity to fill that void in youth literature as well.
As the Chinese have come to realize, filling that void is important for several reasons and is a must for people of color, particularly those of African descent.
Studies have shown that, in the general population, Science Fiction and Fantasy has an impact on the teaching of values and critical literacy to young adults. Science Fiction challenges readers to first imagine and then to realize the future of not only the novel they are reading but, also the future of the world in which they live.
Looking at the most visible popular examples of Epic Fantasy – J.R.R. Tolkien, Robert E. Howard and bestselling authors J.K. Rowling, George R.R. Martin and Robert Jordan – a casual observer might assume that big, continent-spanning sagas with magic in them are always set in some imaginary variation on Medieval – and, sometimes, even modern – Britain. The stories include the common tropes – swords, talismans of power, wizards and the occasional dragon, all in a world where Black people rarely exist; and those who do appear are decidedly peripheral and usually work for the bad guys.
That same casual observer might therefore conclude that Epic Fantasy – one of today’s most popular genres of fiction – would hold little interest for Black readers and even less for Black writers. But that casual observer would be wrong.
Young adults of African descent can – and do – relate to the experiences in Science Fiction and Fantasy. Indeed, they crave these experiences and read speculative fiction just as voraciously as young adults of other races. But the lack of self-images in this literature can have a negative effect on the psyche of young readers and can, indeed, contribute to negative behavior. We derive our perceptions of self by what we hear, see, and read and our perception directly affects our actions.
The Process of Action works as follows:
- Perception (precedes Thought)
- Thought (precedes Impulse)
- Impulse (precedes Action)
If the Perception of ourselves is a person who lacks courage, integrity and goodness – because we do not see ourselves possessing heroic qualities in most books – the Thought creeps into our minds that we lack those heroic qualities, so we are – by default – villains. The Thought grows into a strong Impulse to be the villain; and finally, the Action of villainy takes place.
However, if – through Fantasy and Science Fiction written with Black characters as the heroes – our youth begin to perceive themselves as heroic…as hard working…as good…they will begin to act in accord with how they perceive themselves.
Above, we mentioned authors who have published books of Science Fiction and Fantasy featuring Black youth as protagonists. An analysis of these books reveals plots that are fun and adventurous; Black protagonists who are gifted, insightful youth surrounded by functional, supportive family units; and themes common to the Science Fiction and Fantasy genres, like courage, integrity, and good versus evil. While race and ethnicity are not ignored in these books, the race or ethnicity of a character does not drive the plot.
Our youth need stories that do not deny race or the historical implications of race, while remaining unhindered by the racism that may be present.
On May 5, 2012, in Atlanta, a group of Black authors of speculative fiction – in conjunction with the Auburn Avenue Research Library on African American Culture and History – came together to host The State of Black Science Fiction 2012 Youth Symposium, an amazing and day-long symposium that spotlighted Science Fiction and Fantasy as a signature intersection of science, history, technology, and humanistic studies. Fun was had by all and the students who participated, who ranged in age from 5-15, all eagerly purchased books to read during their lunch break.
The symposium featured panel discussions, workshops and games that inspired the imagination and challenged minds.
The authors involved were Balogun Ojetade, Milton Davis, Alicia McCalla, L.M. Davis, Wendy Raven McNair and Ed Hall. A performance of an interactive Choose Your Own Adventure story, written by the students was featured and famed author Tananarive Due – the world’s first and most popular Black author of horror and suspense – honored us with an inspiring key-note address.
I mention the symposium because I would like to host another such conference in April or May of this year (2014). I invite my fellow authors – and anyone else who would like to become involved – to join me in creating a special event for our youth; our future.
I invite all African-centered, private and public schools who serve and care about Black youth to participate. Bring your students. Have them write works beforehand to share during the performance portion. Make it a weekend field trip. Let’s give them a day of fun, learning and transformation. Let’s give them all that speculative fiction has given us, or what it would have given us if we saw ourselves in it.
So, there it is: a full day of Black speculative fiction workshops, performances, art, games, contests and vending – all for our youth.
Are you down?
The Black Science Fiction and Fantasy Youth Symposium is set for Saturday, April 26, 2014; from 10:00 am – 5:00 pm.!
The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.
Here’s an excerpt:
The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 94,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.
AFRICAN PULP: The Spear in Racist Pulp Fiction’s Heart!
Throughout Africa, storytelling has always been an intrinsic part of society, used to recall historical events, impart wisdom, debate and communicate messages from the divine.
Storytellers – called Djele, Sanusi, Babalawo, Iyanifa, Okomfo and other titles, depending on where, on the continent you go – are revered and are usually also skilled in spiritual and healing practices as well.
Tales of powerful heroes, megalomaniacal villains, sorcerers, witches and fearsome creatures abound in African folklore, thus I was not surprised at my recent discovery – thanks to Paul Bishop, author and mastermind behind the Fight Card brand of Fight Fiction books – that Pulp magazines, created by, and about, African heroes were highly popular across the continent in the 1960s through the 1980s.
Sold under the brand names African Film and Boom, these magazines – called photo comics, or “look books” – were illustrated with stunning photographs instead of drawings, giving them the uniqueness, creative flair and do-it-yourself spirit common throughout Africa.
With heroes like the Tarzanesque Fearless Fang (Boom) and the “African Superman”, Son of Samson, children and adults alike waited eagerly every month for latest edition to hit the newsstands.
The most popular photo comic magazine was The Spear (African Film), which featured Lance Spearman, the super-spy / detective whose coolness James Bond and Derek Flint would envy. The Spear drove a Corvette stingray, sported a panama hat and well-tailored suits with a bow tie and smoked expensive cigars. And in true Pulp fashion, he had a bevy of beautiful women at his beck-and-call.
Lance Spearman pursued the bad guys with zeal, outwitting their conspiracies, kicking much ass with his African martial arts and saving the day…all in one issue!
These popular Pulps – a portfolio of black and white photos, complete with speech balloons, narration boxes and all the “bam-pow” sound effects that a kick and a quick upper cut to the jaw makes in any comic book.
Unlike the popular Pulps of the Western world, however, which were rife with racist tropes of uncivilized, uneducated, spear-chucking cannibals, or damn-near naked noble savages, with objectified, ample body parts, Lance Spearman was sharp, stylish and sophisticated.
Even the jungle stalking Fearless Fang was intelligent, witty, brave and well, cool.
Combining Western references with a distinctly African cultural identity, these amazing African Pulps presented a critique of colonialism and a significant variation in how the genre classically figured normality and otherness.
