NO QUEENS IN AFRIKA: Women Rulers in Sword & Soul and other African-Inspired Fantasy


Sword and SoulRecently, an article about the history of Nzinga, woman ruler of Angola, has surfaced and is circulating around Facebook.

Now, while I am happy to see Nzinga recognized, every time I see it I cringe.


Because, the posters of that article scream “The mighty Queen Nzinga!” or “Warrior-Queen Nzinga!” or “Another great African Queen: Nzinga!” or, simply “Queen Nzinga!”


Nzinga was never a queen people!

No African woman ever was.

That’s right. I said it. Now, read on!

I should say that no traditional, pre-colonial, woman – or woman who opposed colonization / slavery ever was – because later, you did have some Europeanized African rulers who, in their attempts to reduce the power of women, reduced them to queens – and many women accepted their lot.

Nzinga was an Ngola – a ruler of a nation; a “king”, if you must.

Sword and SoulSome say she was given the title after the passing of her father, who was an Ngola. Some say Nzinga was given the title after murdering her own brother and becoming her father’s next heir to the throne. However she became Ngola, she was Ngola…not queen.

Traditional rulers throughout Africa were not always given the title and responsibilities of rule by birth or by blood. More often than not, the people chose their ruler and if the ruler did not serve and / or represent the people well, the ruler could be removed from his or her throne.

It was the people who governed and, to the people, gender was rarely a factor in who they chose to lead them.

Among the Yoruba, anyone born under the Odu – the 256 patterns of life / containers of destiny in which all creation exists – Irete Ogbe (aka Irentegbe, or Ategbe) is destined to be an Ǫba, or “king”; gender be damned.

The term “queen” is a product of recent history and the English language. In Ancient African, Asian and Pacific cultures, and even some European countries, women rulers were given the title king or its equivalent, such as pharaoh.

The Byzantine Empress Irene was called basileus – “emperor” – not basilissa, or “empress”. Jadwiga of Poland was crowned Rex Poloniae, King of Poland.

In China, Wu Zetian became the emperor and established the Zhou Dynasty after dismissing her sons. It should be noted that Emperor Wu is described throughout history as huangdi – “emperor”, as opposed to huanghou – “empress”. Similarly, in Korea, the rulers Sindeok and Jindeok were called yeowang – “female king” not hwanghu – “queen”, which refers to the wife of a king or emperor.

“Then what the hell is a queen?” You ask?

Well, let’s examine the term.

A queen regnant (plural: queens regnant) is a European female monarch who reigns in her own right, in contrast to a queen regent, also known as a queen consort, who is the wife of a reigning king.

An empress regnant is a female monarch who reigns in her own right over an empire.

A queen regnant possesses and exercises sovereign powers. The husband of a queen regnant does not usually share his wife’s rank, title or sovereignty.

A queen consort, on the other hand, shares her husband’s rank and titles, but does not share his sovereignty.

A queen dowager is the widow of a king. A queen mother is a queen dowager who is also the mother of a reigning sovereign.

Among the Davidic Monarchs of the Kingdom of Judah, there is mentioned a single queen regnant, Athaliah, though the Hebrew Bible regards her negatively as a usurper. The much later Hasmonean, Queen Salome Alexandra (Shlom Tzion), was highly popular.

Accession of a regnant occurs as a nation’s order of succession permits. Methods of succession to queendoms, kingdoms and tribal chieftancies, include nomination when the sitting monarch or a council names an heir, known as primogeniture when the children are chosen in order of birth from eldest to youngest; or ultimogeniture when the children are chosen from youngest to eldest.

Historically, many European realms forbade succession by women or through a female line in obedience to the Salic law, and some still do. No queen regnant ever ruled France, for example. Only one woman, Maria Theresa, ruled Austria.

In Japan, the Chrysanthemum Throne – currently barred to women – did not always have such a restriction. There have been eight empresses regnant. The Japanese language calls such women rulers josei tennō – “female imperial ruler” – with kōgō being the term reserved for an empress consort.

Now that you have a clearer understanding of the differences between European and African women who rule and how referring to such African women as “Queen” in your fiction is not correct and could even be considered insulting to many, let’s look at a few African women rulers for information and inspiration in your research and writings.

Amina – or Aminatu – of Zazzau (Zaria)

Sword and SoulAmina was the eldest daughter of Bakwa Turunku – also a woman – the founder of the Zazzau Kingdom in 1536. After the death of her mother in 1549, Amina ascended the throne. This medieval African kingdom was located in the region now known as the Kaduna State in the north-central region of Nigeria, capital at the modern city of Zaria, named after Amina’s younger sister, Zariya.

