What We Can Learn From The Chinese

Author Neil Gaiman shared a fascinating fact. While appearing as a Guest of Honor at China’s largest state approved Science Fiction convention, Neil decided to enquire why Science Fiction, once frowned upon by the Chinese government, was now not only approved of, but encouraged, with China now the world’s largest market for Science Fiction, with the highest circulation of Science Fiction magazines and the largest Science Fiction conventions.

The answer Neil was given is very interesting.

China is the world’s manufacturing powerhouse. But it doesn’t invent or design most of the things it manufactures. China wants to capture the creativity and imagination of the culture that has produced companies like Google and Apple. So Chinese researchers talked to people involved with those and other companies to see what factors they had in common. The answer?

They all read Science Fiction.

The Chinese acted upon this research and today, throughout China, Science Fiction is a thriving and respected genre, read widely; which is very different from the early eighties, when Science Fiction was declared to be “spiritual pollution” and banned by the government. Back then, Science Fiction in China all but disappeared. But it has come back stronger than ever, appealing to a new generation of Chinese who see themselves as part of a world-wide cultural phenomenon, which includes Hip Hop, Fashion, Movies and Science Fiction.

In the past decade, Science Fiction has overtaken fantasy as the popular literary form, even though fantastic fiction is an integral part of the history of Chinese literature.

Science Fiction studies continue at Beijing Normal University, the largest research and editing center of science-fiction theory and criticism in the world. Western authors and scholars visit there often and in the future, this center is expected to be the center of international Science Fiction research.

Science Fiction is an essential influence in the development of top level creative thinkers, especially those dealing with technology. We live in an age of unparalleled technological development, which is creating change throughout society of an unprecedented magnitude. Science Fiction, in all its forms, is a valuable tool for helping train people to creatively work with that change.

Science Fiction does not just show us possible futures, it trains us to anticipate new technology, model how it will impact our lives and exploit that insight.


Black Speculative Fiction

Aside from Nnedi Okorafor’s Zahrah the Windseeker and the Shadow Speaker; Wendy Raven McNair’s novels, Asleep and Awake; Alicia McCalla’s Breaking Free and Jason McCammon’s Ancient Lands: Warrior Quest: Search for the Ifa Scepter, it is difficult to find Speculative fiction (Science Fiction and Fantasy) with Black protagonists or secondary characters written for young adults by Black authors. Middle Grade novels are even harder to find, with L.M. Davis’ Interlopers at the fore.

In their 2003 study of middle school genre fiction, Agosto, Hughes-Hassell, and Gilmore-Clough found that of 976 reviews of youth fantasy novels, only 6 percent featured protagonists or secondary characters of color, and that of the 387 reviews of youth science fiction, only 5 percent featured protagonists or secondary characters of color. Yet, as more Black authors of adult science fiction/fantasy – like L.A. Banks, Stephen Barnes, Tananarive Due, Nalo Hopkinson, Charles Saunders, Walter Mosley, Ronald Jones, Valjeanne Jeffers, Milton Davis and Balogun (smile) – grow in popularity and fill a much needed void, more Black writers are getting the opportunity to fill that void in youth literature as well.

As the Chinese have come to realize, filling that void is important for several reasons and is a must for people of color, particularly those of African descent.

Studies have shown that, in the general population, Science Fiction and Fantasy has an impact on the teaching of values and critical literacy to young adults. Science Fiction challenges readers to first imagine and then to realize the future of not only the novel they are reading but, also the future of the world in which they live.

Looking at the most visible popular examples of epic fantasy – J.R.R. Tolkien, Robert E. Howard and bestselling authors J.K. Rowling, George R.R. Martin and Robert Jordan – a casual observer might assume that big, continent-spanning sagas with magic in them are always set in some imaginary variation on Medieval – and, sometimes, even modern – Britain. The stories include the common tropes – swords, talismans of power, wizards and the occasional dragon, all in a world where Black people rarely exist; and those who do appear are decidedly peripheral and usually work for the bad guys.

That same casual observer might therefore conclude that epic fantasy – one of today’s most popular genres of fiction – would hold little interest for Black readers and even less for Black writers. But that casual observer would be wrong.

Young adults of African descent can – and do – relate to the experiences in science fiction and fantasy. Indeed, they crave these experiences and read speculative fiction just as voraciously as young adults of other races. But the lack of self-images in this literature can have a negative effect on the psyche of young readers and can, indeed, contribute to negative behavior. We derive our perceptions of self by what we hear, see, and read and our perception directly affects our actions.

The Process of Action works as follows:

  1. Perception (precedes Thought)
  2. Thought (precedes Impulse)
  3. Impulse (precedes Action)
  4. Action

If the Perception of ourselves is a person who lacks courage, integrity and goodness – because we do not see ourselves possessing heroic qualities in most books – the Thought creeps into our minds that we lack those heroic qualities, so we are – by default – villains. The Thought grows into a strong Impulse to be the villain; and finally, the Action of villainy takes place.