And they were entertaining as hell!
Published first by publisher Drum Publications in Nigeria in the early 1960s and later also published in Kenya and Ghana the photo comic had a powerful and lasting influence in fostering postcolonial pride and identity.
Its combination of extreme violence, melodrama, romance and glimpses of the glamorous life preceded and influenced the Blaxploitation craze in American cinema in the 1970s and its use of inventive DIY tactics to overcome budget constraints influenced the booming Nollywood film industry.
“Ok, you’ve told us about the photo comics, but how, and why, were they created?” You ask? “
Well, Drum Publications of Nairobi, Kenya – tired of the clichéd racist images of Black people in contrast to the heroic images of white soldiers and superheroes in Western comics – decided to create comic books that would appeal to Black men. They began photographing black men in adventures that were designed to appeal to the Black African population.
Drum would buy stories and then send the scripts to Swaziland, where a photographer would takes pictures of a cast of Black actors. They would then send the photographed strips to London, England, where the magazines were printed. Finally, the photo comic magazines would be distributed in West, East and South Africa.
The Lance Spearman title was the most popular publication, with circulation figures estimated at 100, 000 in West Africa, 45,000 in East Africa and 20,000 in South Africa. In fact, Lance Spearman had a greater circulation in Kenya than any of the local daily newspapers at that time.
The writers of these look-books were Black Africans, who were paid $65 – equivalent to approximately $508.00 today – for every script they produced.
Expected in the scripts were lots of fistfights and the bad guys always losing in the end.
The readership of these photo comics included men, women, boys and girls from small rural towns to sprawling urban cities; from the barely literate to highly educated professionals.
The man, who played the character of Lance Spearman, was Jore Mkwanazi, originally employed as a “houseboy” in Durban, South Africa, scrubbing the floors of an apartment for $35 a month and as a musician, playing the piano in a nightclub for $1.50 a night, when photographer Stanley N. Bunn discovered him and decided he had the tough, cynical, sophisticated face that was needed for The Spear. In the role of the super-spy, Mkwanazi earned $215 a month.
Here is the original Drum Publications information, found in every issue of their photo comic magazines:
Drum Publications (E.A.) Ltd
P.O Box 43372
Editor: J. Singh
Printing and Packaging Corporation Ltd
P.O Box 30157,
But the story of photo comic magazines does not stop here.
In fact, it is just beginning.
In the summer of 2014, I will publish my first photo comic book, The Siafu: Revolution.
The Siafu is about escaped prisoner, Jamil Brown, who suffers a virus-induced myostatin deficiency that gives him enhanced strength, speed and endurance. Jamil is hunted by his makers, while gathering others like him to help fight against the corrupt system that made him.
For those of you who don’t know, siafu are army ants that, while small, are powerful and – in large enough numbers – can bring down an elephant.
So, be on the lookout for this amazing new graphic Pulp science fiction novel in a few months.
Get ready for The Siafu.
Get ready for Revolution.
A SINGLE LINK IS HERE!
I am excited – and proud – to announce that the action adventure, fight fiction, New Pulp book is available in paperback and ebook!
A Single Link is sure to keep your eyes popped, your jaw dropped and your fingers turning the pages as you step into the cage with Remi Swan, who becomes the first woman to fight against men in professional mixed martial arts on her quest for justice and closure after suffering a brutal assault by a pro fighter.
I loved writing this Rocky meets Enough story, which is filled with heart, grit and pulse-pounding, two-fisted action and I know you’ll love it too!
The action adventure New Pulp novel A Single Link is now available in paperback and ebook!
Make it a REAL “Black” Friday!
Buy Black Speculative Fiction!
Also, try out these Blacktastic Books you will absolutely love:
Imaro by Charles Saunders – A masterwork from the father of Sword and Soul. Imaro is the definition of great Heroic Fantasy.
The Parable of the Sower by Octavia E. Butler – Widely considered Butler’s best work, this is an incredible story of a dystopian future and a heroine with hyper-empathy.
Immortal by Valjeanne Jeffers – The first in a series of exciting books that takes place in the world of Tundra. Jeffers deftly combines Science Fiction, Horror and Romance in telling the story of Karla, a shapeshifter who fights the forces of evil of which she dreams.
Wind Follower by Carole McDonnell – This epic fantasy romance explores race, ethnicity, and imperialism in a beautiful – and sometimes brutal – ancient African setting.
A Darker Shade of Midnight by Lynn Emery – Mystery, Horror and Romance combine to give you this masterpiece that is a first in an incredible series. LaShaun Rousselle – the protagonist, who uses her paranormal abilities to solve the mystery of who killed her cousin and what lives in the woods on her family’s land – is one of the most interesting heroine’s in fiction.
Order of the Seers by Cerece Rennie Murphy – This thrilling tale of discrimination, love, retribution, lust for power and the great potential that lies dormant in us all follows the life and struggle of Liam and Lilith Knight – a brother and sister duo who are hunted by a ruthless and corrupt branch of the U.N., which seeks to capture and exploit Lilith’s unique ability to envision the future.
Hayward’s Reach by Thaddeus Howze – a series of short stories told by Mokoto, the last survivor of an unexpected cataclysm. Mokoto, even in his current state of in-humanity, learns what it means to be truly human.
Steamfunk edited by Milton Davis and Balogun Ojetade – This is the definitive work of Steamfunk – a philosophy or style of writing that combines Black culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – featuring fifteen masterfully crafted stories by fifteen amazing authors.
Woman of the Woods by Milton Davis – A powerful Sword and Soul tale, set in Davis’ intriguing Uhuru universe, first experienced in his seminal series, Meji. Woman of the Woods draws us into the world of demon-hunter, Sadatina and her “sisters”, a duo of twin lionesses who aid her in her battle against the vicious Mosele and their demon allies, who seek to destroy her people.
Redeemer by Balogun Ojetade – This is an edge-of-your-seat adventure that is both gangster saga and science fiction epic. A tale of fatherhood and of predestination versus predetermination. An entertaining mash-up that Science Fiction, Urban Fantasy and Urban Fiction fans alike will enjoy.
If you are interested in finding more authors of Black Speculative Fiction check out Black Speculative Fiction Reviews.
Do Black People Need Black Superheroes…or Just Black Heroes?
Stories about the heroes and superheroes in speculative fiction, film and comic books capture essential truths about human nature. We relate to – and identify with – the characters and themes in these stories; we empathize with the dilemmas and problems that superheroes face, and we admire – and often mimic – their heroic acts.