The earliest commentator to mention Amina is Muhammed Bello’s history text, Ifaq al-Maysur, composed around 1836.

Amina is also mentioned in the Kano Chronicle, a well-regarded and detailed history of the city of Kano and the surrounding Hausa people.

Known as a great military strategist, the cavalry-trained Amina fought many wars that expanded the southernmost Hausa kingdom.

Amina is a legend among the Hausa people for her military exploits. She controlled the trade routes in the region, erecting a network of commerce within the great earthen walls that surrounded Hausa cities within her dominion. According to the Kano Chronicle, she conquered as far as Nupe and Kwarafa, ruling for 34 years.

Moremi Ajasoro, Olori of Ile Ife

Sword and SoulMoremi Ajasoro was a figure of high significance in the history of the Yoruba people of Southwest Nigeria, Benin and Togo. She was a member, by marriage of the of the royal family of Emperor Oduduwa, the progenitor of the Yoruba people (whom some scholars believe was a woman).

Moremi was an Olori – a title held only by certain Chiefs – hailing from Ile Ife, a kingdom at war with the neighboring Ìgbò nation.

Scores of Ife – or citizens of the Kingdom of Ile Ife – were enslaved by the Ìgbò. Because of this, the Ìgbò were generally regarded with disdain by the Yoruba city-states.

Moremi – a very brave and beautiful woman – was taken and enslaved by the Ìgbò and, due to her beauty, was wed to their ruler.

After familiarizing herself with the secrets of her new husband’s army, Moremi escaped to Ile Ife and revealed these secrets to the Yoruba, who were able to subsequently defeat the Ìgbò in battle.

Following the war, Moremi returned to her first husband, King Oranmiyan of Ile Ife.

Oranmiyan immediately had Moremi re-instated as his wife and as a Chief.

In contemporary Nigeria, a number of public places are named after Moremi, such as the women’s residence halls at the University of Lagos and Obafemi Awolowo University.


Sword and SoulHatshepsut – meaning “Foremost of Noble Ladies” – was the fifth pharaoh of the eighteenth dynasty of Ancient Egypt. She is generally regarded by Egyptologists as one of the most successful pharaohs, reigning longer than any other woman of an indigenous Egyptian dynasty. She is also known to scholars as “the first great woman in history of whom we are informed.”

Although it was uncommon for Egypt to be ruled by a woman, the situation was not unprecedented. Hatshepsut was preceded by Merneith, of the first dynasty; Nimaethap, of the third dynasty; Nitocris, the last pharaoh of the sixth dynasty; Sobekneferu, of the twelfth dynasty; and the warrior, Ahotep I.

In comparison with other women pharaohs, Hatshepsut’s reign was much longer and much more prosperous. She was successful in warfare early in her reign, but generally is considered to be a pharaoh who inaugurated a long peaceful era. Hatshepsut reestablished international trading relationships, once lost during a foreign occupation, and brought great wealth to Egypt – wealth that enabled her to initiate building projects that raised the caliber of Ancient Egyptian architecture to a standard that would not be rivaled by any other culture for a thousand years. Hatshepsut ruled for twenty-two years.

Ngola Nzinga Mbandi

Sword and SoulNzinga Mbandi was a ruthless and powerful ruler of the Ndongo and Matamba Kingdoms, which is now the nation of Angola.

Nzinga fearlessly and cleverly fought for the freedom and stature of her kingdoms against the Portuguese, who were colonizing the area at the time.

Around the turn of the 17th century, the independent kingdoms and states of the Central African coast were threatened by Portuguese attempts to colonize Luanda, today the capital of Angola.

Portugal sought to colonize the region in order to control the trade in African slaves, and attacked many of their old trading partners to further this goal.

Unlike many other rulers at the time, Nzinga was able to adapt to these changing circumstances and fluctuations in power around her. By her own determination and refusal to give in to the Portuguese without a fight, she transformed her kingdom into a formidable commercial state on equal footing with the Portuguese colonies.

In 1617 the new Portuguese governor of Luanda began an aggressive campaign against the kingdom of Ndongo. His troops invaded the capital and forced Ngola Mbandi – Nzinga’s brother, who inherited the throne from their father – to flee from the area. Thousands of Ndongo people were taken prisoner.

