STEAMFUNK IS A TURKEY DRUMSTICK
For my safety and the safety of my family – who loves bacon (in case the BLA is monitoring this post), by the way – I have decided, for this post, to reserve my comparisons to turkey.
Not the whole turkey, mind you…just a turkey drumstick.
Recently, it was said to me that “Research isn’t necessary. After all, I am just writing fiction. A simple ‘it happens’ should suffice.” To that, I say that the reader is more sophisticated than you give them credit for.
I would also say that fiction is not the art of just ‘making things up’. Fiction – especially Steamfunk and other forms of Alternate History / Alternate Reality – is a turkey drumstick: It is the bone of reality covered by the meat of creativity. Meaning, at the core of good Steamfunk is reality and then you add layer after layer of creativity around that core.
For me, Steamfunk allows me to explore, question and alter history.
I use history as a source and creative tool in most of my writing. Real world history has heavily influenced my writing since elementary school, since –after English – History was my favorite subject. History has been used as a source of terror in most of my writings, and speculative history is a major part of my Steamfunk and Sword & Soul settings.
Among all spheres of knowledge, History – as a device for storytelling – best rewards our research. It is not the absolute that it is often treated as, however. From the perspective of the present, the past cannot be known with great certainty. Thus, history tells stories of past events, and – like all stories – is told by someone for a purpose.
History can be used to enlighten, educate, entertain, inspire, and influence.
The other type is Speculative History. This includes the “what if” of alternate history, as well as the projection of possible events into the future, which is the history of most science fiction settings.
Both types use historical analysis to generate a plausible set of events. This allows us, as writers, to tap into these created histories to add depth and life to our stories.
By far, the simplest technique is to take a bit of real world history and use it for inspiration. Alter a few things, combine fragments together, and you can create something with depth and character.
Begin with a change point – a historical event that you want to alter. From there, you can move on, creating changes until you end at the point your story begins. There are two theories with regards to change points. On one hand you can choose a major event, such as Germany winning WWII, the African Slave Trade never happening, or Frederick Douglass becoming President. The other theory is to change one small event and write what happens as a result, such as President Obama choosing Hillary Clinton as his Vice President, or Martin Luther King avoiding assassination.
Of course, you can combine these theories and come up with something really unique.
Whatever you decide to write, the next step is to show how and why the change in history occurred. For smaller changes, this is easier. The larger changes often require a summation of smaller changes, which result in the larger change. The earlier the change point, the greater the ‘snowball’ effect of changes. To be believable, you must do your research. Otherwise, you may make a mistake in some detail in setting or dialogue and readers who have done their research – a common phenomenon in science fiction and fantasy – are going to call you out on it. The readers’ suspension of disbelief will fade; they will close your book; and they will tell the world – via all the social media sites – how much your book sucks.
Although you do not need to be an expert, it helps to be well versed in history. I cannot stress enough that, if you are going to write speculative history, you must research…research…research!
You sit down to write a new story or novel. You want your story to be alternate history, with strong elements of fantasy and science fiction mixed. In fact, you want your story to be about Harriet Tubman. You want the world she operates in to be of the Steampunk subgenre and you want her – and others in her world – to possess “superpowers” (by the way, this has already been done in a cool and funktastic manner). What you are now writing is Alternate Reality – you are going to have to change not just history, but reality itself.
This means adding magic, anachronistic science based on clockwork mechanics and steam technology, psionics, super powers and the like. As with the altering of history, this will cause cascading effects on the timeline that need to be addressed.
If magic is possible, what does that mean to history? How would aether-based physics effect the development of social and political structures? If people can read minds, what does that do to concepts of privacy? If you have people flying around and throwing horses over houses, what purpose does society put these powers to? These are questions intrinsic to certain genres, but they also apply to the alternate history that introducing changes in reality can bring.
One of the pitfalls of altering reality is that suspension of disbelief becomes an issue. The degree to which you convince the reader these things are possible depends – once again – on the degree of your research and on your level of creativity.
Steamfunk is a turkey drumstick.
Hmm…is there a Boiled Turkey Lovers of America?
Here’s a list of some of my fellow Steamfunkateers. We’re celebrating the release of Steamfunk, so check out their sites for a funky overdose – which, unlike most overdoses, is a good thing!
Milton Davis – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com andwww.wagadu.ning.com .
Ray Dean – Growing up in Hawaii, Ray Dean had the opportunity to enjoy nearly every culture under the sun. The Steamfunk Anthology was an inspiration she couldn’t pass up. Ray can be reached at http://www.raydean.net/.
Malon Edwards – Born and raised on the South Side of Chicago, Malon Edwards now lives in the Greater Toronto Area. Much of his speculative fiction features people of color and is set in his hometown. Malon can be reached ateastofmars.blogspot.com.
Valjeanne Jeffers – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls, Immortal IV: Collision of Worlds and The Switch: Clockwork. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/ .
Rebecca M. Kyle – With a birthday on Friday 13, it’s only natural that the author is fascinated with myths, legends, and oddities of all kinds. Ms. Kyle lives with her husband, four cats, and more rocks and books than she cares to count between the Smokies and Cumberland mountains. Visit her at http://bexboox13.blogspot.com/.
Carole McDonnell – is a writer of Christian, supernatural, and ethnic stories. Her writings appear in various anthologies, including So Long Been Dreaming: Postcolonialism in Science Fiction, edited by Nalo Hopkinson; Jigsaw Nation; and Life Spices from Seasoned Sistahs: Writings by Mature Women of Color among others. Her reviews appear in print and at various online sites. Her novels are the Christian speculative fiction, Wind Follower, and The Constant Tower. Her Bible study is called: Seeds of Bible Study. Her website is http://carolemcdonnell.blogspot.com/.
Balogun Ojetade – Author of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: The Chronicles of Harriet Tubman” (Steamfunk); “Once Upon A Time in Afrika” (Sword and Soul); “Redeemer” (Urban Fantasy) and the film, “A Single Link” and “Rite of Passage”. Finally, he is Co-Author of “Ki-Khanga: The Anthology” and Co-Editor of “Steamfunk!” Visit him: https://chroniclesofharriet.com/.
Hannibal Tabu – is a writer, a storyteller, and by god, a fan. He has written the novels, “The Crown: Ascenscion” and “Faraway” and the upcoming scifi political thriller “Rogue Nation.” He is currently the co-owner and editor-in-chief of Black geek website Komplicated at the Good Men Project, and uses his Operative Network website (www.operative.net) to publish his poetry, market what he’s doing, rant at the world and emit strangled cries for help.
Geoffrey Thorne – Geoffrey Thorne has written a lot of stuff in a lot of venues and will be writing more in more. It’s his distinct pleasure to take part in another of these groundbreaking anthologies. Thanks for letting me roll with you folks. For more (and God knows why you’d want more) check outhttp://www.geoffreythorne.com/.