What, exactly, is a superhero, you ask?
What is the difference between a superhero and a hero?
I would say that every hero in a work of Black speculative fiction – and least the works I have read, which is pretty vast – is a superhero.
The definition of a hero is someone who rises above his or her fears and limitations to achieve something extraordinary. A hero embodies what we believe is best in ourselves. By definition, a hero would include entirely fictional characters, such as Batman, Brotherman, or Storm; characters who are real, but surrounded by legend, such as John Henry, Bass Reeves, or ‘Black’ Mary Fields; and “real world” firefighters, teachers and parents.
The clearest difference between a hero and what we tend to consider a superhero is that superheroes possess fantastic powers, fight their battles with advanced technology, or possess uncanny beauty, bravery, skill, or luck. Superheroes are heroes who cannot possibly exist in our own world today.
Unlike ordinary heroes, superheroes must have abilities that normal people do not and cannot have. A superhero like Brotherman – a great comic book hero and protagonist of a comic book series of the same name, brilliantly realized by writer, Guy Sims and his brother, artist Dawud Anyabwile – has no super powers. He belongs to the uncanny beauty, bravery, skill, or luck camp.
Brotherman is also larger-than-life and his stories are timeless; eternal.
Would this make Harriet Tubman a superhero? The great freedom fighter, spy and warrior of history is certainly a hero, however, while she possessed a supreme amount of bravery, endurance, skill, luck and the gift of accurate visions, her abilities were attainable by anyone – except, maybe those accurate visions. They were not uncanny, or otherworldly.
However, Harriet Tubman – protagonist of the Steamfunk novel Moses: The Chronicles of Harriet Tubman and one of the protagonists of the Steamfunk feature film, Rite of Passage – is a superhero. She possesses the ability to heal from massive damage to her body at ten times the rate of a normal person; she has the strength of several men; and she can cast illusions.
Milton Davis’ Changa, of the Sword and Soul series, Changa’s Safari, fights monsters, sorceresses and men and has the ability to see malevolent spirits.
Remi ‘The Single Link’ Swan, hero of the fight fiction novel, A Single Link, is the first woman in history to fight men in professional co-ed mixed martial arts.
These are all superheroes – larger than life; powerful beyond the normal realm of human ability; fearless, lucky, or talented beyond measure.
And, like Brotherman, all their stories are timeless; eternal.
No costume is necessary; but it is cool.
But, how do we relate to and identify with characters with such amazing attributes?
Is the reason why the most popular stories in comic books are origin stories because they show us the exact moment when a normal man or woman goes from being just an average Joe or Josephine to being somehow better, faster, smarter, or stronger?
I believe it is not the attributes, but the altruism, we identify with – or at least we aspire to.
It is also the trauma superheroes suffer at their becoming. Many have told me that they love the origin story of The Scythe, who readers will get to see more of when the novel is released in summer, 2014. What they have said they love is how Dr. A.C. Jackson makes a bargain with the sentient scythe of death to return to earth and exact revenge on his murderers. Dr. Jackson is, literally, a tortured soul; the victim of racism and brutality during the Tulsa, Oklahoma Race Riots of 1921.
Readers also identify with the life-altering force of destiny found in origin stories. In the film Rite of Passage, Harriet Tubman gathers several Guardians – those endowed with supernatural powers to fight men, machines, monsters, demons and the undead. One such Guardian, Harriet Tubman’s young pupil, Dorothy Wright, is reluctant to accept her destiny, yet she rises to the occasion and becomes one of the protectors of the Black-owned town of Nicodemus, Kansas. Many of us identify with Dorothy’s challenge of assuming a great responsibility that forces her to grow up sooner than she wants to.
Finally, there’s sheer chance; or the illusion that it was chance – I am not inclined to believe in coincidence – that readers love about origin stories. In the Rite of Passage tie-in, the short film The Dentist of Westminster, the protagonist, Osho Adewale, travels to Nicodemus, Kansas to put his deceased grandmother to rest, but is introduced to a world of darkness in which he gains the power to bring the light. His heroism is an example of how seemingly random, adverse events cause many of us to take stock of our lives and choose a different path.
Good writers of speculative fiction are keen observers of nature, in general and specifically, human nature. They are able to express those observations as captivating stories; they are able to tell the stories of self through the stories of their superheroes.
So, pick up a great comic book, like Dusu (issue #1 is free), Watson and Holmes (also free), the Chronicles of Piye, or Sword and Soul Adventures; or great books, such as Moses: The Chronicles of Harriet Tubman, Changa’s Safari, Damballa, or A Single Link (which releases at the end of this month). Soar with the superheroes within.
Capes aren’t necessary.
But, they are cool.
BLACK HEROES OF PULP FICTION (and we don’t mean Samuel L. Jackson or Ving Rhames)
Some of you are saying “If not the movie by Quentin Tarantino, then what the in the hell is Pulp?”
Is it that nasty, fibrous stuff I hate in my orange juice, but my wife always buys, because – for some odd reason – she loves it?
What is Pulp?
Is it that early 80s British alternative rock band who sounded like a hybrid of David Bowie and The Human League?
What is Pulp?
Think adventure, exotic settings, femme fatales and non-stop action. Think larger-than-life heroes, such as Doc Savage, The Shadow, Marv, from Sin City and Indiana Jones.
The genre gets its name from the adventure fiction magazines of the 1930s and 1940s.
Pulp includes Horror, Science Fiction, Fantasy, Mystery, Western, Fight Fiction and other genres, but what sets pulp apart are its aforementioned fast-pace, exotic locales, linear – but layered – plots, its two-fisted action….and those characters! As author Thaddeus Howze describes them: “I like the larger than life heroes of the pulp era, loud, bombastic, often arrogant, sexy, outrageous and oh so violent…”
The first pulps were published in the late 1800s and enjoyed a golden age in the 1930s and 1940s.
And – like most genre fiction of the day…and today – Black heroes were absent. Like most genre fiction of the day, if a Black person was found in pulp fiction at all, they were the noble savage…or just the savage.
Coffin Ed Johnson and Grave Digger Jones
However, in 1957, we saw our first Black pulp heroes with the duo of Coffin Ed Johnson and Grave Digger Jones, violent and vicious Harlem police officers, who operated more like private detectives, often going beyond police protocol to solve their cases.
A true master of the pulp aesthetic, Chester Himes – an accomplished author and screenwriter before going to prison – discovered the work of popular pulp author Dashiell Hammett while serving eight years in an Ohio penitentiary for armed robbery. Himes vowed to write pulp books that would, in his words, “tell it like it is”.