However, if – through fantasy and science fiction written with Black characters as the heroes – our youth begin to perceive themselves as heroic…as hard working…as good…they will begin to act in accord with how they perceive themselves.

The aforementioned authors have published books of Science Fiction and Fantasy featuring Black youth as protagonists. An analysis of these books reveals plots that are fun and adventurous; black protagonists who are gifted, insightful youth surrounded by functional, supportive family units; and themes common to the Science Fiction and Fantasy genres, like courage, integrity, and good versus evil. While race and ethnicity are not ignored in these books, the race or ethnicity of a character does not drive the plot.

Our youth need stories that do not deny race or the historical implications of race, while remaining unhindered by the racism that may be present.

The State of Black Science Fiction 2012 Youth Symposium

On May 5, 2012, in Atlanta, a group of Black authors of speculative fiction – in conjunction with the Auburn Avenue Research Library on African American Culture and History – are coming together to host The State of Black Science Fiction 2012 Youth Symposium, a day-long symposium spotlighting science fiction and fantasy as a signature intersection of science, history, technology, and humanistic studies. This symposium will serve as the blueprint for a national conference.

The symposium will feature scholarly panel discussions involving authors and artists of African descent who will showcase their involvement in their respective genres and subgenres of fantasy and science fiction across various media, as it relates to issues of cultural, scientific and technical development. The symposium will also feature a writers’ workshop, a presentation by young writers from African-Centered schools throughout Atlanta Metro and readings by authors L.M. Davis, Milton Davis, Alan Jones, Alicia McCalla, Wendy Raven McNair, Balogun Ojetade and moderator Ed Hall.

The schedule will be as follows:

11:00 am1:00 pm: Youth Speculative Fiction Writers’ Workshop

1:00 pm2:30 pm: Youth Presentation

2:30 pm 4:30 pm: State of Black Science Fiction 2012 Presentation

4:30 pm – 5:30 pm: Artist and Author Meet-and-Greet and Book Signing

This symposium is Step One in raising the awareness of Black speculative fiction among our youth and in inspiring them to grow into the bright future of Black Science Fiction and Fantasy they are destined to become.

This event is free and open to the community. For further information, please join us on Facebook at https://www.facebook.com/events/172270232890661/.

What NOT to learn from the Chinese:

Just kidding! 🙂

About Balogun

Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single Link, Rite of Passage: Initiation and Rite of Passage: The Dentist of Westminster. He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at https://chroniclesofharriet.com/. He is author of eight novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika; a Fight Fiction, New Pulp novella, Fist of Afrika; the gritty, Urban Superhero series, A Single Link and Wrath of the Siafu; the two-fisted Dieselfunk tale, The Scythe and the “Choose-Your-Own-Destiny”-style Young Adult novel, The Keys. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk. Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis and co-author of the award winning screenplay, Ngolo. You can reach him on Facebook at www.facebook.com/Afrikan.Martial.Arts; on Twitter @Baba_Balogun and on Tumblr at www.tumblr.com/blog/blackspeculativefiction.

8 responses »

  1. meteorhouse says:

    Sword and soul is needed. It borrows from African Mythology instead of the same old European, mostly Authorian, legends (which, don’t get me wrong, I love). Charles Saunders is a GREAT writer and his character, Imaro, should be as iconic as Conan and Tarzan. The new work Milton Davis is doing is terrific, his two Meji novels tell a great story. While not all of the contributors to his anthology, Griots, were quite up to his standards, most of them were. There are a couple of stories in that book I’m still thinking about, six months after I read them.

  2. Milton says:

    So that’s why you wanted the name of that video. LOL!

  3. […] Steampunk and martial arts sites are abuzz with news of the upcoming release of Tai Chi 0 – the latest martial arts feature film from the Huayi brothers, producers of the mega-hit Kung Fu Hustle. Tai Chi 0, Directed by Stephen Fung and choreographed by mastermind Sammo Hung, is the first Steampunk martial arts film ever  and will be shot completely in China. The Chinese are now the world’s largest consumers of Science Fiction and they love Steampunk. Here is a link to a blog on the subject: https://chroniclesofharriet.wordpress.com/2012/04/17/what-we-can-learn-from-the-chinese/ […]

  4. […] In order for our youth to get a proper literary education – and indeed in order for them to carry forward a brighter future – they must read science fiction and fantasy. For more on this, please read https://chroniclesofharriet.wordpress.com/2012/04/10/why-black-children-need-to-read-write-science-fiction/ and  https://chroniclesofharriet.wordpress.com/2012/04/17/what-we-can-learn-from-the-chinese/. […]

  5. […] with Black protagonists – heroes who look like us – however, the stories are universal. It is important that all people, Black people in particular, read Science Fiction and we are giving everyone Blacknificent stories to dive […]

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