The Ngola sent his sister Nzinga Mbandi to negotiate a peace treaty in 1621, which she did successfully. But Portugal didn’t honor the terms of the treaty.

Ngola Mbandi, feeling he had failed his people, committed suicide, leaving the kingdom to his sister, Nzinga.

Sword and SoulAs the new sovereign of Ndongo, Nzinga re-entered negotiations with the Portuguese. At the time, Ndongo was under attack from both the Portuguese and neighboring African aggressors. Nzinga realized that in order to achieve peace and for her kingdom to remain viable, she needed to become an intermediary. She allied Ndongo with Portugal, and was baptized as Ana de Sousa Nzinga Mbande, with the Portuguese colonial governor serving as her godfather. By doing this she acquired a partner in her fight against her African enemies, and ending Portuguese slave raiding in the kingdom.

The new alliance didn’t last very long, however. Portugal betrayed Ndongo in 1626, and Nzinga was forced to flee when war broke out. Nzinga took over as ruler of the nearby kingdom of Matamba, capturing Matamba’s ruler – a woman by the name of Mwongo Matamba – and routing her army. Nzinga then made Matamba her capital, joining it to the Kingdom of Ndongo.

To build up her kingdom’s martial power, Nzinga offered sanctuary to runaway slaves and Portuguese-trained African soldiers and stirred up rebellion among the people still left in Ndongo, now ruled by the Portuguese.

Nzinga also reached out to the Dutch and invited them to join troops with her. She told the Dutch she would be happy to ally with them because of their justice and politeness, whereas the Portuguese were proud and haughty.

Even their combined forces were not enough to drive the Portuguese out, however, and after retreating to Matamba again, Nzinga started to focus on developing Matamba as a trading power and the gateway to the Central African interior.

By the time of Nzinga’s death in 1661 at the age of 81, Matamba was on equal footing with the Portuguese colony. The Portuguese came to respect Ngola Nzinga for her shrewdness and tenacity.

Now, please, no more excuses. If you are writing Sword and Soul, building an African setting for your Fantasy Role-Playing Game, or hell, writing an essay on an African ruler who happens to be a woman, please, do your research. Get it right.

And for all you players and smooth-talkers, the next time you open your mouth to call a sister a “beautiful African Queen”…don’t.

Beautiful African King, maybe. But if that doesn’t sound right to you, although it’s much more accurate, hell, just go with Goddess. Yeah, that’s it.


Sword and Soul

About Balogun

Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single Link, Rite of Passage: Initiation and Rite of Passage: The Dentist of Westminster. He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at He is author of eight novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika; a Fight Fiction, New Pulp novella, Fist of Afrika; the gritty, Urban Superhero series, A Single Link and Wrath of the Siafu; the two-fisted Dieselfunk tale, The Scythe and the “Choose-Your-Own-Destiny”-style Young Adult novel, The Keys. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk. Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis and co-author of the award winning screenplay, Ngolo. You can reach him on Facebook at; on Twitter @Baba_Balogun and on Tumblr at

11 responses »

  1. Fujimoto says:

    That’s an interesting subject to think about, although “queen” is just so easy to refer to the female equivalent to a king. One thing I do in writing though is use “sovereign” to make the title gender neutral.

  2. […] famed author, Charles R. Saunders, the father and founder of Sword and Soul, has an indirect, but significant involvement in our works. Charles is muse, friend and Jegna to us […]

  3. […] on the battlefield and you become Imaro, Changa, Mistress Oyabakin, or even King – yes, King, not Queen […]

  4. Reblogged this on theladyonthelake's Blog and commented:
    Wonderful information

  5. Ayaba says:

    Reblogged this on Ayaba's Labyrinth and commented:
    Exactly why I do not like men calling me a queen. It signifies that I am below him. If only people would research what they say. You’d think those who claim to be Afrocentric would not subscribe to European ideals but that usually isn’t the case.

  6. Cherri F. says:

    Reblogged this on Thinkers Delight and commented:
    This is really fascinating stuff right here. History is dope. That is all. You learn something new everyday. It’s funny because I was always kinda iffy on the “Black Queen” thing myself (seems like a good number of Black women are), and reading this makes a lot of sense why.

  7. […] Carol Christine Hilaria “C. C. H.” Pounder is the undisputed king – remember, there are no queens in Afrika – of Black Speculative visual […]

  8. LunarB says:

    Reblogged this on lunarbutterflyproductions313 and commented:

  9. Cerece says:

    I have been waiting to read this for years. So glad I finally got around to it! Hope you are well!

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