Upon his release from prison, Himes moved to Paris and – true to his word – wrote a string of what he called “Harlem domestic detective stories”, all but one written in French and later translated into English.
His first novel, A Rage in Harlem (1957) – first published in French as La Reine des Pomme and also known as For Love of Imabelle – which won the prestigious French literature award, Grand Prix de la Litterature Policière, gave us our first taste of the fearsome Coffin Ed Johnson and Grave Digger Jones.
Fans begged for more of these pulp bad boys and Himes delivered, with a total of seven more bestsellers and one unfinished novel that was published posthumously: The Crazy Kill (1959), The Real Cool Killers (1959), All Shot Up (1960), The Big Gold Dream (1960), Cotton Comes to Harlem (1965), The Heat’s On (aka Come Back, Charleston Blue)(1966), Blind Man With A Pistol (1969), Plan B (1993).
While the duo frequently uses physical brutality, psychological torture and intimidation to solve their cases, Gravedigger and Coffin Ed have deep and genuine sympathy for the innocent victims of crime. They frequently intervene – even putting their own reputations and lives on the line – to protect Black people from the vicious and truly pointless brutality of the white, openly racist police officers in their precinct. Jones and Johnson generally go easy on – and even tolerate – numbers runners, madames, prostitutes, junkies and gamblers; but they are extremely hostile to violent criminals, drug dealers, con artists and pimps.
It can be said that Coffin Ed Johnson and Grave Digger Jones were the darkest heroes in pulp…and not because they’re Black…well, that too.
The next Black hero in pulp did not come on the scene until 1983. Who was he? Aubrey Knight, a lightning quick mountain of muscle, trained to be a Null Boxer who fights in brutal matches while locked in a zero-gravity bubble.
Aubrey Knight is the protagonist of Street Lethal (1983), a jaw dropping pulp thrill ride, penned masterfully by veteran science fiction, fantasy and horror author, Steven Barnes. Street Lethal is set in a near-future dystopian Los Angeles in which Aubrey Knight must battle genetically engineered New Men, drug kingpins, brutal prison guards, a ruthless femme fatale and brainwashing similar to the horrific Ludovico Technique from the classic novel A Clockwork Orange.
Barnes, an accomplished martial artist himself, gives us a pulp hero who is one part Luke Cage Noir and two parts Iron Fist…only cooler, savvier and more…well, street lethal.
Damballa (2011) is an incredible pulp adventure written by author Charles R. Saunders, the founder of the subgenre of Fantasy fiction called Sword and Soul and creator of the Fantasy icon Imaro. The action does not stop as the titular hero uses his vast knowledge of Western science, African science and martial arts to expose and neutralize the Nazi threat.
Set in 1938, Damballa is a shining example of what Pulp is when it is at its very best: thrilling, visceral, tightly-plotted, well-written, fast-paced fun.
And the hero Damballa is a shining example of what a pulp hero in the hands of a master can be: a hero the reader can actually stand up and cheer for; a hero with qualities and with a story other authors do their damndest to echo in their own creative and original ways.
Equal parts James Bond, Indiana Jones, Doc Savage and The Saint, Dillon – by his creator Derrick Ferguson’s account – first came to attention of the world a decade ago, when he began hiring himself out as a soldier of fortune. Dillon possesses remarkable talents and gifts that make him respected and even feared in a world of mercenaries, spies, adventurers, powerful technology and mystic artifacts.
Actually, Dillon first came to our attention in the Pulp fiction masterpiece, Dillon and the Voice of Odin (2003).
Dillon’s actual age is unknown, but what is known is that he was born on the technologically advanced, doomed island of Usimi Dero. After the Destruction of his home, twelve year old Dillon and his mother fled to Shamballah, a monastery hidden in the Himalayas. Dillon was adopted by Shamballa’s Warmasters of Liguria, who spent the next seven years training him in various martial arts and other physical and mental disciplines. After those seven years, Dillon elected to leave Shamballah and return to the world.
Once back in the world, Dillon wandered, learning various skills that would help him in his chosen profession as an adventurer and seeking out those who destroyed his homeland.
This adventurer is the hero of four of his own books – the aforementioned Dillon and the Voice of Odin; Dillon and the Legend of the Golden Bell (2010); Four Bullets for Dillon (2011) and Dillon and the Pirates of Xonira (2012) – and appears in the anthology Black Pulp (2013).
First seen in the often hilarious and always exciting, Taurus Moon: Relic Hunter (2011) and now returning in the recently released, equally exciting sequel, Taurus Moon: Magic and Mayhem (2013), Taurus moon is a complex Pulp hero who walks a complex world of mythic creatures, gangsters and even mythic gangsters and gangling creatures.
The morally conflicted hero, Taurus Moon is often compared to another famed relic hunter, Indiana Jones. Unlike popular relic hunter Indiana Jones, however, the artifacts Taurus Moon hunts are not found in the deserts of Iskenderun Hatay, or in the tropical rainforests of Brazil. Taurus Moon’s quests take him through the grittier parts of urbanized cities; settings where Indiana Jones would get that whip and fedora shoved up his…well, you get the picture. Also unlike Indiana Jones, Taurus Moon’s clientele includes vampire crime bosses and other individuals of ill-repute.
Taurus Moon is straight up mercenary, motivated by money; yet he is imbued with nobility, which keeps him from being completely amoral.
If Indiana Jones and Blade had a clone created from both their DNA strains, with a dash of Thomas Edison and Henry Ford sprinkled in, that little GMO fella would be Taurus Moon.
2014 will see the premiere of at least three more pulp heroes.
In early 2014, my character Nick ‘New Breed’ Steed, the indigenous African martial arts expert turned MMA fighter will enter the world with a bang in my novella, which is part of the Fight Card Series, Fight Card MMA: A-Town Throwdown. A second novella starring Nick Steed, Fight Card MMA: Circle of Blood is likely to follow shortly behind it.
2014 will see another MMA fighter, Remi Fasina [ray-MEE fah-SHEE-nah] – a woman – battle men and women fighters – and her inner demons – on her quest to defeat the MMA champion who sexually assaulted her seven years in her past in my Pulp action novel, A Single Link.
Finally, the Pulp hero Black Caesar – a former slave, imbued with enhanced intelligence, strength, endurance and agility by dark forces run amok upon a stone slave ship – debuts in the first Rococoa novel, Black Caesar: The Stone Ship Rises.
I have also created the Pulp hero The Scythe, the resurrected Dr. A.C. Jackson, who was murdered in the Tulsa Race Riots of 1921 and returns to reap vengeance upon his murderers and their kin. It is likely that I will expand his story into a novel in 2015.
What other Black Pulp heroes and sheroes do you know of? What Pulp heroes or sheroes are you in the process of developing or creating?
INGLORIOUS BASTARDS: Is Independent Filmmaking illegitimate?
Last week, in the State of Black Science Fiction group, another minor kerfuffle – oh yeah, Black speculative fiction authors and fans do love their heated discourses – occurred after Milton Davis – oh yeah, fifty-something chemist / author / publishers do like to set it off – posted this status:
“Apparently if you are self published you are not a legitimate writer. Wow.”
This statement was made in regard to another author, who said he was looking for Black women speculative fiction authors for a documentary he is doing, but only wanted “legit” authors: “I need MORE AFRICAN-AMERICAN WOMEN WRITERS of Science-Fiction, Fantasy or comics!!! To be considered for the documentary you need to have: been published by a legit publishing company (no self-publishers).”
The aftermath was – to put things lightly – passionate…yeah, that’s it. Passionate.
I will say, the “offending” author did try to clear things up – kind of – and even went so far as to contact me personally to explain he meant “traditional”, not “legit,” which perplexed me a bit because my only comment on Milton’s status was “Name NAMES, Milton!” Y’all know me…I’m a researcher and researchers, by nature, are a curious lot.
Anywho, i know you’re dying to see what was said in response to Milton’s comment. Here are a few of those responses – the names, however, are not included to protect the (not so) innocent:
“So if I’m an indie singer, I’m not legitimate? If I’m an indie film maker, I’m not legitimate? If I’m Indie Jones, I’m not a legitimate archaeologist and college professor?”
“They’re just mad because we won’t go away–and we’re stealing away their readers.”
“That’s just bougie perpetraters using their status to over inflate their already bloated egos, to the detriment and baseless shaming of others.”
” Hmmm…that’s funny. My royalty checks seem to be legitimate.”
In response, the “offending author” had this to say:
“For the sake of clarity and common sense, I must make something known – Earlier today I posted a call for Black Women writers for my documentary Brave New Souls. I used the word “legit” instead of “traditional” when describing the criteria for my interview subjects. Somehow, that has been construed as a slight against self-publishers and that isn’t the case at all. So let me be as clear as possible here:
1) I want to use Black creators who have mainstream credits because there is a great misconception and lack of awareness about the presence of Black writers within the mainstream entertainment industry. I wanted to show aspiring talent that they CAN make it in the mainstream industry and that it doesn’t require “selling out” or compromising your value system.
2) Roughly 60% of my extremely limited literary entertainment budget is spent on self-published and independent material from Black creators. Let me repeat, 60%. If you don’t believe me ask the hundreds of Black creators I’ve met at conventions over the last 15 years whether or not I put my money where my mouth is. Ask folks like Thaddeus Atreides, Ray Height, Daniel McNeal, Jaycen Wise, etc.
3) I also spend a ton of time mentoring people behind the scenes. I have an entire FB group dedicated to the mentoring of writers of all backgrounds and I rarely talk about what I do because I don’t need to pat myself on the back.
4) Brave New Souls is my documentary, and I can do whatever I wish with the material.
I hope that clears things up, otherwise, most of you know how to find me, and if you still have a problem, I will be at the Hollywood Black Film Festival from Oct 2 – 6 and at NY Comic Con hanging around the Lion Forge booth from Oct 10 – 13. Feel free to approach me to discuss the matter.“
So, this is what was said by a few of his associates and friends:
“Whenever someone steps up, someone else has to find something wrong.”
“4) Brave New Souls is my documentary, and I can do whatever I wish with the material.” That’s all you needed to say.”
“Did E*****n just pull a ‘Tony Stark from Iron Man 3′-move? ‘Here’s my address, come find me!!’”
“You haven’t seen his arsenal yet…”
“Seems nowadays people are in search of reasons to be pissed–not ways to make things work well… leaping beyond these words in order to give yourself (an in-general “yourself”) a perpetual underwear knot–& ignoring an avalanche of counter-balancing evidence–is small-minded. I’m less & less patient with this approach to life as I get older.”
This little skirmish set my thoughts in motion and, since I am in nearing the end of production on the Steamfunk feature film, Rite of Passage, I pondered whether the same beef – indie vs. mainstream – exists in the world of film?
As early as 1908, independent film has been paving the way for filmmakers to fight the corporate way of creating their art form. Around 1924, a group of independent filmmakers in Europe created the London Film Society. This group was the first to preserve the artistic nature of filmmaking. Some of the founding members included H.G. Wells and Charlie Chaplin, film directors who began a revolution with their movie making.
In a short time, independent filmmakers all over Europe were introducing new and exciting genres to their movies, such as horror and suspense. After World War II, science fiction was introduced by independent filmmakers to the American audience.
A new wave of American filmmakers began creating films outside of the control of the corrupt major studios and a Golden Age of independent films began.
For these independent filmmakers, the best way to showcase their work was at local film festivals.
One such festival, The Sundance Film Festival, run by Robert Redford’s Sundance Institute, began as the Utah / U.S. Film Festival in 1978. The festival – founded by Brigham Young University Film School graduate, Sterling Van Wagenen and Utah Film Commissioners, Cirina Hampton Catania and John Earle – showcased independent films created in the United States.
In 1985, Redford’s institute took over management of the festival and changed the name to Sundance. In 1991, the Sundance Institute bought the rights to the festival and officially changed the name to the Sundance Film Festival. Since then, Sundance has included international independent films in its screenings and has launched the careers of some of today’s hottest directors such as, Quentin Tarantino, Robert Rodriguez, James Wan and Jim Jarmusch.
Viewed as the leader in independent filmmaking, the Sundance Film Festival innovates ways to help small productions gain mainstream notoriety.
Last year, this festival brought Utah $92 million dollars in revenue, further cementing both the importance of the festival and the films that it showcases.
But what, exactly is an “independent film”, you ask?
An independent, or indie, film is one that is primarily funded outside of the major studios, also known as “the Big Six” – Warner Brothers, Paramount, Walt Disney, Columbia Pictures, Universal Studios and 20th Century Fox.
Independent films have the freedom to explore many subjects in society that are seen as taboo or unmarketable by the Big Six.
Most independent films achieve nothing more than critical acclaim at film festivals, but every once in a while, an indie film creates such a loud buzz at a film festival that it is purchased by a major film studio and screened in major theaters all over the world. One such film is The Blair Witch Project, which screened at the Sundance Film Festival on January 23, 1999. Writers-Directors Daniel Myrick and Eduardo Sanchez, who made The Blair Witch Project for $25,000, had sold their movie, by the end of the festival, to Artisan Entertainment for 1.1 million dollars. Artisan then went on to make $248 million with this “little” independent film!
However, when an indie film hits the “big time”, like The Blair Witch Project, it is no longer considered to be an independent film because, even though the film was produced on a shoestring budget, the marketing budget that Artisan Entertainment implemented when they purchased the film put The Blair Witch Project way over the 50% funding category.
While, technically, the Blair Witch Project is no longer considered an indie film, it possesses one characteristic that most certainly sets it apart from “mainstream” films, a characteristic that films produced by the Big Six will never have – the willingness to take risks with their storytelling.
The Big Six film studios are large corporations, and corporations of that size do not allow risk-taking in their business practices.
They will only invest in actors and stories that have already been proven to make a lot of money. This may lead to financial success, but also leads to creative stagnation.
Independent films are about original and creative story-telling by filmmakers who are not afraid to try new techniques or put their creative and financial necks on the line.
Are they legit? Hell yeah!
Are they traditional? Well, since the definition of traditional is ‘existing in or as part of a tradition; long-established‘, “Hell yeah,” to that too!
I will be at the Alien Encounters Black Speculative Fiction, Film and Art Conference October 25 – 27. Feel free to approach me to discuss the matter.
Did I, like that “offending author”, just pull a ‘Tony Stark from Iron Man 3′-move?’
Well, we Black speculative fiction authors do love our heated discourses.
“IT’S LIKE STEAMPUNK BUFFY THE VAMPIRE SLAYER…WITH BLACK FOLKS!”
Well, that is sort of paraphrasing a description of Rite of Passage, the Steamfunk feature film, by Professor Lisa Yaszek, Director of Undergraduate Studies. School of Literature, Media and Communication and one of the Associate Producers of the film. Her actual description: “When people ask what Rite of Passage is about, I tell them to think Buffy the Vampire Slayer, set in Victorian times, with Black superheroes.”
Jadon Ben Israel, filmmaker and veteran actor of such films as Fast Five and Champion Road: Arena – who plays Vampire-Lord and martial arts master, Joe in Rite of Passage – describes the film as a “Black Steampunk Avengers.”
Milton Davis, author, publisher, Executive Producer of Rite of Passage and writer of the original story upon which the film is based, describes the film as “A Steamfunk movie collaboration destined to change the perception of historical fantasy. It’s the tale of the city of Nicodemus, Kansas and the special souls that have gathered to protect it. Rite of Passage blends history, fantasy and Steamfunk into an exciting action movie that gives a glimpse of the adventure yet to come.”
And, of course, accurate.
In the Rite of Passage universe, the Orisa (oh-REE-sha) – forces of nature that serve and guide humans and animals alike – have given several powerful artifacts to Oluwo (“Master Teachers; possessors of secret powers”), who are to keep those artifacts until their rightful possessors – known as Guardians – come along. The Oluwo are to help their Guardian transform, so that they are worthy to possess the artifact.
In the film, the Guardians are Dorothy Wright, Black Dispatch, Conductor on the Underground Railroad and pupil of Harriet Tubman; famed lawman, Bass Reeves; and John Henry, the legendary “steel drivin’ man.”
Harriet Tubman – who is an artifact, given to the world to protect it – gathers the Guardians around the globe to prepare them for the coming of a powerful entity she calls Jedidiah Green, an ancient and dark being who feeds on the power of the artifacts and is drawn to their possessors.
We also learn a bit about the other Guardians, such as the brutal – and somewhat insane – Dentist of Westminster and Sherlock Holmes.
Jedidiah Green also has his team of “supervillains”, if you will: the Piper, the Blood-Kin (vampires) and the Night-Kin (zombies, ghouls, ghasts, Night Howlers and other undead).
African American rodeo owner, Nat (pronounced “Nate”) Love flees to Nicodemus, Kansas – the small town destined to be the final battlefield in the war against Jedidiah Green and home to the Guardians – after his business rival, P.T. Barnum, tries to have him murdered.
Barnum dispatches a special team of assassins to Nicodemus to retrieve Nat Love by any means and to kill the Guardians if necessary.
And thus begins the film.
We have been in production since August 18, following the production of the tie-in, Rite of Passage: The Dentist of Westminster.
Production is going very well, although filming on a budget of fumes has proved very challenging and we had to forgo shooting once because we just did not have the money to purchase the costumes for that scene. This of course, is our biggest obstacle, so please donate and help us out. Steampunks, we would definitely appreciate any donations of old costumes and or props…oh, and we have great perks, too!
The actors are phenomenal, really bringing their characters to life.
Recently, actor Maurice Johnson, who portrays – no, who is – John Henry, received a call from E. Roger Mitchell, who has had starring roles in Flight, alongside Denzel Washington, Battle Los Angeles, S.W.A.T. and The Crazies – and who portrayed John Henry in the short masterpiece, John Henry and the Railroad. Mitchell told Maurice that he has been following what is going on with Rite of Passage and told him “Now, you are the real John Henry!”
The crew is amazing and makes my job easy. Director of Photography, John Thornton, who is also Professor of Film Production at GA-Tech, brings his experience as a Director and Cinematographer for several independent and Disney films to Rite of Passage. Imed “Kunle” Patman, Cinematographer, brings his experience and artistic genius to the film, as does Assistant Director and Editor, Brandon Davis.
“We have really been blessed to have such talented and intelligent people working with us,” Akin Danny Donaldson, Producer of Rite of Passage, said. “We are making history as we make a film about our history.”
WE’RE HERE III: Black Science Fiction & Fantasy Websites and Social Media
In this third installment of the We’re Here Series, we examine the best websites for all your Black Science Fiction and Fantasy needs.
While there are others, these are the sites considered to be at the cutting edge of Black Speculative Fiction.
We’re here, y’all. In a BIG way.
Black Sci-Fi.com is the premier site for the latest updates on Sci-Fi, Sci-Fact and Fantasy entertainment, news, people, places, and events and the measure of their impact on the African-American community.
We seek to inform and inspire the imagination of individuals who aspire to live beyond the boundaries of everyday life.
This site is a social network dedicated to the reading, writing, researching, dispersing and enjoyment of Sword & Soul.
Create your own page; share photographs, videos and your own blog; and join groups and engage in live chat with other members.
The AfroFuturist Affair is a community formed to celebrate, strengthen, and promote Afrofuturistic and Black Scifi culture through creative events and creative writing.
The Tumblr page is a collection of the best writing, event announcements, art and videos in one place.
This blog is a dialogue between the past, present and future, placed in an afrofuturist and afrosurrealist context. It explores African diasporic cultures that are often not given as much mainstream attention and re-examines popular cultures of the Black Diaspora through the afrofuturist and afrosurrealist perspectives.
Key purposes of the blog are Media Literacy; Art, Media and Cultural Criticism/Analysis; and promotion of Afrofuturism and Afrosurrealism.
World of Black heroes is a website dedicated to following the portrayal of Black heroes.
This blog brings features Black characters in comic books, movies, books and on TV and the creators who bring them to us.
Black Superhero comic Reviews, Black Superhero News, Black Superhero Previews, and character Bios for mainstream and independent comics alike can be found here.
The premier Facebook group where creators and fans of Black Science Fiction, Fantasy and Horror meet.
Join the group and participate in their Black Science Fiction activities and discussions; their State of Black Sci Fi presentations and performances throughout the year; their contests and giveaways; and meet some Blacknificent people too.
This is the group that spearheaded the founding of Black Speculative Fiction Month, which is celebrated worldwide every October.
This website is dedicated to the promotion of Science Fiction and Fantasy books for Teens and Young Adults of Color.
There are many great books, graphic novels and comic books to choose from. To simplify your search, Ruth de Jauregui has sorted the main characters of each book into ethnic / racial categories – such as Black, Asian and Native American – and then by author within those categories.
According to the sites founder, Chelsea Medua, “I follow many cosplayers on the Internet who I see at times get crude comments and remarks for just being black. [I wanted to] let other black cosplayers out there know that they shouldn’t feel insecure about cosplaying because of their skin.”
As we continue the We’re Here Series, which introduces people to creators and creations within Black Science Fiction, Fantasy and Horror film, fiction, fashion, artwork and social media, your feedback is always welcome and encouraged.
WE’RE HERE II: Black Creators of Science Fiction, Fantasy and Horror in Film & Fiction
In my last post, I provided a listing of popular fandom events with a major Black presence.
I now offer you We’re Here, part II.
Coincidentally (?), friend and fellow speculative fiction author, SR Torris, asked me, shortly after I scheduled this article to post, to check out a video in which the narrator launched a scathing attack on Black writers for our “lack of a literary capacity or intellectual competence to write such stories [Science Fiction and Fantasy]” and “Because most Black writers have no knowledge of anything other than pimping hoes and hearing women complain about not being able to find a man.”
As I have said before, I do not believe in coincidence; I know this post is right on time and much needed.
The lack of knowledge of the existence of great Black writers of speculative fiction by the narrator of that video – a man who calls himself “theblackauthOrity” – proves that.
I would like to introduce you to just a few of the people who – at present – are on the cutting edge of creating works that attract fans from throughout the geekosphere and who are regular guests of honor, vendors and panelists at fan conventions, festivals and symposiums around the globe, or regular bloggers on all things Black and Nerdy.
We’re here, theblackauthOrity.
Born in Elizabeth, Pennsylvania, near Pittsburgh, in 1946, but living in Canada since 1969, this brilliant African American author and journalist has, during his long career, written everything from novels to screenplays and radio plays to magazine articles on boxing.
Charles is also the founder and father of Sword & Soul – African-inspired epic and heroic fantasy.
I first read a work by Charles in 1987 in Dragon Magazine #122, entitled Out of Africa. Unaware that Charles was Black at the time I said “This white guy got it right, but one day, I’ll do better. As a brother, I have to!”
Ah, the blissful ignorance of youth.
Of course, by the time I discovered Charles – who is now at the top of the list of my favorite authors – he had already published his first Imaro story over a decade earlier and had released the first Sword & Soul novel, Imaro, six years before that Dragon Magazine article.
In addition to the mega-popular Imaro series of books, Charles is also the author of the Dossouye series of novels about the adventures of the titular woman-warrior and Damballa – a pulp novel about a scientist / shaman / warrior who fights against Nazis in 1930s Harlem.
His latest work, “Mtimu”, can be read in the anthology Black Pulp.
A pioneer of the modern black film movement, creating such successful and influential movies as House Party, Boomerang and the animated Bebe’s Kids, Reginald Hudlin is unique in the entertainment business because of his success as a writer, producer, director and executive.
Hudlin is also the executive producer and writer of the Black Panther animated series and was executive producer of The Boondocks.
Hudlin received an Oscar nomination as Producer on the blockbuster film, Django Unchained, which also won two Golden Globes, two NAACP Image Awards and is writer / director Quentin Tarantino’s most profitable film and one of most successful westerns ever made.
In addition to his success in films and animation, Hudlin has found much success on the “small screen” as an executive producer of the 2013 NAACP Image Awards, which aired on NBC. The broadcast got the highest ratings for the show since 2009.
Other works in television include his directing the pilot of the hit series Everybody Hates Chris and his work as producer and director of The Bernie Mac Show. Hudlin has also directed episodes of Modern Family, The Office, The Middle, and Psych.
During his tenure as the first President of Entertainment for Black Entertainment Television, Hudlin created some of the most successful shows in the history of the network including the award-winning reality show, Keyshia Cole: The Way It Is; American Gangster; and Sunday Best. He created the BET Hip Hop Awards and the BET Honors.
Reginald is also one of the most successful Black writers in the field of comics, writing award winning runs of Spider Man and Black Panther for Marvel Comics. He adapted Quentin Tarantino’s original screenplay for Django Unchained into a six issue limited series for DC/Vertigo Comics and co-authored the intelligent, witty and moving graphic novel Birth of a Nation.
A friend, writing partner, filmmaking partner and jegna (“mentor”) of mine, Milton has been a strong influence on my work.
Together, Milton and I produced the successful Mahogany Masquerade: An evening of Steamfunk and Film and the Black Science Fiction Film Festival, now both annual events.
He is the author of two Sword & Soul series, Changa’s Safari (Volumes I & II) and Meji (Books I & II) and he, together with the Father and Founder of Sword & Soul, Fantasy fiction pioneer, Charles R. Saunders, is the Co-Editor of Griots: A Sword and Soul Anthology, the definitive work of Sword & Soul, featuring stories from fourteen different black writers. The first such anthology of its kind, Milton also published this masterpiece through his multimedia company, MVmedia, a micro-publisher and film production company dedicated to bringing diversity to the science-fiction and fantasy fields.
Milton is also Co-Editor, with Balogun Ojetade, of the Sword and Soul anthology Ki-Khanga –which is an introduction to the world in which the table-top role-playing game of the same name they created is set – and the wildly popular Steamfunk!, an anthology featuring twelve masterfully crafted stories of Steampunk, told from an African / African-American perspective.
Milton is also publisher of Balogun’s Sword and Soul novel, Once Upon A Time In Afrika, the co-creator of the graphic novel, The Blood Seekers, with artist Kristopher Mosby and will release his own fifth Sword and Soul novel, the highly anticipated Woman of the Woods, in mid-June.
Balogun began his career as an author in non-fiction, as writer of the bestselling Afrikan Martial Arts: Discovering the Warrior Within, which is also used as the manual for the Afrikan Martial Arts Institute, in which Balogun is Master Instructor and Technical Director.
His career in speculative fiction, however, began as screenwriter, producer and director of the films, Reynolds War and A Single Link.
He is one of the leading authorities on Steamfunk and writes about it, the craft of writing, Sword & Soul, Steampunk and fandom in general, on his website, the popular Chronicles of Harriet.
He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the science fiction gangster saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika. He is contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk! and is the screenwriter, director and co-producer of the short Steamfunk film, Rite of Passage: Initiation.
Along with creative partner Milton Davis, Balogun produces the popular annual events, the Mahogany Masquerade: An Evening of Steamfunk & Film and the Black Science Fiction Film Festival.
At present, Balogun is directing and fight choreographing the Steamfunk feature film, Rite of Passage.
The First Family of Speculative Fiction, these authors and filmmakers are movements by themselves and forces of nature together.
Steven Barnes has written several episodes of The Outer Limits and Baywatch. He also wrote the episode “Brief Candle” for Stargate SG-1 and the “The Sum of Its Parts” an episode of Andromeda.
Barnes’ first published piece of fiction, the 1979 novelette The Locusts, was written with Larry Niven, and was a Hugo Award nominee.
Barnes has gone on to author nearly thirty great novels, including the speculative fiction novels, Street Lethal, Lion’s Blood, Zulu Heart and with Tananarive Due, the Tennyson Hardwick mystery novel series.
The first person of African descent to find success as an author of horror fiction, Tananarive Due is an icon, a living legend and immensely popular worldwide.
Beginning with the scary-as-hell, The Between, in 1995, Due followed up with the equally frightening The Good House, a book that gave my wife nightmares every night she perused its pages and still gives her goose-bumps whenever the book is mentioned. After that came Joplin’s Ghost, and then the African Immortals series – my favorite – then, the Tennyson Hardwick mystery series with her husband, Steven Barnes in partnership with the actor, Blair Underwood.
Recently, Steven Barnes and Tananarive Due have teamed up to create the “zombie” YA novel series, which includes Devil’s Wake and Domino Falls.
This series inspired the horror short film, Danger Word, which Barnes and Due wrote and produced.
R.L. wrote, produced and directed his first short film at the age of seventeen. He has since gone on to involvement in over fifty short and feature films in many capacities including writing, directing, fight choreography, cinematography, post production work, and editing.
In 2006, R.L. wrote, directed, produced and choreographed the fan film Black Panther: Blood Ties, a film I, my wife and several of my students had the pleasure of acting and performing stunts in.
In 2007 R.L. brought us Champion Road, a popular martial arts / fantasy feature film he wrote, directed, choreographed and produced and in 2008, took on the same roles for its sequel, Champion Road: Arena.
Full disclosure: I play the heroic hermit / martial arts master, Soleem, in both films.
In 2012, R.L. choreographed the fight scenes for the feature film entitled Call Me King, which stars international superstar Bai Ling (Red Corner). Call Me King is scheduled to be released early 2014.
Recently, R.L. acquired the film rights to the Street Team brand of indie graphic novels, which feature street-level (think Wolverine and Batman) superheroes of African descent.
Rasheedah’s life is one that inspires and educates. A mother at the age of fourteen, Rasheedah raised her daughter while attending high school, and college and, in spite of her many responsibilities, she was able to earn a cumulative 3.79 GPA, graduating Summa Cum Laude from Temple in three years with a Bachelors in Criminal Justice. In the fall of 2005, she began her first semester at Temple University Beasley School of Law, earning her J.D. in Spring, 2008 and becoming a member of the Pennsylvania Bar in Fall 2008.
Because of her perseverance and success in spite of personal difficulties, her story was featured in several publications, including The Philadelphia Inquirer and The Temple Times, as well as a few books, including It Couldnt Happen to Me: Three True Stories of Teenage Moms by Beth Johnson.
An educator, attorney, activist and advocate for teen moms, Rasheedah writes science fiction stories and essays on Philosophy and Metaphysics in her spare time. She has had a work of short fiction published in an anthology entitled Growing Up Girl, inspirational essays published in Sister to Sister: Black Women Speak to Young Black Women and Professor May I Bring My Baby to Class. She will publish her first science fiction novel, Recurrence Plot, in Fall 2013.
In 2011, Rasheedah created The AfroFuturist Affair, an organization dedicated to celebrating and promoting Afrofuturistic culture, art, and literature through creative events and creative writing.
Through The Afrofuturist Affair, Rasheedah has created the annual Charity and Costume Ball, an Afrofuturist-themed costume ball that features artists, authors, and performers who present creations using Afrofuturism and Science Fiction as vehicles for expression and agency.
Black Tribbles is a radio show about geek culture and media in which five people of African American descent engage in thought-provoking conversation and provide critical insight into a culture that is often devoid of a Black influence. The show is witty, irreverent and informative, simultaneously entertaining as it educates.
Every Thursday night, the Tribbles – Jason “Spider Tribble” Richardson; producer, Len “Bat Tribble Webb; co-producer, Kennedy “Storm Tribble” Allen; Erik “Master Tribble” Darden; and Randy “Super Tribble” Green – gather in the radio studio to banter about the nerdy things that excite them, from comic books and fantasy movies to science, history and ancient mythology.
Recently, they hosted a special show – Octavia City – in which original tales of afrofuturism from some of science fiction and fantasy’s upcoming and brightest stars were performed live.
Of course, this list could be expanded to include many more Black men and women who are doing great things in speculative fiction and film. If you would like more authors and filmmakers featured, please, let me know and I will be glad to introduce you to others.
Until then, happy reading and watching!